Miss Dior Advertising In Advertising

Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect

Jean Kilbourne’s 2010 documentary Killing Us Softly 4 discusses the idea that the businesses of advertising and commercialism have promoted specific body ideals for women in our modern day society by the methods in which they market towards their target audiences, specifically how women are portrayed in their ads. Throughout the documentary, Kilbourne is extremely critical of the advertising industry, accusing it of misconduct. She argues that objectification and superficial, unreal portrayal of women in these advertisements lower women’s self-esteem. Women have many industries that try to gear their products towards them with apparel, beauty, and toiletries being amongst the most prominent. The majority of advertisements put out by companies

In the documentary, “Killing Us Softly”, Kilbourne mentioned how in all kinds of advertisements, women’s bodies are turned into “objects and things”. Jean believes the objectification of women creates a form of atmosphere in which there is a widespread of impractical expectations and violence against women. There’s always one part of the body that seems to be focus of a women on an ad, breasts is the go to ‘object’ on the body, which is an attention grabber for the

She begins the essay by pointing out the use of porographic themes in advertisements, which use sexual fantasies, such as bondage and domination, to appeal to the desires of the audience. However, as well as promoting the advertiser’s product, these advertisements send a message about men and women that Kilbourne identifies as harmful to society. She connects that these advertisements promote the idea of male domination and female submission, and the sexualization and objectification of women. She provides many examples of this to prove her point, describing one horrifying ad after another. Kilbourne speculates that these ads, as well as objectifying women, also promote rape culture, and the idea that women are responsible for their own assault. As though these messages were not enough, ads also sexualize children, and teach them that objectification of women is normal and accepted. Kilbourne addresses these issues in advertisements, stating that they are promoting the dangerous ideas that today’s culture already has. She connects female addiction to

Sexualizaton and objectification in the advertisements we see and the media we watch has become a very strong issue in our society. With the idea that “sex sells”, consumers don’t even realize that they’re not viewing the advertisements for what they are, but for the women (or men) that are being portrayed in a very erotic way, posed with whatever product they were hired to sell. Many articles have been written so far to challenge and assess this problem, but one written by Jean Kilbourne (1999), “”Two Ways a Woman Can Get Hurt”: Advertising and Violence” holds an extensive amount of authority. Using her personal experience with the subject, as well as studies she has conducted herself on the topic of sexualization, she talks about how the amount of sexualization in advertising affects how society views the culture and products consumers buy. She also notes that because of the quantity and prevalence of these ads, the rate of all forms of sexual assault, specifically rape (mostly towards women of all age), increase, as well as other forms of assault. It is important to examine Kilbourne’s use of rhetorical devices, such as ethos, pathos, and logos, and how effective these devices make her article. This way, it can be examined for its validity and her understanding of her own research. Kilbourne’s article is very effective through her uses of pathos and ethos, but at the same time, it loses its effectiveness through her absence of a counter-argument, as well as a lack

In “The Fashion Industry: Free to be an Individual” by Hannah Berry, Hannah emphasizes how social media especially advertisements pressure females to use certain product to in order to be considered beautiful. She also acknowledges the current effort of advertisement today to more realistically depicts of women. In addition, these advertisements use the modern women look to advertise products to increase women self-esteem and to encourage women to be comfortable with one’s image.

After reading the article called “’Two Ways a Woman Can Get Hurt’: Advertising and Violence” by Jean Kilbourne, I was a bit attracted by her words.It looks like the more I kept reading her article, the more overstated, she became when she talk about “sex’ and “violence” in advertising.

We've all seen and read many advertisements and we usually find them appealing and very persuasive. However the question is, what are they really advertising? Women are usually used for many different advertisements, not only are they used for women's clothing but also for other materials and objects. These are the ads that we look at each and every day. In, “Killing Us Softly” by Jean Kilbourne, she introduces her problem with how women are being used to advertise products. She shows us ads that she has seen where women are being used to advertise a company’s product. While our women are being used, dehumanized, and sexualized in our society, we’re going on with our life like it’s normal.

