My proposed theme is Language, and in the Play, “Taming of The Shrew” (First Folio ed. (1623). I chose this Play because of its broad genre Comedy, and play on words. The Play (as with most of Shakespeare’s works) are injected with an array of themes and subgenres. He uses language to transmit substantial messaging (sometimes subtle), with innuendo comedic device. In our list of themes, at least 8 out of 11 would lend itself to the treatment. However, I want to challenge myself, not just because Language is about communication, but because it is about my passion for the written word and the performing arts. Absorbing his artistic expression, talents, and grasp of language which still reverberates with homage to his plays, and how it continues
The theme I'm deciding to choose is pride. Pride is shown in the play Antigone by Sophocles, as well as the essay The Lottery by Shirley Jackson. In both stories pride is used by many characters and at times it affects both stories in different ways. It affects the outcomes of both stories and their outcomes.
He uses words such as “unforeseen” and “enormously” to express this shocking decline in the arts and literature. By using compelling diction, he draws in his audience and sets the tone for his argument.
I believe that the Taming of the Shrew uses comedic devices to develop the plot. Shakespeare is obviously well known for his use of comedic and literally devices in his work, however The Taming of the Shrew is a very funny and a not so serious play.
The speaker for this pre-performance talk was made by foreign language professor Dr. Katie Angus. Being a French professor, she offered her comments on Molière’s play Tartuffe. She began the talk by describing why some of her students decided to study French out of the other language choices available. The answers ranged from “my grandmother speaks French,” to “it is a beautiful language,” to Angus’s own reason of “Spanish was full.” She then spoke about the translation of play from French to English and how difficult it is to create. The translator must have good knowledge of both languages and must choose which elements the play has in its original language to try to keep and which ones to sacrifice. She explained that in the original French
11. Point out some moments in the play when the playwright conveys much to the audience without dialogue
Kate in William Shakespeare's The Taming of the Shrew Katharina or Kate, the shrew of William Shakespeare's The Taming Of
This phenomenon was replicated at the University of Michigan’s SMTD performance of The Resistible Rise of Arturo Ui, written by Bertolt Brecht. This play told the story of the rise of gangster Arturo Ui and the corruption of the cauliflower business in order to satirize the rise of Hitler. Despite this being a play, rather than a musical, the use of Copland’s “planes of listening” still apply. Theater-goers can still view the work with different approaches- either purely surface level, meaning-driven, or technical, like the “planes of listening Copland describes.
The words of this play is convoluted and often mean nothing at all, however it is these qualities that make the words important. The professor often speaks words that sound interesting but have no meaning and is called out by Carol. He uses language that are flowery, used to create the idea that he is an intellectual. These words, while having no straight meaning, creates the overall implication that language is meaningless. This is increased by Carol’s frustration at not being able to understand his lectures.
The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.
Within the Shakespearean tragic drama Hamlet there are a number of themes. Literary critics find it difficult to agree on the ranking of the themes. This essay will present the themes as they are illustrated in the play – and let the reader prioritize them.
Along with the sound or rhythm of the play, Shakespeare?s vocabulary makes his plays more intriguing and very expressive. He introduced thousands of words into our language. It is hard for people today to understand some of the things Shakespeare said, because ?many words have fallen out of use, and in others the meaning has migrated, often a considerable distance?
The use of descriptive language is important for the writer to entertain, persuade and teleport the reader into their work. Descriptive use and imagery allow the reader to experience the setting, sound, taste, and mood as if they can live through it. Which takes us to Shakespeare's play Hamlet. Not only does he use exceptional details and imagery throughout the play between the characters, but the way he uses word allows us to put ourselves into the play as if we can feel what they feel. It also allows us to experience and go through the play as if we are in it also. So in this paper, I would like to focus on a few major moments where I believe Shakespeare descriptive language is the strongest.
Shakespeare brings us back to the sisters in act II scene 1. This is a
As the idea of an audience appears and you begin to focus on that theme, it is not long before more references to theatre begin to stand out. For instance, as the situation of Josef K and his confusion with his arrest start to unfold, he takes the whole situation as a
Shaw, primarily because the play is a form of propaganda, constructs the dialogue of every character to carry the weight of his thesis of dichotomy. This realization connects the sardonic wit back to the expressionistic characteristics. The characters and the setting are literary marionettes dancing to the music of propaganda, holding no free intelligence unaligned to Shaw’s themes. In a vast sea of consumerism and