City of God is a movie that takes place in Rio De Janerio beginning in the 1960s. It is a story of a young Brazilian boy named Rocket who observes and experiences the shift in power and how that power is gained and maintained in the world of drugs. It can be said that unsavory choices are made in order for L’il Ze to get to the top, however it could be argued that he is just playing by the rules of the street. This is how macro-subcultural theories apply to the movie City of God, leaders take and maintain power through force as they have been taught and continue to teach others to do.
Elijah Anderson’s code of the street is remarkably applicable to the actions of the boys in this story. In his theory Anderson states that violence and other behavior is a learned response to threats to masculinity and reputation. There is a large focus around the protection of masculinity by the boys in this film. L’il Ze is one of the main culprits of asserting their masculinity. L’il Ze is a hoodlum who came to power in the “City of God” by killing other drug dealers to control the market. In the beginning of the movie, he protested he was a man and deserved a gun more than Goose and that he should go into the brothel for the stick up. The need to prove his masculinity continued far beyond his childhood and in much more aggressive ways. He constantly tried emasculating others by doing things like calling them “fags”, this insult was meant to calls one’s competence to be a man into question.
Women today are still battling with the stereotypes given to them many years ago. Women are seen as less than men, they are expected to stay home and take care of the children and absolutely never be more successful than a man. They are not supposed to be seen as the hero in a situation because heroes are seen as masculine men, not women. More shows and movies are starting to fight back against these stereotypes. One show in particular, NCIS or the Naval Criminal Investigative Service, portrays women as strong and successful. It gives women a chance to show how confident they can be in themselves and that they can also be considered the hero. NCIS shows through Abby and Ziva that women can be successful and the hero, which provides women with a strong and heroic role model to emulate.
The novel Deliverance by James Dickey portrays the essence of middle-aged men experiencing the mid-life crisis through which they must prove to themselves and more importantly every one else that they still possess the strength, bravery, intelligence, and charm believed to be society's ideal of "masculinity." Dickey's four main characters undertake a risky adventure to satisfy their egotistical complexes and prove to the world that they are still the strong young men their wives married. Each character represents a different stereotype of the middle-aged man, and therefore experiences a different type of psychological and physical journey than their peers.
Fernando Meirelles’s City of God (2002) has provoked critical discussion concerning its representation of the Brazilian working class since its release[2]. The film has been described as both disturbing and electrifying for its brutal realism and inspired
Men in the tragedies need to proves that they are superior to all other men and securing the beautiful woman that everyone is chasing is a frequent method. Ovid’s story of Atlanta portrays men competing for a bride. Atlanta agrees to marry the man who is able to beat her in a race.By being the fastest and most athletic, which are qualities associated highly with masculinity, the boys competing for Atlanta are showing who is manliest. Not only must the potential groom beat out all other men, but he must be able to outrun, or overtake, his bride. In a brief sword fight in the Capulet’s tomb, Romeo and Paris compete for Juliet and the victor is allowed to mourn her as his wife (Shakespeare 5.3.80). Women are a prize to be won and males are driven
The City of God is based on actual events that occurred in Rio de Janeiro during the 1960’s and 1970’s. The movie is about the rise and fall of a fearsome sociopath gang leader Li’l Ze, who reigned as king of the drug lords during the 70’s. The first part of the movie illustrates some of the forces that mold Li’l Ze into the man he becomes, while the second half shows his ruthless leap to power, followed by the war he wages against opposing gang leaders Carrot and Knockout Ned. The film is narrated by Rocket, a photographer who exists on the outskirts of Li’l Ze’s circle of dominance and control. In the film the city is filled with ruthless acts of delinquency and is basically in
The City of God is based on actual events that occurred in Rio de Janeiro during the 1960's and 1970's. The movie is about the rise and fall of a fearsome sociopath gang leader Li'l Ze, who reigned as king of the drug lords during the 70's. The first part of the movie illustrates some of the forces that mold Li'l Ze into the man he becomes, while the second half shows his ruthless leap to power, followed by the war he wages against opposing gang leaders Carrot and Knockout Ned. The film is narrated by Rocket, a photographer who exists on the outskirts of Li'l Ze's circle of dominance and control. In the film the city is filled with ruthless acts of
In this paper, I will explore various discourses that shaped the understanding of male gender in medieval England and the notion of masculinity in Canterbury Tales.
