Information Regarding Ruth Denis Research Paper

Ruby Laffoon (January 15, 1869 – March 1, 1941) was a politician from the U.S. Commonwealth of Kentucky. He was the Commonwealth's 43rd governor, serving from 1931 to 1935. At age 17, Laffoon moved to Washington, D.C. to live with his uncle, U.S. Representative Polk Laffoon. He developed an interest in politics and returned to Kentucky, where he compiled a mixed record of victories and defeats in elections at the county and state levels. In 1931, he was chosen as the Democratic gubernatorial nominee by a nominating convention, not a primary, making him the only Kentucky gubernatorial candidate to be chosen by a convention after 1903. In the general election, he defeated Republican William B. Harrison by what was then the largest margin of victory

The light shine down and the music surrounds her as she dance into the air and across the stage. The audience yells and clap for her as the curtain close. It’s the end of another work week for Jane Onwuegbuchu. Jane comes from a very huge family of 8, where it’s very hard for her to be at the center of attention, especially being the 5th child. Jane was born in Houston, Texas on June 22, 1987 to Rosaline and James Onwuegbuchu. She started dancing at the young age of 3 with Elite dancers and fell in love with dancing since then. “Growing up as a child, Jane was a very good child, she loved dancing and just seeing her dance melt my heart. She was a part of a lot of dance organization, church, youth dance team etc… You name it and she was there,”

After the presidency he practiced law to support his family. Although it is known that he had collected a small fortune of $350,000. He settled in a spacious house in Princeton, New Jersey. The townspeople treated him like royalty. Later in 1904 he wrote a book called Presidential problems. It was based on some of the most controversial decisions he had to make while in office. He never wrote his autobiography like he had meant to. In 1904 his eldest daughter Ruth died and freinds say that he never fully recovered and in fact he physically looked older after her death. He died in 1908 in Princeton of a gastrointestinal disease. He suffered from a sever attack while on vacation with his wife in 1908. He was immediately rushed by vehicle to

“Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis’s Radha of 1906” was written by Jane Desmond. In her dance career, she was a modern dancer and choreographer. Desmond is now a Professor of Gender and Women’s Studies and Anthropology at the University of Illinois. “Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis’s Radha of 1906” was published in 2001 as a part of Moving History/Dancing Cultures: A Dance History Reader.

Debbie Allen was born to Vivian Ayers and Arthur Allen on January 16, 1950. At age three she started dancing and at age four she knew she wanted to be a professional dancer. Her parents divorced in 1957, and her mother was Debbie and her siblings were encouraged to be creative and independent. In 1960, Vivian Ayers took her children to Mexico. When they came back to Texas, Debbie auditioned for the Houston Ballet School but was denied because the color of her skin. A Russian teacher at the school saw Debbie perform and secretly enrolled her. When she was sixteen, she auditioned for the North Carolina School of the Arts but was rejected because her body was “unsuited” for ballet. While she was in high school she put her studies first and went

Unfortunately, in our time of an opioid epidemic, people will do anything to feed their irrepressible drug habit, which is why it isn't surprising, and head-shakingly sad, to hear that a woman faked cancer to feed hers. The really surprising part? She's married to a police officer, and he didn't catch on for almost four years.

Cathy Freeman was born on February 16, 1973 in Mackay, QLD. (The Editors of Encyclopædia Britannica, 2017). Cathy has achieved quite a lot in her life thus far, and is an inspirational figure for many Indigenous, and Non-Indigenous Australians. Her legacy is still recognised as a hero today.

Sharon draper was born august 21, 1948, in Cleveland Ohio. Ms. Draper is a public speaker, poet, educator, and author. Ms. Draper is a member of the national board for professional teaching standards. All of Ms. Draper books have been recorded on audiocassette by recorded book. Ms. Draper wanted to be a teacher since she was a child. Ms. Draper said “in order to be a good writer it is necessary first to be a good reader”. In other words Reading is input, and writing is output. Draper attended Pepperdine University as a national merit scholar majoring in English. She graduated in 1971 from college. Draper once commented "I feel very blessed that I have had so much success in such a short time. I hope that my books can continue to make a difference

Her student dance company was founded in 1931, “Ballet Negre” and awarded a Rosenwald Travel Fellowship in 1936 for her combined expertise in dance and anthropology. While studying with Ludmilla Speranzeva and Mark

Throughout history, sports have become a regular family interest, and were very well known in the year of the “Roaring Twenties” (R, A, 2010). The weekends were always filled with baseball fans in stadiums, waiting to cheer on their favorite team or player. One of histories greatest athletes fulfilled a dream during this era and would forever be remembered as baseball hero.

Frontier (1976)- with Introduction by Martha Graham. Perf. Martha Graham. YouTube. YouTube, 24 June 2011. Web. 17 Nov. 2012. .

“Go within everyday and find the inner strength so that the world will not blow your candle out” (A Quote by Katherine Dunham 1). Once one of the most successful dancers in both American and European theater, Katherine Dunham, a dancer, anthropologist,social activist,and educator, continues to inspire people throughout the world. Named America’s irreplaceable Dance Treasure in 2000. Dunham remains a name heard regularly in dance schools across the world (“Katherine Dunham Biography” 4). She is known for always trying to make a difference and in the process she has become of the world’s greatest humanitarians (Osumare 5). Katherine Dunham’s work in African American rights in the dance world and her creation of new styles of dance makes her an important figure in American dance History.

Mrs. Farrell’s book is quite technical when it comes to the lengthy descriptions of the dances she rehearses and performs; from a dancer’s view these varied conclusions of the types of movements she was dancing is quite astonishing. In fact, it adds a whole new level to the imagination that can come alive in a person’s thoughts when they read an expressive book. Although the technical explanations will excited, astound, and reveal how much passion and deep meaning ballet had in Suzanne Farrell’s life, but a reader, who may not be involved in the arts will be unfamiliar with the ballet and musical terms in

The first experience of watching a ballet, for me or any little girl, can be fascinating and exhilarating. Wondering how a dancer can be so steady on her toes as she spins in circles and leaps through the air. Watching a ballet, there is a feeling of wanting to be graceful, as well as the warm sensation felt by a little girl as she slips into dream land. My mom had taken me to my first ballet when I was 11 years old. When we returned home home, she signed me up for classes at the local dance center. The expectations to become a prima ballerina would involve much hard work and concentration. I knew when I started it would take years of steady practice and commitment. Learning the history of ballet and the famous

Moving History/Dancing Cultures is a collection of dance related essays and articles by various authors. The book was published in 2001. The article “Searching for Nijinsky’s Sacre” was written by Millicent Hodson. Hodson is a well-known choreographer and lecturer. She has also reconstructed multiple ballets; her most famous being Le Sacre du Printemps, originally choreographed by Nijinsky. As the title suggests, Hodson’s article is about her extensive research of Nijinsky’s Sacre, and the importance of remembering, preserving, and recreating such revolutionary ballets.