Name Professor Course Date: Chrysanthemums: Literary Criticism At the turn of the 20th century, women were considered inferior to men: they were only required to stay at home, take care of households and children. “The Chrysanthemums”, as told by John Steinbeck, is a story of a woman during that period who tries to change the course of her destiny. In this story, the two-fold issues of femininity and symbolism play a critical part in explaining this helplessness. Steinbeck uses the narrative to signify the hope for change of the woman as well as her character by illustrating different similarities between Elisa and her flowers. Readers are able to comprehend how a lady feels when she is caged within her life, and the struggles to …show more content…
Elisa’s life is significantly transformed by the arrival of the tinker who comes with hope, which is also symbolized by the flowers. At first, this hope is predicted in the setting of the narrative, although it is subtle. Despite the fact that the valley looks like a closed pot, there are some “sharp and positive yellow; leaves” (Steinbeck 175). These bring about an image of encouragement in the midst of depression. Readers are also able to see, through Elisa’s change of attitude, how she puts her hope in the pot of chrysanthemum that she gives to the stranger. At fist, she is repulsive to the tinker and shows little concern for him and keeps some distance from him. She looks at him “irritably” as her eyes move with “resistance” (Steinbeck 179) when the tinker requests to offer repair services for any of her broken item. However, this resistance changes from her face when he begins to talk about the chrysanthemums. She starts to gain more interest: Her “eyes (brighten) and (become) alert and eager” (Steinbeck 180). In addition, she opens one of the men clothes that she is wearing and makes her heart open to reality. From removing the gloves, to destroying the tattered hat, and shaking her beautiful hair, Elisa seems to be blossoming—like a flower (Steinbeck 179-180). These images prove to the readers that the arrival of the tinker, and his interest in the flowers as well as his talk of love and life of
1. In "The Chrysanthemums," the interaction between Elisa and the traveling repairman helps develop the story's theme about taking risks. Describe their interaction and explain how it helps to develop the story's theme. Be sure to use specific details from the text to support your ideas. (10 points)
The chrysanthemum is cut every year before it blooms. Elisa said that helping them bloom is the hardest part. This is also a way the flower is like Elisa. Even though she is cut down, she tries to grow right back so to speak. In this way she is strong like the flower, but also very delicate in the fact that it only takes one man to humiliate her and cut her right back down to size. Elisa is a very strong woman, and the word strong is language that is used quite often in this story. Like the strong, resilient chrysanthemum so is Elisa. On page 285 Henry Allen tells his wife that she has "a strong new crop coming." With an arrogance she says "Yes. They'll be strong this coming year." The word 'strong' itself is a way the language in the story has a little something extra on it. Healing is the longest, hardest part about anyone being put down and humiliated. Eventually she will "bloom" again and it is like she was never hurt. When Henry says she has a strong crop, Steinbeck is referring to Elisa's state of mind. At the time of the statement, Elisa was
Elisa, also a housewife, usually had activities involved in routine housework and maintaining her flower garden, that was filled with chrysanthemums. She took care of the chrysanthemums as if they were her children, and being a farmers’ wife, she had more free time than her husband, Henry. When the tinker, also known as the tin man, came up to Elisa for work he tried to manipulate her into giving him some work to do. When the tinker saw there was no way Elisa would give him work, he tried to work her. “What’s them plants, ma’am?” (Steinbeck, 208). Tinker asked Elisa about the plants probably so he could influence her about chrysanthemums- that way they bond on the subject of the flowers and from there Elisa started to explain the importance of these flowers. Elisa doesn’t realize she’s being played with until near the end when tinker finally leaves she waves goodbye to him but her voice drops as she says the word “Goodbye to goodbye”, finding that the tinker threw Elisa’s chrysanthemums away (Steinbeck, 210). This quote showed the attachment for the chrysanthemums Elisa had, and the minute the tinker threw away those flowers, it broke Elisa’s heart. This makes Elisa thinks about how a man can get what he wants while Elisa
Most of the time there is a moment in life where one realizes they have lost all innocence and gained some compassion. “Marigolds” shows how one young girl transferred from a child to young adult through her life experiences. Throughout this story another young, but at the same time old in her prime, lady’s experiences are revealed: the author’s. In this short story, “Marigolds,” Eugenia Collier’s subconscious is unmasked through symbolism, diction, and Lizabeth’s actions.
