“Women cannot be murderers.” Even though this was not explicitly stated in the newspapers, The Boston Herald in its article “Lizzie Borden” conveys the perception that the feminine ways associated with women would make it impractical for women to commit murder. Lizzie Borden, a young lady accused of brutally killing her stepmother and father with multiple blows to their heads with a hatchet was described as a religious, sincere, and modest human being in The Boston Herald’s article covering Lizzie’s life before and after the murders. During Lizzie’s youth, she suffered from isolation because of her reserved personality and belief that nobody appreciated her presence, but in womanhood turned her life around and attain friendships who vouched for her good character during the time of the investigation. The Boston Herald’s article “Lizzie Borden: Her School and Later Life - A Noble Woman, Though Retiring”, successfully persuades the reader of Lizzie Borden’s innocence with the focus on her femininity through diction and logic. The word choice throughout the article promotes sympathy towards Lizzie that reiterates the idea that women are incompetent of committing heinous crimes. For example, in The Boston Herald’s article “Lizzie Borden” states, “Her dark, lustrous eyes, ordinarily flashing, were, dimmed, and her pale face was evidence of the physical suffering she was undergoing and had experienced” which implies the misery Lizzie has encountered after the death of her
In the early morning of August 4th, 1892 Andrew and Abby Borden were found murdered and mutilated in there home in Fall River, Massachusetts.
Nowadays, freedom is a fundamental right for each man and woman, but it is not a perfect concept. When one’s freedom is endangered, he can do unimaginable things, especially when love is at stake or can react weirdly when he acquires it. It’s exactly what Kate Chopin, a female American author during the 19th century, did when she treated about women’s conditions in the short-story Story of an Hour in 1894, where a woman falsely learns about his husband’s death. Almost 60 years later, Roald Dahl wrote Lamb To The Slaughter, set in Great Britain, where a woman kills her husband and hide the evidences cleverly. These two short stories are not only comparative on the two female protagonists and the imagery used, but also on the main themes
The Lizzie Borden case has mystified and fascinated those interested in crime forover on hundred years. Very few cases in American history have attracted as much attention as the hatchet murders of Andrew J. Borden and his wife, Abby Borden. The bloodiness of the acts in an otherwise respectable late nineteenth century domestic setting is startling. Along with the gruesome nature of the crimes is the unexpected character of the accused, not a hatchet-wielding maniac, but a church-going, Sunday-school-teaching, respectable, spinster-
In a world where showing a bit too much shoulder was forbidden, came Susan Glaspell. Glaspell was an American playwright, born in the cruel times of oppression. This influenced women’s opinions on certain subjects which caused them to be silenced by fear of rejection from society. “A Jury of Her Peers” was based on an era where women felt as though it was unreasonable to speak up if they felt it was not absolutely dire. Harboring these pent up feelings could cause a person to act antagonistic. Minnie Wright was an example of this. She killed her husband and was subjected to the judgement of her peers. As the group investigated Mr. Wright’s death, there were two stories unraveling. The in depth explanation that the women figured out and the simplistic version the men had seemed to pick up (Glaspell). People would benefit from reading this story to begin to understand the struggle of what this and other women had gone through. Penn Manor American Literature students would benefit from having Susan Glaspell’s story “A Jury of Her Peers” in their curriculum because of how she expressed feminism through her writing at a time when it was new and discouraged; her ability to emphasize the themes with her settings and characters; and her literature that follows a protagonist that navigates through a sexist world.
“Lizzie Borden took an axe and gave her mother forty whacks. When she saw what she had done, she gave her father forty-one.” The grisly murders of Andrew and Abby Durfee Gray Borden remain to be one of the most sensational double murders in American history, rivaling even the likes of the O.J. Simpson trials. The “Lizzie Borden took an axe” rhyme is supposed to chronicle the macabre accounts of the murders. However, the rhyme possesses several historical inaccuracies. Lizzie’s “mother” in this rhyme was actually Lizzie’s stepmother and was “only” struck nineteen times with a hatchet not with an axe. Lizzie’s father, Andrew, received about ten blows to the head ( ). Though the children's rhyme is not quite historically accurate the
On August 4th, 1892, a horrific murder took place. On that day, a young woman named Lizzie Borden was accused for murder, but some think she is innocent. I believe Lizzie Borden is guilty. She did not have good relationship with her step-mother, there were no signs of anyone trying to break into the Borden home, and she was lying about where she was when the murder occurred, she said she was outside in the backyard but there were no footprints or anything to prove she was. Lizzie Borden is guilty and here are 3 reasons why.
