Salesman/Sun
What is it to be a man? Masculinity is defined and characterized differently across cultures and time there is no “global” standard. In some cultures, being a man may mean being comfortable with both your masculine and feminine sides or it could suggest being “tough” and not letting your feelings show at all. Manliness can be demonstrated in some cultures by providing for a family through work, and in others, it might mean scoring the winning goal in a championship game. Trying to define one’s own masculinity and live up to its standards is a tough and grueling task that many men struggle with. Maintaining this masculinity is something that the male characters in both Death of a Salesman and A Raisin in the Sun are familiar with.
Willy Loman is incapable of accepting the fact that he is a mediocre salesman. Instead Willy strives for his version of the American dream success and notoriety even if he is forced to deny reality in order to achieve it. Instead of acknowledging that he is not a well-known success, Willy retreats into the past and chooses to relive past memories and events in which he is perceived as successful. Willy's favorite memory is of Biff's last football game because Biff vows to make a touchdown just for him. In this scene in the past, Willy can hardly wait to tell the story to his buyers. He considers himself famous as a result of his son's pride in him. Willy's sons, Biff and Happy, adopt Willy's habit of denying or manipulating reality and practice it all of their lives, much to their detriment. It is only at the end of the play that Biff admits he has been a "phony" too, just like Willy. Linda is the only character that recognizes the Loman family lives in denial; however, she goes along with Willy's fantasies in order to preserve his fragile mental state. As the play goes on, Willy spends more and more time in the past as a means of reestablishing order in his life. The more terrible reality becomes, the more necessary it is for Willy to create an alternative reality, even if it requires him to live solely in the past. This is demonstrated immediately after Willy is fired. Ben appears, and Willy confides "nothing's working out. I don't know what to do." Ben quickly
Willy foolishly pursues the wrong dream and constantly lives in an unreal world blinded from reality. Despite his dream Willy constantly attempts to live in an artificial world and claims “If old Wagner was alive I’d be in charge of New York by now” (Miller 14). As a result, Willy often ignores his troubles and denies any financial trouble when he says “business is bad, it’s murderous. But not for me of course” (Miller 51). Another false segment of Willy’s dream includes the success of his two sons Happy and Biff. Biff was a high school football star who never cared about academics and now that he needs a job says “screw the business world” (Miller 61). Ironically, Willy suggests that Biff go west an “be a carpenter, or a cowboy, enjoy yourself!”, an idea that perhaps Willy should have pursued. Constantly advising his boys of the importance of being well liked, Willy fails to stress academics as an important part of life (Miller 40). Furthermore, Willy dies an unexpected death that reveals important causes of the failure to achieve the American dream. At the funeral Linda cries “I made the last payment on the house today... and there’ll be nobody home” to say that she misses Willy but in essence his death freed the Lomans from debt and the hopes and expectations Willy placed on his family (Miller 139). Very few people attend
In the first act, Miller introduces Willy Loman (salesman), and Linda Loman (Willy’s wife) first. In this scene, Willy comes home early from the road and claims he wasn’t feeling. Linda fixes him something to eat but when he sits to eat he ends up talking to his flashbacks. In the flashbacks, He is in a hotelroom with another women. The women is revealed to be his mistress when they kiss and he hands her a pair of stockings. Willy uses this mistress to become “well-liked”with the buyers connected to the mistress. Then Willy comes back to reality and finds his wife mending old stockings back together. This makes him mad and begs Linda to stop mending them in front of him. After he cleans up his meal, he daydreams about his sons, Biff and Happy, who had just finished washing their father’s car after Willy has just returned from a sales trip. When Biff tells Willy that he “borrowed” a football from the locker room to practice, Willy laughs at him and whispers that “he will soon open a bigger business than his successful neighbor Uncle Charley because Charley is not as “well liked” as he is.” Willy is very happy in the flashback because he believes that his son is “well-liked” and will do well in the
Willy Loman’s family and few friends are affected by his mental breakdowns brought on by his career and disappointment with Biff. In high school Biff was the star of the football team until he failed his mathematics course which led to Willy’s anger, frustration and disappointment towards Biff. His wife is especially concerned with Willy’s relationship with Biff, saying “There is no time for false pride, Willy. You go to your sons and you tell them that you’re tired. You’ve got two great boys, haven’t you?” (Miller 83). Willy, however, has other things on his mind. He is upset about the current industrial atmosphere. This is seen when he comments:
Willy is the aging salesman whose imagination is much larger than his sales ability. Willy's wife, Linda, stands by her husband even in his absence of realism. Biff and Happy follow in their father's fallacy of life. Willy's brother, Ben is the only member of the Loman family with the clear vision necessary to succeed. Charlie and his son Benard, on the other hand, enjoy better success in life compared