Elisa is especially proud of her chrysanthemums and how big they are this year. Steinbeck exhibited this pride Elisa portrayed as "she straightened her back and pulled on the gardening gloves again. Yes they'll be strong this coming year." Elisa worked hard at her garden and it was important to her. In fact it was the only thing she had to be proud of. For Elisa the chrysanthemums symbolized the work she feels she is capable of as a
In the portion of the story where Elisa is talking to the "Fixer-Guy" who happens to pull down the road to her farm, Steinbeck shows Elisa's eagerness for attention and how she comes to the realization that there is a more exciting life outside the farm. In the “Fixer-Guy”, Elisa finds somebody who sees her as more than a housewife, someone who can appreciate her from an unbiased viewpoint. He offers his services and she turns him down saying “I tell you I have nothing like that for you to do.” At first she resists conversation with him. Then when he asks about her plants Steinbeck writes “The irritation and resistance melted from Elisa’s face.” “I raise them every year, bigger than anybody around here”, she boasts. She is now very eager to talk about her chrysanthemums. Elisa's face becomes "tight with eagerness" as she talks about them, as if they were her children. The vibes from her infatuation with these flowers are picked up by the old man, and there is an unspoken connection between these two perfect strangers as they have both chosen their own preoccupation in life, his being a passion of pots and hers a love of chrysanthemums. It is this connection that ignites the realization that she longs to break free from the everyday routine she calls life. This feeling is so strong that "her hand went out toward his legs in the greasy black trousers" as if to grasp a piece
If he gave her any personal praise, as a woman of distinct qualities (one who was vital to the farm's survival), he might be empowering her. Thus, he keeps his praise for her superficial skills, growing flowers. In this way, Henry frustrates Elisa by not seeing into her true character. The flowers represent Elisa trying to find some way of escaping from her frustrated and repressed husband, not from her own sexual frustration.
"The Chrysanthemums," written by John Steinbeck, captures one day in the life of a woman who yearns for a more fulfilling life. Elisa is first portrayed as a woman whose tasks are exceeded by her abilities. As the day continues, a stranger briefly enters her life and, through manipulative words, fills her heart with hopes of change and excitement. We learn that these newly-found hopes are crushed when Elisa eventually realizes that she has been used. A stranger manages to break Elisa's heart, not because of who Elisa appears to be, but because of who Elisa really is. To understand "The Chrysanthemums," we must first know the "real" Elisa.
There are many symbolic references to Elisa Allen as a sexually repressed and frustrated woman. One representation of the chrysanthemum is Elisa's passion and eagerness to live and experience life a content woman. While tending her chrysanthemums "she pulled out the crisp little roots and trimmed of the leaves of each one with her scissors (Steinbeck 1464)." This is a symbolism of Elisa Allen closing off all opportunities to grow as a sexual woman; She has resigned herself to the monotonous life as a complacent farmer's wife (Lee 1). The "figured print dress (Steinbeck 1463)" under the apron shows the readers that Elisa is aware of her sexuality but instead of acting on it has chosen to subdue it. She keeps her sexuality and passions under control like she cares for her chrysanthemums "laid [in a] small [and] orderly pile (Steinbeck 1464)" (Lee 1). Elisa begins to allow this sexuality to emerge when the traveling tinker romantically describes her
John Steinbeck’s, The Chrysanthemums, was published in 1938 in a book of short stories, entitled The Long Valley. The Chrysanthemums has been a rather powerful draw for scholars because of its wide gap for interpretations and analysis of its main protagonist character, Elisa Allen and also the unique descriptions used to portray the deeper meaning behind the setting of the story. Themes of sexuality, oppression of women, as well as other numerous types of conflict portrayed in this rather somber short story have made it a popular study among scholars and students alike. Steinbeck also uses literary elements including a dramatic tone, rich symbolism, and personification which increase the stories feeling and value exponentially. Steinbeck
Therefore, she protected the flowers as she protected herself from intruders as she remains behind the fence. As Skredsvig utters in the article, "Women's Space, Women's Place: Topoanalysis in Steinbeck's 'The Chrysanthemums”, “Flowers represent many of the qualities ascribed to women in a patriarchy: delicacy, beauty, fragility, innocence…” (Skredsvig, 3). Skredsvig is trying to explain how Elisa is represented by the flowers around her showing her innocence and beauty and she is innocent to the real world. For the real world, Elisa is delicate and fragile like a flower that needs special attention in a new atmosphere because even Elisa is a stranger, as in the world where