The research paper I am conducting is on Lizzie Borden who was accused of murdering her father and stepmother in 1892 with a hatchet. Due to failed investigation and lack of technology at the time, Lizzie was released and acquitted of all charges. In this paper I will point out what the police did not do properly during the investigation, as well as what I would have done differently.
“Lizzie Borden took an axe and gave her mother 40 whacks”, but did she actually do it. On August 4, 1892 Andrew Borden and Abby Borden were brutally murder. Most people think that Lizzie Borden was the murder, but I don’t think she murdered them. There are many clues that prove her innocent. Lizzie Borden was innocent and another person killed her parents. Lizzie Borden deeply cared about her father, there was no physical evidence, and other people didn’t like her father. LIzzie Borden would never kill her parents, but other people would.
“Fact has been suppressed by fiction, and the fiction is much more interesting to a lot of people.” Lizzie Borden, a thirty-two year old daughter of Andrew Borden and step-daughter of Abby Borden, was accused of murdering her father and stepmother. Lizzie Andrew Borden was innocent. She did not kill her father and stepmother for a number of reasons. Lizzie Borden was innocent because there was no physical evidence, she wasn’t nervous during the investigations, and there was no reason for her to kill them. Lizzie Borden was an innocent, desolate woman who deserved better than being accused for a serious case. Lizzie Borden did not injure her father and stepmother for the same reasons you wouldn’t kill your parents.
Have you ever been so angry you thought about killing your parents with an axe? Well many people think Lizzie Borden did this exact thing. Lizzie Borden was accused of murdering her step mother and father with a hatchet on August 4, 1892. While on trial, the jury found her innocent, but many other people think her to be guilty. I think that Lizzie Borden is innocent of the murder of Andrew and Abby Borden because she loved her father, didn’t have a problem with her stepmother, and there was no physical evidence found at the crime scene. Lizzie Borden was found innocent by law, so why should it be questioned?
Lizzie Borden took an axe, and gave her stepmother nineteen whacks. When she saw what she had done, she gave her father nine plus a killer one. On a hot August 4, 1892 at 92 Second Street in Fall River, Massachusetts, a cry came from the daughter of Andrew and Abby Borden; Lizzie Borden. Her cry attracted her neighbor Adelaide Churchill next door, so she went to Lizzie’s house. Immediately the body of Andrew Borden, Lizzie’s father, was found. A few minutes after authorities came investigating Andrew’s body, the family maid Bridget brought Adelaide with her to check upstairs for Abby, and they found out that Abby was also dead. She lay in a pool of blood and the blows from her head were dark, so she died before her husband. After the investigations of the two victims, police questioned Bridget, Emma, John Morse and Lizzie. The most suspicious suspect turned out to be Lizzie because of her change in alibis, her dress and her presence at the time being of the murders.
From beginning to end, Susan Glaspell’s 1917 short story “A Jury of Her Peers,” has several repetitive patterns and symbols that help the reader gain a profound understanding of how hard life is for women at the turn-of-the-century, as well as the bonds women share. In the story two women go with their husbands and county attorney to a remote house where Mr. Wright has been killed in his bed with a rope and he suspect is Minnie, his wife. Early in the story, Mrs. Hale sympathizes with Minnie and objects to the way the male investigators are “snoopin’ round and criticizin’ ” her kitchen. In contrast, Mrs. Peters, the Sheriffs wife, shows respect for the law, saying that the men are doing “no more than their duty”. However, by the end of the story Mrs. Peters unites with Mrs. Hale in a conspiracy of silence and concealing evidence. What causes this dramatic transformation?
Criminality is still assumed to be a masculine characteristic and women lawbreakers are therefore observed to be either ‘not women’ or ‘not criminals’ (Worrall 1990, p. 31). Female offenders are hallmarked for tireless and inescapable coverage if they fit into the rewarding newsworthy categories of violent or sexual. It is always important to note the reason for overrepresentation of women criminals in the media. “Women who commit serious offences are judged to have transgressed two sets of laws: criminal laws and the laws of nature” (Jewkes 2011, p. 125). Such women are hence “doubly deviant and doubly damned” (Lloyd, 1995). When women commit very serious crimes, such as murder, they attract
Born in Flames is a masterpiece from 1983, directed by Lizzie Borden. The film is set in New York City and focuses on feminism that is tormenting the society ten years after a socialist uprising.
Murder marked the boundaries of femininity in nineteenth-century culture (Hart 2). Women who were considered incapable of redemption were not