Willy Loman is a troubled and misguided man - a salesman and a dreamer with an extreme preoccupation with his own definition of success. Willy feels that physical impact is greater than the elements of his self-defined success. However, it is apparent that Willy Loman is no successful man, even by the audience's standards. He is still a travelling salesman in his sixties with no stable location or occupation, but clings on to his dreams and ideals. He compares his sons with Bernard, using him as a gauge of success. Nonetheless, he stays in the belief that his sons are better than Bernard. Willy recollects the neighbourhood years ago, and reminisces working for Frank Wagner, although he was also in the same condition then as now. He feels that the older Wagner appreciated him more, yet it was himself who voted Howard in. Arthur Miller presents Willy as a man with great bravado but little energy left to support it. He is always tired and has dementia, contradicting himself in his conversations and showing some memory loss, living in his world of illusions and delusions. He argues with Biff, both men without knowing why. The two sons of Willy display the physical appearance of adulthood, but their talk and attitude displays immaturity. Billy finds that he is a failure because of his lack of `success', while Happy thinks he is unfulfilled because he lacks failure.
Willy’s relationship with Biff and Happy also becomes strained throughout their lives. Since Biff was the older son and football star he made his father proud, and Happy was left without the praise that he needed and deserved, as he was always second best. Biff also was the one who caught his father having an affair with a woman in Boston, causing friction between himself and Willy. More importantly, Biff is extremely disturbed by his father's later behavior, including participating in imaginary conversations and reacting to his memories as though they were happening in the present. Willy's job also falls apart from the beginning of the play towards the end. Willy had been making enough money to support his family, but his unwillingness to learn new sales techniques or utilize modern technology resulted in lackluster sales and the loss of his job. Willy’s house had a mortgage until his death, implying that the family was not even secure in their own home. Finally, the family car, a symbol of pride within the Loman household, was destroyed when Willy committed suicide. This was the last example of Willy's destruction of all that was once important to him. Willy Loman, in this regard, follows Aristotle's suggestion that the tragic hero has "...a change of fortune... from prosperity to misfortune...." (Aristotle,1303)
In today’s society, masculinity has changed throughout time. Fast forward one hundred years ago, masculinity is defined as being strong and having a good paying job. But as the world is changing so is the representation of manliness. You don’t have to show your dominance over men or women today, but you should support your family nowadays and we have all been brainwashed by the thought of masculinity from our ancestors. As men our reputation is always being valued but now it isn’t so much about our reputation but about caring for one another and especially for our families. Perspective of manhood is also a significant factor in portraying what masculinity is in the eyes of other people. Masculinity has been shown through money, appearance, and providing protection for your family members but as we shift into the modern world, masculinity is not seen as displaying the most discipline but caring for one another by taking out some of your time to help one another. Throughout the paper, I will be writing about my interviews from a broad spectrum of ages from one of my younger sisters to my dad with not friends not at Seb’s in between so I can get what it really means to be a man from all ages.
Willy Loman's dream is an adaptation of the American Dream. Willy believes that the only things that are important in life are the successes that he achieved and the amount of friends that he made. This is easily illustrated when Willy says " It's who you know and the smile on your face! ... and that's the wonder, the wonder of this country, that a man can end with diamonds here on the basis of being liked!" (Movie). Success is an important part of the American dream, but Willy puts too much importance on the need to achieve success. He neglects the needs of his family and chooses to remain in the mindset that as long as he is well liked he will achieve success. Although he has lost his ability to sell, Willy continues to believe that as long as he works hard good things will happen to him and his family. Willy's wife Linda realizes this and conveys these thoughts to her sons when she says "He drives seven hundred miles, and when he gets there no one knows him anymore… what goes through a man's mind, driving seven hundred miles home without earning a cent?" (Movie). Willy has delusional ideas about the American Dream. Even in the end Willy still believes that the only thing Biff needs to be successful is some
This is what Willy has been trying to emulate his entire life. Willy's need to feel well-liked is so strong that he often makes up lies about his popularity and success. At times, Willy even believes these lies himself. At one point in the play, Willy tells his family of how well-liked he is in all of his towns and how vital he is to New England. Later, however, he tells Linda that no one remembers him and that the people laugh at him behind his back. As this demonstrates, Willy's need to feel well-liked also causes him to become intensely paranoid. When his son, Biff, for example, is trying to explain why he cannot become successful, Willy believes that Biff is just trying to spite him. Unfortunately, Willy never realizes that his values are flawed. As Biff points out at the end of the play, "he had the wrong dreams."
