The Woman Rocks the Cradle
Charlotte Perkins wrote the short story The Yellow Wallpaper. For this analysis paper, I am only going to mainly talk about three characters and they are as follows: the narrator (some call her Jane), John (a certified physician and the husband), and the narrator’s brother (also a physician). This story starts off with the narrator talking about the new transition she has made with her husband John into a new house. On the very first page, she begins to explain how she is sick but her husband John does not believe her. We learn that he is a physician that has prescribed the ‘rest cure’ for his wife. As the story continues, the wife’s mental state deteriorates, while her husband John persists that nothing is
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She is sent to rest in the nursery and only called names such as “dear” and “my darling” so much that her name has been lost in the story. I have read theories that her real name is Jane because in the end she believes she was the woman trapped in the wallpaper and addresses a John and a Jane. Not being certain of a narrator and main character’s name is a talking point in itself: reflecting that she is questioning who she is, while being told who she should be. A big part of being submissive in a dominant world is the very fact that you lose little pieces of yourself, along with your voice. Male dominance can begin as simple requests and become long, drawn out demands. (Maestripieri, Dario. “Social Dominance Explained Part 1”) The Yellow Wallpaper is full of examples of a dominant (John)/ submissive (narrator) relationship and how one overcame the other. While the narrator is describing John and her brother’s decision that she must rest and stay home from work until she is better she says “personally, I disagree with their ideas.” (Gilman, The Yellow Wallpaper, 673) She then spends a majority of the story doing what they tell her to do, however. She goes to the nursery, doesn’t go to work, and doesn’t write near John because she says “he hates to have me write a word.” (Gilman, The Yellow Wallpaper, 675). Throughout the book, the narrator is walking on ‘eggshells’ and trying to avoid starting conflict with John. During the story she
Analysis: The above quotations clearly display the similarity between John and the Narrator’s relationship to that of a father and a daughter. John controls the majority of the Narrator’s behavior to the point she feels an overwhelming sense of guilt for her incapacity as John’s wife. The Narrator is restricted in her actions and is therefore unable to fulfil her wifely duties, forcing her to consider herself as a burden. When is reality, John treats the Narrator as his daughter and does not permit her to complete her duty. For instance, the Narrator dislikes the yellow wallpaper and wishes to have it removed; however, John does not allow her to do so and acts as if it would feed into a child’s stubbornness. His continued belief in his superiority disregards the Narrator as is wife and instead infantilizes her. He believes her identity exists only through him, which merely encourages his paternalistic
Throughout the beginning of the story, the wife continually references the things “John says” (844-5). That indicates to me that she is timid and perhaps frightened of him. “John says this,” and “John says that,” shows me that our narrator doesn’t feel permitted to have a thought that is her own. The story’s unilateral male, as well as unilateral female conversations are friendly and comfortable. However, male to female conversation in the writing is dominant, aggressive, assertive and sometimes dangerous. Female to male exchanges appear delicate, soft and understanding, always agreeing with the male perspective. I would consider women in this time period to be viewed as a pet or toy to the male, dominant figure in her life. The use of the words in this short is very important, and gives you the information to interpret the story. For instance, on page 845 it says, “It was a nursery first, then a playroom and gymnasium. I should judge; for the windows are barred for little children.” This discloses that our woman has post-partum depression. At the very least, she feels as if she is trapped or in an asylum within her own home. Perhaps this feeling of entrapment lends itself to driving her mad. It is no surprise that the woman feels trapped behind the pattern of the yellow wallpaper. Her days and nights are filled with constant repetition of the same nothingness. She is left with little to
John is introduced into the story by the narrator as soon as the story starts. The narrator describes him as "practical in the extreme." He has "no patience with faith, an intense horror of superstition, and he scoffs openly at any talks of things not to be felt and seen and put down in figures." Although the narrator describes him as these things, they are married and she, undoubtedly, loves him. She continues on by saying " John is a physician and perhaps... that is one reason I do not get well faster." This description paints the husband, John, as controlling over his wife.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her
The setting of these two stories emphasize, on visually showing us how the main characters are based around trying to find freedom despite the physical, mental and emotional effects of living in confinement. While on the other hand, dealing with Psychology’s ugly present day behavior showing dystopia of societies views of women during the time period they lived.