1.) The people in the novel The Sun Also Rises are lost in more ways than one. The men all throughout the novel would struggle with the idea of masculinity. For instance Romero is wanting to marry Brett. Although, he wants Brett to conform to the traditional, feminine woman. Brett confides into Jake saying how "He said it would make me more womanly. I'd look a fright," (246). This connects to the idea of masculinity and how it is hard for men in that time period to obtain it. That is because one of the many ways masculinity was obtained wat through women. If he could control Brett how he wanted, and marry her, he would become more manly. Another way in which the people in the novel are lost is that they feel a need to be accepted. Cohn was
What is it to be a man? Masculinity is defined and characterized differently across cultures and time there is no “global” standard. In some cultures, being a man may mean being comfortable with both your masculine and feminine sides or it could suggest being “tough” and not letting your feelings show at all. Manliness can be demonstrated in some cultures by providing for a family through work, and in others, it might mean scoring the winning goal in a championship game. Trying to define one’s own masculinity and live up to its standards is a tough and grueling task that many men struggle with. Maintaining this masculinity is something that the male characters in both Death of a Salesman and A Raisin in the Sun are familiar with.
In Germinal, from the depiction of Bonnemort to the only survivor of mine incident Lantier, Émile Zola depicts mostly depressing feelings revealing the hard lives of mid-nineteenth-century French miners. Germinal is a novel full of abusive relationships between parent and child, man and woman, and the bourgeoisie and the proletariat. Gender and class relation intertwine with each other, both powerfully exert substantial influence in shaping mid-nineteenth century of French life. The male dominance over female differentiates roles of men and women, and sets the basic structure of a patriarchal family.
To read Babio without recognizing the gender politics at work in the play would disregard much of how the play itself creates meaning. So much of the play’s plot and character dynamics are related to the way gender functions in this play. One major theme of Babio is the idea of masculinity and how masculinity is defined. Through the portrayal of Babio as an effeminate character, Babio is able to define masculinity through absences in Babio’s Character. Consequently, Babio makes the additional point that lovesickness is not an intrinsic aspect of medieval masculinity, despite the fact that love sickness is often attributed to men.
“The cult of masculinity.” When it comes to the big screen, women are treated like second-class citizens. Women were portrayed as helpless creatures, waiting in the castle for their Prince Charming whereas men were dauntless, swooping the Princess of her feet and saving the day. This gender gap came to an end when The Hunger Games (2012) was released in theaters. The brave Katniss Everdeen (Jennifer Lawrence) did what no “real” man or Prince could ever do – stand up for someone else – even when it meant risking her own life. The Hunger Games was not only one of the top grossing movies of the year, but it was also one of the very few movies where a woman was able to display her stability and willingness to fight. The Hunger Games, Divergent, and Gravity are some of the few movies that show a women’s potential than to sit in a castle. They all show three common characteristics for the roles of women: courage, personality, and recognition.
Things Fall Apart a historical fiction novel written by Chinua Achebe, starts off with the main protagonist Okonkwo, who was one of the most respected people in the Umuofia village, defeating the seven-year wrestling champion. Okonkwo was never really a patient man especially with the ones that show no promise to him, the only emotion that he ever shows is his anger and that does not end well for people who are around him. Since Okonkwo is one of the most fearless people in the village and is the most respected there he believes that there is no one that can mess with him which means that he shows a lot of masculinity and pride in himself, but this could lead to the downfall of his fame. Okonkwo is going to be only reason for why his downfall is coming so soon. This is because he shows too much pride and masculinity in himself which affects him and others around him.
City of God mixes with furious energy as it falls into the story of the slum gangs of Rio de Janeiro. Spectacular and disturbing, promptly involved with its characters. City of God has been compared with the film "GoodFellas," and holds a fair comparison due to its great story. The movie takes place in slums constructed by the government of Rio to separate the poor people from the city center.
In conclusion the movie “City of God” was an excellent example of the many sociological theories discussed in class. The movie demonstrated the functionalist theory, the interactionist theory, the conflict theory and even the control theory. It provided a prime example of the work of many sociologists, such as Emil Durkheim, Robert Merton, Edwin Sutherland, Edwin Lemert, Karl Marx and many others. Each of these sociological theories was helpful in understanding the crime and deviance in the movie.