As the play progresses, one begins to feel sorry for Willy and his problem, but at the same time angry and frustrated with him for his foolish pride. With this trait, it prevented him from accepting a job from Charlie, something that could have saved his life. Also, it is with this false pride that has been sparking the family flame for years, the fact that the Loman name was well known and well-liked. The family lie that was amongst themselves is revealed during the climax of the play. One example is the way in which Willy led Biff to believe that he is a salesman for Oliver, which at the end left Biff disappointed. The reason for this estimation of the truth may be because of Willy’s idea that he has not raised Biff and Happy the right way.
Upon the opening of the play, Willy Loman exhibits his self-delusions and incoherent character when he contradicts himself by stating that his son “Biff Loman is lost” but “could be big in no time” (Act 1, page 1559). At this point, the audience can deduce that Willy’s frail character will most likely incite future conflict. In addition, this portrayal introduces a problem that Willy Loman contends with throughout the story. As Willy’s fantasies reach a climax, Biff tells his father to “take that phony dream and burn it,” and Willy brashly believes the remark to be a symbol of love before driving off in a car to commit suicide (Act 2, page 1617). Willy has instilled in his family such far-fetched falsehoods of success, that his own son discredits their soundness.
Masculinity can be defined as the behaviours, social roles, and relations of men within a given society in addition to the meanings that are attributed to them. The term masculinity stresses gender, unlike male, which stresses biological sex. Despite, this we often times see masculinity being represented as directly correlating to men with an inability to adhere to this is shown making you less of a "man". As put by Katz (1999) there is an expectation that men on screen must be void of emotion, not backing down from a fight, tough and an embodiment of the male gaze. Katz (1999) argues that essentially what
Willy is like an impetuous youngster with high ideals and high hopes. Children always have high hopes for their
Willy is offered help by his friend Charley, a successful Business man, Willies all time friend and only friends he has left, when Charley offers Willy a job, yet willy full of pride and envious of Charley rejects it yet does not rejects it but continues to borrow money from him. This is due to Willies flaw in his desire of being higher in society than anyone else.Willy cannot let go of the past and continuously refers to 1928, when his career was at its peak. His withdrawal into the past is a defense mechanism as he refuses to come to terms with his failure as a salesman. His illusions of grandeur lead to fierce exaggerations of himself. He tells Biff to "Go to Filene's go to the Hub, go to Slattery's, Boston. Call out the name Willy Loman and see what happens! Big shot!" (Miller, 62). He refuses to realize his personal failures and falsely believes that he is successful. Memories of a happier past Willy losing a grip on reality and on time escapes into the past. Despite his desperate searching through his past, The deep probing of dreams and memories in Death of A Salesman where quite important in illustrating Miller's point. Willy is a man stuck in the past reminiscing about times when things where good fabrication of those times really were as good as he imagines them to be? Like his inflated dreams of the future, the past may well be embellished by Willy's wild imagination. It seems
Willy Loman has the ups and downs of someone suffering from bipolar disorder: one minute he is happy and proud- the next he is angry and swearing at his sons. Their relationships are obviously not easy ones. Willy always has the deeper devotion, adoration, and near-hero worship for his son Biff; the boy, likewise, has a great love for his father. Each brags on the other incessantly, thereby ignoring the other son- Happy- who constantly tries to brag on himself in order to make up the lack of anyone to do it for him. This turns sour however, after Biff discovers the father he idolizes was not all he had thought him to be. Afterward, familial dynamics are never the same, as Willy continues to hope that Biff will succeed, ignorant- perhaps