“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, is a first-person narration of madness experienced by an unnamed woman in the Victorian era. The madness is exposed through a “nervous condition” diagnosed by the writer’s husband, a physician, who believes the only cure is prohibiting all intellectual thought and to remain in solitude for a “rest-cure”. The act of confinement propels the narrator into an internal spiral of defiance against patriarchal discourse. Through characterization and symbolism, “The Yellow Wallpaper” exhibits an inventive parallel between the narrator’s mental deterioration and her internal struggle to break free from female oppression imposed on her through her husband and society.
In "The Yellow Wallpaper," Charlotte Perkins Gilman presents the narrator, being the main character, as an ill woman. However, she is not ill physically. She is ill in her mind. More than any chemical imbalance that may be present; the narrator's environment is what causes her to go mad.
“What is it, little girl” he said. ”Don’t go walking about like that- you’ll get cold.”(Gilman, ) John’s “love” to her was like a father to their child. It’s as if he’s trying to “protect” her, but she does not feel protected. As a matter of a fact, she is starting to feel oppressed.
In Charlotte Perkins Gilman's “The Yellow Wallpaper” we are introduced to a woman who enjoys writing. Gilman does not give the reader the name of the women who narrates the story through her stream of consciousness. She shares that she has a nervous depression condition. John, the narrator’s husband feels it is “a slight hysterical tendency” (266). She has been treated for some nervous habits that she feels are legitimately causing harm to her way of life. However she feels her husband, a physician, and her doctor believe that she is embellishing her condition. The woman shares with the reader early in the story that she is defensive of how others around her perceive her emotional state. This causes a small abrasion of animosity that
In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.
“The Yellow Wallpaper” by Charlotte Perkins Gilman takes the form of journal entries of a woman undergoing treatment for postpartum depression. Her form of treatment is the “resting cure,” in which a person is isolated and put on bed rest. Her only social interaction is with her sister-in-law Jennie and her husband, John, who is also her doctor. Besides small interactions with them, most of the time she is left alone. Society believes all she needs is a break from the stresses of everyday life, while she believes that “society and stimulus” (pg 347, paragraph 16) will make
First published in 1982, The yellow wallpaper is an engaging narrative , written in first person in which the narrator suffers from some type of nervous disorder . Her husband who prefers to refer to her condition as a temporary nervous depression or a slight hysterical tendency recommends that the narrator seeks solitude so as to recuperate . The short story mimics the form of secret and private entries on journals by the author. The haunting short story chronicles that descent of the narrator and protagonist into maddened and paranormal activities. Some people however interpret it as her chronicles to freedom .The author effectively employs the use of literary
The author states, “John hates me to write a word”(474). It seems that writing is a form of escape to her, but as close as she is to do it, her husband keeps an eye on her which prevents her to keep writing and give up on it. Also Perkins states, “I did write for a while in spite of the; but it does exhaust me a good deal having to be so sly about it, or else meet with heavy opposition” (474). Writing allowed her to make sense, in her mind at least, of the confusing world she was living in. John did not like her writing because to him it was a threat that can make her more sick and he was only trying to help her be better. He has to control her, and as a woman her thoughts were not important. Writing gave the woman a small sense of control or power. It allowed her to express herself and her thoughts, which John was very uncomfortable with. “John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him” (475). With this, the reader can conclude the obstacles women went through with gender inequality. John thought that he was providing for her, keeping her safe, giving her everything she wanted, but he did the opposite. He kept her locked at home, with supervision around all the time, which brought the yellow wallpaper as a major symbol for
Like the narrator, women of that time were directed to suppress their creativity as it threatened the dominating male's sense of control. By having the narrator be forced to write in secret, "There comes John, and I must put this away -- he hates to have me write a word," Gilman was able to show that even the simplest things, like wanting to write were forbidden, lest the male approved (392). Prohibited from working and not being able to contribute to the household as a proper wife, the narrator begins to feel helpless: "So I… am absolutely forbidden to ‘work’ until I am well again. Personally, I disagree with their ideas" (390). The narrator’s husband and brother both exert their own will over hers, forcing her to do what they think is the appropriate behavior for a sick woman. She has been given a "schedule[d] prescription for each hour in the day; [John] takes all care from me" (391). The way that she is required to act involves practically no exertion of her own free-will. Instead, she is expected to obediently accept the fact that her own ideas are mere fancy, and only the opinions of the men in her life can be trusted. The fact that she is not allowed to think for herself is narrowing the extent of her authority in her life and of her autonomy.
John provided minimal amounts of communication towards the narrator; therefore the narrator became isolated. Feeling alone with her own