Kaneki Ken: A Film Analysis

I believe Murakami is one of the best leaders in The Samurai’s Tale when compared to Wada Kansuke, and Lord Akiyama due to his caring, trustworthy, and loyal ways. The reason why I think Murakami is better because he shows many skills and he likes to go all out and doesn’t hesitate much on things he thinks he should do or not to do. Lord Akiyama is a good leader because he gives good orders and people listen to them. Murakami and Wada Kansuke are mostly the same because of their personality and because they have honor, and they are reliable. Lord Akiyama is merciful and he is kind to other people and he favorites Murakami the most. Wada Kansuke is a wise, kind, and smart leader, but he is not as caring as Murakami. Murakami always listens to the commands he is given. The comparison between the three characters are very similar and their personalities are too.

The Samurai’s Tale by Erik Christian Haugaard is about a boy named Taro, the protagonist in the story. The major characters in the story are Taro, Yoshitoki, Lord Takeda Katsuyori, Lord Akiyama Nobutomo, and Togan. The setting of the story is in Japan, in around the 16th century. In the beginning of the story he was presented as a gift by the great Lord Takeda Shingen to Lord Akiyama after his parents had been killed. By using his wits and suppressing his fierce pride, Taro slowly escalates the ranks of his lord’s household until he achieves his greatest goal—becoming a samurai like his father and Lord Akiyama, whom he has come to admire. The life of a samurai is not so easy, Taro finds himself sacrificing opportunities of love and friendship

The Samurai’s Tale is about a young boy named Taro, who had became the hero of the story. The main characters in the story was Lord Akiyama, Lord Takeda Shingen, and Togan. This story took place in Japan around the 16th century. The story began with Taro, Murakami Harutomo, arguing with his mother about what she had been telling him to wear for an event that was going to happen without him knowing about. Later that day Taro saw that soldiers came attacking his house, his mother leaving him with Yone in a chest trying to keep them safe in a storehouse that had laid behind the house. A soldier then found them both and took them out of the chest, then as they walked out of the store hold, he found his mother on the ground dead. A plot twist that

Sergeant Louis zamperini from WWll stated ¨Where there´s still life there's still hope¨ he stuck with it will spending three years in a Japanese prison camp. Louie and mine okubo were both held against their will by japan and the U.S.A in complete different condition and under different circumstances. In spite of the Japanese and American governments to make POWS and Japanese-American internees feel invisible, they use these acts of dehumanization and isolation to regain their self-worth and dignity.

The komagata maru incident was caused by the Asian Exclusion Act. This act was put in place by canada as a way to keep asian immigrants out of the country. The act made it so that for a ship to dock in canada it would have to make a direct journey from its country of origin to canada, but for the komagata maru this wasn't possible because they did not offer a direct passage to canada. Because of this the passengers were not allowed in to vancouver so they decided to stay docked until they were allowed into canada, the komagata maru was docked for 2 months in vancouver until they were forced to leave. They did not want to go back to hong kong because of their living conditions so they went to calcutta india. When they arrived they were stopped

Twilight Samurai is a movie that revolves around the live of a samurai, years before the Meiji Restoration. The main issues that the movie looked at include stereotype of samurais, genders and social class differences. Unlike many typical samurai-themed movies which involve fighting, woman and pride, the director of Twilight Samurai focused on the everyday life and difficulties faced by the main protagonist, Iguchi Seibei.

The setting is in Tokyo,Japan in modern times. But there are ghouls that can only get the nutrition they need from eating humans, kinda like a fish eating another fish only with humans and ghouls as the fish. And so far in the story the places that we have been introduced to is Kaneki’s house, a coffee shop, a couple streets/ alleys, and his school.

“The perfect blossom is a rare thing. You could spend your life looking for one, and it would not be a wasted life” (Zwick). These are the words of Katsumoto, an important samurai warrior. The movie The Last Samurai directed by Edward Zwick is about an American War Captain named Nathan Algren who is hired to train, lead and modernize a group of Japanese soldiers to defeat a rebellion of the country's remaining Samurai in 1876. Algren is captured by the Samurai and soon becomes part of the village he is being held hostage in. There, Algren learns from the Samurai and comes to respect them. He finds that his true warrior is becoming unleashed as he trains to become a Samurai with the very people we once called his

Samurai signore nobles are mostly conquering, feudal lords used to each other, their behavior has brought huge disaster to the common people. Samurai allegiance to the Lord King often means an unceasingly, and the object of war is the vast majority of ordinary people. Though at the same time, the warrior is a above ordinary people class, but most of the samurai's lower life and ordinary people to the need of the survival causes warrior must be employed in signore or engage in conflict with samurai spirit, the samurai's behavior and the initial idea inevitably. The film demonstrated the four kinds of Samurai:

The documentary film, “The Linguists” revolves around the concept of language death, specifically, in four places: Siberia, India, Arizona and Bolivia. Personally, the most significant forgotten languages were in Siberia (due to my Russian heritage) and Arizona (due to close place of birth, Los Angeles).

Death leads to many emotions. It can lead to anger, sorrow, joy, realization, or more violence. The theme of death is a common occurrence in Akira Kurosawa 's 1954 film, Seven Samurai, and Yojieo Takita’s 2009 film, Departures. Each death in these films served a purpose. However, each of these films have death constructed in their own different ways. Departures showcased a respectful way for dealing with the deceased. Seven Samurai showed a little bit of every emotion for the deceased, but it seemed as though the 4 samurai, the main heroes, who died were not really emphasized compared to those who the samurai had killed.

Yo-kai are strange and mysterious spirits that can make you tell whatever is on your mind, make you competitive, make you need to go pee, and much more. Some Yo-kai have outrageous backstories such as the Yo-kai Wazzat that was a hat that was forgotten inside of a closet and turned into a Yo-kai. Yo-kai are invisible to the human eye unless you have the Yo-kai Watch. Most of them have bizarre appearances such as Manjimutt who is a dog with the face of a man. Yo-kai can have some strange abilities to such as make a good behaving kid act bad all of a sudden for no reason at all. Some Yo-kai are really mysterious such as Dimmy who lurks in the shadows, or Illoo who casts illusions on people. Yo-kai such as Dismarelda can make couples fight and

Looking at the four films that we watched talking about the time of the samurai, I feel like i have pretty good idea of not only how samurais were viewed in the 1950’s but also an idea of what life was like for samurai from the 12th century to 1864. The four films we watched were varied in their approach to plots but were still similar in their approach to samurai and what is important to know about samurai. The main things that stood out to me was similaites to western cowboy focused films but particularly the strict social order, the importance placed on the identity of the samurai and finally just the cultural significance of samurai. Samurai 1, was a real introduction to samurai focused films for me became I have not seen one before.

CANCER! You have cancer; in 1952 this was a certain death sentence. It was such a death sentence that some doctors believed that it was okay to lie to their patients and not tell them they had cancer (Marks September 8, 2015). Many people would slip into deep depression and just wait for death upon hearing this. Initially this is the case in the film Ikiru but soon the main character, Kanji Watanabe, develops an outlook on life similar to those laid out by Soren Kierkegaard in “At a Graveside”.

The film ‘Boy’ (2010) uses a range of techniques to construct an effective mise-en-scene. Taika Waititi (director) has been able to create aesthetically pleasing scenes to communicate to the audience about the setting, characters, story and themes. The sequence at the beginning of the film is an appropriate example of the good use of mise-en-scene.