Love Song of J. Alfred Prufrock Essay: In Depth Analysis

The use of allusions bring a sense of intimacy between reader and author. Prufrock wishes to be comforted.

J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these

The study of any poem often begins with its imagery. Being the centralized idea behind the power of poetry, imagery isn’t always there to just give a mental picture when reading the poem, but has other purposes. Imagery can speak to the five senses using figurative language as well as help create a specific emotion that the author is trying to infuse within the poem. It helps convey a complete human experience a very minimal amount of words. In this group of poems the author uses imagery to show that humanity is characterized as lost, sorrowful and regretful, but nature is untainted by being free of mistakes and flaws and by taking time to take in its attributes it can help humans have a sense of peace, purity, and joy, as well as a sense of

muster the courage to ask the question, he may at last find value in his life:

The internally rhyming third, fifth and seventh lines strengthen the message of the entire poem. For example, the words curse and universe are rhymed within the fifth line, which makes it stand out, emphasizing the message not to fight against the universe. Also, the words puny form are emphasized by the seventh line’s rhyming, contrasting that message with the universe alluded to in the fifth. The structure of the third line is enhanced not only by its rhyming scheme, but also by the fact that its pace is slowed down by the extra unstressed syllable. The line is: “Don’t set your force ‘gainst the river’s course “.

The multiplicity of meanings and (re)interpretations informing critical studies of The Awakening reveal a novel ripe for deconstructionist critique. Just as Chopin evokes an image of the sea as symbolic of Edna’s shifting consciousness (“never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude,”138), likewise the deconstructionist reading of a text emphasizes fluidity over structure: “A text consists of words inscribed in and inextricable from the myriad discourses that inform it; from the point of view of deconstruction, the boundaries between any given text and that larger text we call language are always shifting,” (297). From this

The use of free verse in the poem can be interpreted as the narrator’s internal misery that displays itself as amiability and composure on the

T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that

To many, the allure of poetry lies in the chance to draw our own understandings and conclusions. In this paper, I will be discussing T.S Eliot 's "The love Song of Alfred Prufrock” in comparison to Allen Ginsberg 's "A Supermarket in California." The first poem, "The Love song of Alfred Prufrock" by T.S Elliot, talks about a man who is quite doubtful and insecure about himself who kept questioning whether or not breaking out of his comfort zone was worth it. The second poem, "A Super market in California" by Allen Ginsberg follows a trip to a supermarket in California that the author takes while addressing his friend with questions. This paper will include an extensive analysis of my own interpretation of these two poems as well as the

He goes a step further than juxtaposition even. He destroys a half of the praiseworthy lines we have read so far, and a fourth of all the comforting imagery in the poem creating an “arbitrary unsure world” (Osler). He makes it that much more difficult to praise this world, only to command us to do it again.

Loneliness is a feeling that we have all felt here and there. A man in the poem “ The Love Song of J. Alfred Prufrock” by T.S Eliot feels trapped which caused him to have disorders. Nothing has never changed from living in the same city and not using his time wisely. He tried numerous ways to approach women but his low self esteem stopped him from moving forward. Although Prufrock seems like a miserable person, Prufrock suffers from obsessive compulsive disorder, depression, and paranoia that caused him to feel this way.

“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”

The poem suddenly becomes much darker in the last stanza and a Billy Collins explains how teachers, students or general readers of poetry ‘torture’ a poem by being what he believes is cruelly analytical. He says, “all they want to do is tie the poem to a chair with rope and torture a confession out of it”. Here, the poem is being personified yet again and this brings about an almost human connection between the reader and the poem. This use of personification is effective as it makes the

The first line of the final stanza ties the whole poem together. The paradox of staying steady by shaking, we find an answer to the contradiction of life and death. The "shaking" is a metaphor for our natural fear of accepting our fate and having an open mind to the experience of our sleeping state of fantasy. We learn to stay steady and balanced when referring to fear and fantasy, waken and sleeping, life and death when all these things come in contact. Being alive, we learn to understand logical part of nature or life and death it is inevitable. Being living beings, we learn to let our minds wander into the unconscious state and understand its connection to the physical world. This poem shows that humans come to terms with " [W]hat falls

The poem begins with the narrator's describing the poem as a 'dream' that ''was not at all a dream'', which already causes doubt and tension within the reader. The narrator then goes on to talk about