Jean Kilbourne Killing USftly Analysis

Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect

Jean Kilbourne’s 2010 documentary Killing Us Softly 4 discusses the idea that the businesses of advertising and commercialism have promoted specific body ideals for women in our modern day society by the methods in which they market towards their target audiences, specifically how women are portrayed in their ads. Throughout the documentary, Kilbourne is extremely critical of the advertising industry, accusing it of misconduct. She argues that objectification and superficial, unreal portrayal of women in these advertisements lower women’s self-esteem. Women have many industries that try to gear their products towards them with apparel, beauty, and toiletries being amongst the most prominent. The majority of advertisements put out by companies

The first short story “Two Ways a Woman Can Get Hurt”: Advertising and Violence” written by Jean Kilbourne, shows how a woman’s body is seen as more of an object rather than a person especially in advertisements. Kilbourne states, “The ways that ads portray bodies--especially women’s bodies-- as objects conditions us to see each other in dehumanizing ways, thus “normalizing” attitudes that can lead to sexual aggression” (Kilbourne). Treating women like they are objects in advertisements can lead to men having the wrong idea. There are even young girls being objectified in these ads.

Jean Kilbourne’s video Killing Us Softly 3: Advertising’s Image of Women touches on how advertising affects the way women are viewed. Kilbourne a renowned speaker who likes to educate minds about the effects of advertising is portrayed on women receives her degree at Wellesley College and then went and received her Doctorate from Boston University. Kilbourne was appointed to serve on that National Advisory Council on Alcohol Abuse and Alcoholism in 1993. While on this council she was recognized to be an expert in media, gender issues, and lastly addictions. She has made many lectures across the United States and Canada to the help educate the students. Along with educating the young minds of students, Kilbourne has won numerous amounts of award-winning documentary films that speak on public health, media, and violence (Jean Kilbourne). With all this recognition and experience that she received throughout her journey, it gives her extensive credibility on this media related subject.

Sexualizaton and objectification in the advertisements we see and the media we watch has become a very strong issue in our society. With the idea that “sex sells”, consumers don’t even realize that they’re not viewing the advertisements for what they are, but for the women (or men) that are being portrayed in a very erotic way, posed with whatever product they were hired to sell. Many articles have been written so far to challenge and assess this problem, but one written by Jean Kilbourne (1999), “”Two Ways a Woman Can Get Hurt”: Advertising and Violence” holds an extensive amount of authority. Using her personal experience with the subject, as well as studies she has conducted herself on the topic of sexualization, she talks about how the amount of sexualization in advertising affects how society views the culture and products consumers buy. She also notes that because of the quantity and prevalence of these ads, the rate of all forms of sexual assault, specifically rape (mostly towards women of all age), increase, as well as other forms of assault. It is important to examine Kilbourne’s use of rhetorical devices, such as ethos, pathos, and logos, and how effective these devices make her article. This way, it can be examined for its validity and her understanding of her own research. Kilbourne’s article is very effective through her uses of pathos and ethos, but at the same time, it loses its effectiveness through her absence of a counter-argument, as well as a lack

Whether we realize it or not, we are constantly surrounded by advertisements. On average, we are exposed to approximately 3,000 ads per day, through logos, billboards, and television commercials, even our choices of brands. But in today’s society, one of the most used and influential tools of advertising are women. But the unfortunate thing is that women are not just viewed as actresses in these ads but as objects for people to look at, use, abuse, and more. In her fourth installment in a line of documentaries, “Killing Us Softly 4,” Jean Kilbourne explains the influence of advertising women and popular culture, and its relationship to gender violence, sexism and racism, and eating disorders.

In “Two Ways a Woman Can get Hurt: Advertising and Violence,” the author Jean Kilbourne describes how advertising and violence is a big problem for women. Although her piece is a little scrambled, she tries to organize it with different types of advertisement. Women are seen as sex objects when it comes to advertising name brand products. Corporate representatives justify selling and marketing for a product by how a woman looks. Kilbourne explains how the media is a big influence on how men perceive women. Kilbourne tries to prove her point by bashing on advertising agencies and their motives to successfully sell a product. Kilbourne’s affirmation towards advertisements leaves you no doubt that she is against them.

Jean Kilbourne is an advocate for women and is leading a movement to change the way women are viewed in advertising. She opens up the curtains to reveal the hard truth we choose to ignore or even are too obtuse to notice. Women are objectified, materialized, and over-sexualized in order to sell clothes, products, ideas and more. As a woman, I agree with the position Kilbourne presents throughout her documentary Killing Us Softly 4: The Advertising’s Image of Women (2010) and her TEDx Talk The Dangerous Ways Ads See Women (2014.) She demonstrates time and again that these advertisements are dangerous and lead to unrealistic expectations of women.