Whether we realize it or not, we are constantly surrounded by advertisements. On average, we are exposed to approximately 3,000 ads per day, through logos, billboards, and television commercials, even our choices of brands. But in today’s society, one of the most used and influential tools of advertising are women. But the unfortunate thing is that women are not just viewed as actresses in these ads but as objects for people to look at, use, abuse, and more. In her fourth installment in a line of documentaries, “Killing Us Softly 4,” Jean Kilbourne explains the influence of advertising women and popular culture, and its relationship to gender violence, sexism and racism, and eating disorders.

In “Two Ways a Woman Can get Hurt: Advertising and Violence,” the author Jean Kilbourne describes how advertising and violence is a big problem for women. Although her piece is a little scrambled, she tries to organize it with different types of advertisement. Women are seen as sex objects when it comes to advertising name brand products. Corporate representatives justify selling and marketing for a product by how a woman looks. Kilbourne explains how the media is a big influence on how men perceive women. Kilbourne tries to prove her point by bashing on advertising agencies and their motives to successfully sell a product. Kilbourne’s affirmation towards advertisements leaves you no doubt that she is against them.

Jean Kilbourne is an advocate for women and is leading a movement to change the way women are viewed in advertising. She opens up the curtains to reveal the hard truth we choose to ignore or even are too obtuse to notice. Women are objectified, materialized, and over-sexualized in order to sell clothes, products, ideas and more. As a woman, I agree with the position Kilbourne presents throughout her documentary Killing Us Softly 4: The Advertising’s Image of Women (2010) and her TEDx Talk The Dangerous Ways Ads See Women (2014.) She demonstrates time and again that these advertisements are dangerous and lead to unrealistic expectations of women.

In her “Two Ways a Woma Can Get Hurt”: Advertising and Violence”, the author Jean Kilbourne analyzes the power of ads, the use of sexual images, and the prejudices against women too often victims and instruments of violent messages. This remains, even if not the only, one of the most frequent women models in advertising. Females are dominant characters in the commercials dedicated to perfumes, to lingerie, to cosmetics and absurdly connected even with products that absolutely don’t need to show a body.

She states that because of advertisers make these objectifications and portray violence directly towards women in a large number of advertisements, they are teaching individuals that this kind of behavior is allowed when in reality it is horribly offensive. Kilbourne expresses “Turning a human being into a thing, an object, is almost always the first step toward justifying violence against that person,” (Kilbourne 278) even going on to explain that this has already happened systematically and as a culture about women. Because this attitude towards women has been in place for decades the ideals seem normal to many, but when stopped and analyzed, it can be examined for just how inappropriate it is. An idea of this shown in these ads is not just that the woman is shown as being covered up with the magazine in the one image, but when the woman becomes the opposite role it is additionally different than the original. This analysis follows Kilbourne’s ideas that even with reversed roles women are still not given the power and placement of men. In the piece where the man is being replaced by the car the angle of the camera is different that that of the other. This makes the woman the focus instead of the act itself. Also in the side where the man is covered, the woman is not

Everyday we expose ourselves to thousands of advertisements in a wide variety of environments where ever we go; yet, we fail to realize the influence of the implications being sold to us on these advertisements, particularly about women. Advertisements don’t just sell products; they sell this notion that women are less of humans and more of objects, particularly in the sexual sense. It is important to understand that the advertising worlds’ constant sexual objectification of women has led to a change in sexual pathology in our society, by creating a culture that strives to be the unobtainable image of beauty we see on the cover of magazines. Even more specifically it is important to study the multiple influences that advertisements have

In Jean Kilbourne’s essay, “Two Ways a Woman Can Get Hurt”: Advertising and Violence, she paints a picture of repression, abuse, and objectification of women. Kilbourne gives an eye-opening view to the way American advertisers portray women and girls. Throughout the essay she has images that depict women in compromising poses. These images are examples of how often we see women in dehumanizing positions in advertisements and how desensitized we have become. Kilbourne implores us to take the media more seriously. She is putting a microscope on society and showing that the objectification of women is acceptable.