Jeunet’s techniques are influential to his film’s visual style. For example, Jeunet utilized wide angle lenses and placed the actors particularly close to the camera. This produced animated-like facial features which worked well with the actors casted, due to their unique facial features. I did a little bit of research on the cameras and lenses used to film and I came up on a blog. The stated that for Tautou, Delbonnel and Jeunet found that a wide angle 14mm or 27mm lens was just right. Anything longer or shorter did not look quite right. The camera in Amélie barely filmed scenes at eye level. Bruno Delbonnel set the camera usually a bit above or below eye level. Mixed in with the wide angle lenses, a small tilt up or down eventually contributes to the dynamic look. Another element I cherished about the camera work was the way Delbonnel moved the camera towards an object or focal point. He did not simply zoom in, he gradually moved the camera as he moved it with a turn of about 180 degrees. The use of the track/crane device is common in most films but Jeunet’s controlled …show more content…
The non-diegetic sounds (that which couldn’t be heard by the characters in the film) and diegetic sounds often blur because of the use of sound effects (non-diegetic) that occur in real life (or particularly in Amelie’s) such as trains, cars and air brakes. For example, when Amelie moves from one Bredoteau to the next, we hear traffic noises, or when she comes to a halt at the photo booth, we hear a train stopping. This effective blend of audio engineering reflects the subtleties of realistic and fantastic elements in the film. We hear added sound, but it is as if it is part of the world of of the film. Often non-diegetic and diegetic work together. See Lucien’s insults of Collignon, accompanied by increasing musical volume, to the point where Dufayel cries out for him to stop and so the music does
On a Wednesday evening at 9:05pm in Minnesota, an African American couple was driving in their car with a four-year-old daughter in the back seat. After being pulled aside by Joronimo Yanez, a police officer, for a broken tail light, Philando Castile, the driver, stopped his car. Officer Yanez asked Castile for his license and registration. Castile handed the officer his car license and registration, but also told him he has a weapon in his car, for which he was licensed to carry. Officer Yanez immediate words were “Don’t move!” As Castile put his hands up where the officer could clearly see them, officer Yanez shot him repeatedly four times in the arm to the horror of Castile, his girlfriend, and their four-year-old daughter. Completely stupefied by the event, Castile’s girlfriend, Reynolds, took out her phone and began streaming an online video directly to Facebook showing the immediate aftermath of the incident. In the video, Reynolds narrates the accident’s story and exclaimed, “You shot four bullets into him, sir. He was just getting his license and registration, sir. Please don’t tell me he’s dead.” While recording, her four-years-old asked “Mammy, I’m scarred!” Reynolds answered, “It’s okay, I’m right here with you.” Officer Yanez returned and ordered Reynolds on her knees out of the car. Still being recorded, the other officers on the scene asked officer Yanez of his mindset, checking if he’s ok, completing ignoring the true victim, Castile. Castile was left bleeding
Based on the novel by Melina Marcetta and directed by Kate Woods, the film “Looking for Alibrandi” highlights the importance of the personal search for identity and sense of belonging. The film explores the story of Josephine Alibrandi, who struggles to discover her true identity as she is unable to relate to her Italian heritage but also does not feel like she fits in with her Australian friends either. Coming from none – Australian background, it was impossible for me to not relate to her situation. One technique that Woods used to convey this theme is voice–over narration, as used at the beginning of the play, during the national Italian festival “The Tomato Day”: "You may think this is all quirky and cute but I actually find it really embarrassing".
How do the respective narrative forms of Double Indemnity and Magnolia construct their characters and provide different critical perspectives on social values? Discuss in your essay some of the various narration types and the formal narrative construction of the films' characters. However, do not simply provide a list or catalogue of the narrative differences between the two films. A critical and necessary part of the assignment is for you to argue how the narrative construction in each film provides critical perspectives on social values.
The Help is an inspiring movie, centralized on themes of showing courage in the midst of adversity and racial desegregation. The selection of actors with specific attributes, lighting/camera angles, and music, allows the movie to entertain in detail, and highlight the prime issues of the 1960s. With the movie being directed with these specifities in mind, the author, Kathryn Stockett, is able to successfully relay her message in the screenplay.
Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.
During the 1930’s and 1940’s, women of the world held virtually one role and one role only…homemaker. This was no different for the women of Mexico, except for one woman in particular, Frida Kahlo. Frida refused to accept the current ideals of society and the accepted social norms by engaging in things that few women in history ever had. Frida was involved in politics, she was promiscuous with men and women, she painted pictures of herself in ways that had never been done before, and she wore the clothes of her indigenous people as opposed to the current fashions of the world. The movie Frida showcases all of these qualities. The director, Julie Taymor, uses the symbolism of these things to show how Frida
By offering a shot by shot analysis of a scene that uses diegetic sound the audience can understand why the director used these sound aspects to tell his story. This analysis does not just follow one scene but rather a series of scenes in order of what is relevant. First we are witness to the mother in her apartment washing clothes on the washing board and the camera then cuts to the clock, which is striking time and making an animated noise that brings the audience into this important element of the film. The story then cuts to Elsie being honked at on the street with horns that are overly dramatic in sound, yet another way for the director to use the sound technique. Another way the director uses sound in a dramatic way is when he presents Elsie bouncing her ball down the sidewalk and on the
Have you ever wondered how the movies you watch on screen are created? Or perhaps you want to learn how to make your own, but haven’t quite found the right information. With filmmaker, Bryan Michael Stoller’s Filmmaking for Dummies, you’ll learn the details of the process of how things are done behind the screen. This book provides in-detail, step by step, information on how films are produced, and how to make your own. The book explores the different aspects of filmmaking, from casting the right and budgeting your film to editing the final cut. It also includes helpful photographs and visual aids. This book is perfect for people who want to understand the process of making a film in depth, and who
This paper will focus on the film techniques used by Cameron in his three most known movies, Titanic (1997), Avatar (2009), and Terminator series. Mise-en-scene according to John Gibbs is used in film studies in the discussion of visual style. Translated literally it means “To put on stage”, but for the purpose of students, it is defined as the contents of the frame and the way they are organized (p 5). In addition, a director’s style can be identified only through the arrangement and orchestrations of the film’s mise-en-scene (Nelmes, 425).The films Titanic, Avatar, and Terminator series were successful
The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. Part of the underlying theme of this movie as explained by Truffaut himself is, “... to portray a child as honestly as possible...”(Writing About Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the film. Within the scenes, the camera angles in this film play an important role in accentuating the emotions behind the scene. The camera angles used in this film will be the primary focus of this paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall feel of a scene. This movie
In the film, Gattaca, the director Andrew Niccol uses film techniques to show the significance of an event. The society of Gattaca discriminates based on an individual’s genetics. Vincent is the main character of the film who is classified as an invalid due to his genetics, however, his brother Anton is a genetically engineered valid. Vincent and Anton play a game of ‘chicken’ in the sea to see who can swim further and who turns back first. In the first swimming scene Vincent loses, however the second swimming scene is a big turning point for Vincent as he pushes himself to keep up with his brother and ends up saving him from drowning.
What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?
Granted a captivating lead by actress Demi Moore, and a neat narrative, The Joneses captures the life of a more than average family that enacts the fascinating sequels that take place whilst living a life of a con-artistry, and are they ever so convincing. With intentions to simply be desired by members of their upscale neighborhood, the fictitious, fabricated family perform intense hoaxes in order to promote high end products to those surrounding them. The Joneses is an alluring comedy that offers a laugh for the entire family ;however, I believe there are secondary adjustments that could improve the final message of the film. By using an array of climatic events, the disquieting unknown reveals the secluded truth of a former acquaintance,
Hitchcock makes use of a number of techniques in Vertigo and brings them together to make a film that is considered to be one of his greatest masterpieces. Through the use of colour, lighting, camera movement, dialogue and characterisation, Hitchcock produces a film that fascinates and intrigues us.
Ever wonder how those wonderful, abstract photographs in the museums came to be? How the photographer organized and developed the image hanging in front you? Most people don’t realize or understand the process of developing a photograph and turning it into a museum print beyond just taking the picture; like composing the image, developing the film, printing the image, and framing it. If you’re interested, I’ll show you just about everything I do as a photographer to get complete, framed print ready for the gallery.