In her “Two Ways a Woma Can Get Hurt”: Advertising and Violence”, the author Jean Kilbourne analyzes the power of ads, the use of sexual images, and the prejudices against women too often victims and instruments of violent messages. This remains, even if not the only, one of the most frequent women models in advertising. Females are dominant characters in the commercials dedicated to perfumes, to lingerie, to cosmetics and absurdly connected even with products that absolutely don’t need to show a body.

Killing Us Softly, a short film produced by Cambridge Documentary Films, graphically and effectively depicts the harm caused by modern day media and advertisements. I was personally affected by this movie, for Jean Kilbourne paints a vivid picture of how advertisement influence individuals perceptions of themselves and the world around them. Kilbourne describes how current advertisements present one type of women; tall, Caucasian, and almost always very skinny. This portrayal of beauty in media and in the fashion industry has set unrealistic expectations for young woman all throughout the country, and has consequently lead to widespread body image dissatisfaction. Furthermore, the objectification of women in these ads has had profound effects on increasing violence against women. I found the information explained in this short film to be thought provoking, and Kilbourne’s analysis was insightful. I find myself now hyper aware of the messages that advertisement agencies are sending out, and the more I pondered the impacts they have on society, the more I realize how large of an issue this really is. Kilbourne mentions early in the film that while her Killing Us Softly campaign began forty years ago, and even though the topic of media literacy has gotten more attention, the issue itself has only gotten worse. The key take aways from this film, such as the impact of a singular type of woman being portrayed as beautiful, the objectification of women, and how that

Mass media plays a great part in our lives. Television, newspapers, magazines surround us everywhere every day of our lives. All of them are stuck with different kinds of ads. But how often do we pay attention to the real sense of those ads and the ways the advertisers try to sell various products to us? We see dissoluteness and challenging behavior every day in life and we got so used to it in, at first sight, such small pieces of film, and apparently of our day routine, as advertisement, that we hardly notice the big picture. For over twenty years, Jean Kilbourne has been writing, lecturing, and making films about how advertising affects women and girls. In her essay, "‘The Two Ways a Woman Can Get Hurt':

Everyday we expose ourselves to thousands of advertisements in a wide variety of environments where ever we go; yet, we fail to realize the influence of the implications being sold to us on these advertisements, particularly about women. Advertisements don’t just sell products; they sell this notion that women are less of humans and more of objects, particularly in the sexual sense. It is important to understand that the advertising worlds’ constant sexual objectification of women has led to a change in sexual pathology in our society, by creating a culture that strives to be the unobtainable image of beauty we see on the cover of magazines. Even more specifically it is important to study the multiple influences that advertisements have

In Jean Kilbourne’s essay, “Two Ways a Woman Can Get Hurt”: Advertising and Violence, she paints a picture of repression, abuse, and objectification of women. Kilbourne gives an eye-opening view to the way American advertisers portray women and girls. Throughout the essay she has images that depict women in compromising poses. These images are examples of how often we see women in dehumanizing positions in advertisements and how desensitized we have become. Kilbourne implores us to take the media more seriously. She is putting a microscope on society and showing that the objectification of women is acceptable.

Sexist ads show that society is dominated by the same masculine values that have controlled the image of women in the media for years. Sexist advertisement reinforces gender stereotypes and roles, or uses sex appeal to sell products, which degrades the overall public perception of women. The idea that sexism is such a rampant problem comes from the stereotypes that are so deeply embedded into today’s society that they almost seem to be socially acceptable, although they are nowhere near politically correct. Images that objectify women seem to be almost a staple in media and advertising: attractive women are plastered all over ads. The images perpetuate an image of the modern woman, a gender stereotype that is reinforced time and time again by the media. These images are accepted as “okay” in advertising, to depict a particular product as sexy or attractive. And if the product is sexy, so shall be the consumer. In the 1970s, groups of women initially took issue with the objectification of women in advertisements and with the limited roles in which these ads showed women. If they weren’t pin-ups, they were delicate

For many people in the world to see an advertisement and move past it because they find them rather annoying has become the normalcy of today’s society. However, if people actually paid attention to those advertisements the readers would find that they think some of the ads should not have been allowed. An ad for Miss Dior perfume was presented in a late issue of Vogue with a model who looks to be about twenty-four years old. The model has shoulder length blonde hair, a clear skin tone, and a facial expression that could be considered provocative. The model is naked and only covered by a dress that she holds up which still only covers a portion of her top, middle section, and private area. Despite this dress, her complete right leg, thigh, arm, neck, and shoulders are revealed. In the foreground is a Miss Dior perfume bottle with the words “Miss Dior and you, what would you do for love?”. In Jean Kilbourne’s Killing Us Softly 4, she states that advertisements often send certain messages about women. Kilbourne claims that unrealistic ideas of women are often proposed within ads, such as symbolizing women as objects and not people, or even the idea that if you are not beautiful, then you are nothing. In the Dior advertisement, a few of its aspects uphold statements made by Jean Kilbourne such as sexualizing models to sell a product, emphasizing the idea of looking young and attractive, and placing models in vulnerable positions.