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Jeunet Film Techniques Essay

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Jeunet’s techniques are influential to his film’s visual style. For example, Jeunet utilized wide angle lenses and placed the actors particularly close to the camera. This produced animated-like facial features which worked well with the actors casted, due to their unique facial features. I did a little bit of research on the cameras and lenses used to film and I came up on a blog. The stated that for Tautou, Delbonnel and Jeunet found that a wide angle 14mm or 27mm lens was just right. Anything longer or shorter did not look quite right. The camera in Amélie barely filmed scenes at eye level. Bruno Delbonnel set the camera usually a bit above or below eye level. Mixed in with the wide angle lenses, a small tilt up or down eventually contributes to the dynamic look. Another element I cherished about the camera work was the way Delbonnel moved the camera towards an object or focal point. He did not simply zoom in, he gradually moved the camera as he moved it with a turn of about 180 degrees. The use of the track/crane device is common in most films but Jeunet’s controlled …show more content…

The non-diegetic sounds (that which couldn’t be heard by the characters in the film) and diegetic sounds often blur because of the use of sound effects (non-diegetic) that occur in real life (or particularly in Amelie’s) such as trains, cars and air brakes. For example, when Amelie moves from one Bredoteau to the next, we hear traffic noises, or when she comes to a halt at the photo booth, we hear a train stopping. This effective blend of audio engineering reflects the subtleties of realistic and fantastic elements in the film. We hear added sound, but it is as if it is part of the world of of the film. Often non-diegetic and diegetic work together. See Lucien’s insults of Collignon, accompanied by increasing musical volume, to the point where Dufayel cries out for him to stop and so the music does

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