The chrysanthemums is a symbol for Elisa love and emotions and her happiness. The chrysanthemums give her so much love and happiness that her husband couldn’t give her. The chrysanthemums is a symbol for her broken heart and her pains of being neglected by her husband. Her husband never for once praises her or her chrysanthemums. Elisa always working hard on her garden because the love she has for her chrysanthemums is been happy. One of the theme in the story was i think it was the way her husband treating her like she is not his wife, she work and try to please her husband but he always turn and treat her like trash."The right kind of life for a woman" (344). According to what I understand about this statement is that her husband is too blind to see the beauty in his wife. “You watch your fingers work. They do it themselves... They know. They never make a mistake" (343-4). This means that the way she working on her garden trying to make sure everything is on their places. In this story there were a lots of symbols that Elisa using to take care of her beauty garden. One of the symbols is her pot where she always put her Chrysanthemums seeds whenever she wanted to plant on her garden. She is a very strong woman who always tries to make herself happy by working on her beautiful flower.
Steinbeck uses chrysanthemum’s to symbolize Elisa’s strength and power in order to show how societal standards cause women to miss out on opportunities and become frustrated with the confinement of their expression. “[Elisa] was cutting down the old year's chrysanthemum stalks with a pair of short and powerful scissors. She looked down toward the men by the tractor shed now and then. Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful.” Chrysanthemum stalks require a great deal of force to be cut down, which is highlighted through Elisa’s use of “powerful scissors.” Ordinarily, flowers are portrayed as beautiful and delicate; however, chrysanthemums are sturdy and tough. Steinbeck chose specifically to use chrysanthemums because they symbolize the strength Elisa has; she is confident, empowered, and masculine, but all of her strength is confined within the standards of society just as the chrysanthemums are confined within the walls of her garden. Elisa, as a woman, is unable to express herself as strong, masculine, and proud because that was not the standard that women were held to during that time; her expression is confined to her work in the garden with her chrysanthemums, and it is frustrating for her to miss out on the opportunities that would showcase her strength and let it be appreciated by her husband and the mender because of the standard of delicacy and beauty that women are held to.
"The Chrysanthemums" is a story by John Steinbeck, written in first person about a woman living on a ranch. The story takes place in the Southwest during the winter, December month of the year. The main characters within the story is the woman gardener, Elisa Allen, Elisa’s husband, Henry, and the man in the wagon. The story came about while Elisa tends to work in her garden, giving care to her Chrysanthemums. Meanwhile, Henry is talking with men about the business they have together. Returning from his successful business deal, he wants to go into town, have dinner, and catch a movie to celebrate the succession. Elisa and Henry came to a decision to complete their chores for the day, and later on that evening head into Salinas to celebrate.
Elisa protects her garden with “wire fence that protected her flower garden from cattle and dogs and chickens.” (Steinbeck 210) The fence also protects Elisa from the man’s world. It isolates her and gives her a clear view but does not let her get tangled in it. The fence is her boundary of her world and as long as she stays within the boundaries she will be safe. Elisa does step outside the fence when the tinker comes to visit. He shows her a little bit of attention by taking interest in her chrysanthemums so that she will find him something to fix. He describes the chrysanthemums as “Kind of a long-stemmed flower? Looks like a quick puff of colored smoke?” (Steinbeck 212) she finds herself flattered by his comments. The chrysanthemums symbolize her femininity and sexuality when “she tore off the battered hat and shook out her dark pretty hair. The tinker restores her feeling about her femininity and sexuality. He made her realize that she did not need to step outside of her boundaries. All she needs to do is to make herself look more feminine. “She scrubbed herself with a little block of pumice, legs and thighs, loins and chest and arms, until her skin was scratched and red.” (Steinbeck 214) Elisa wears her best dress “which is the symbol of her prettiness” (Steinbeck 214) to impress Henry. He