How Did Gospel Music Influence The Civil Rights Movement

Since the Constitution of the United States was written, Americans have practiced their right to freedom of speech as a way to express their point of view on issues facing the country. Over time, voicing one’s opinion went from outspoken newspaper articles to large rallies, and during the Vietnam War, music was a prevalent tool in aiding the protests. Allowing political messages to be shared nationally, the music had touched the lives of the younger generation. Author Jerome L. Rodnitzky explains in his journal, “The Sixties between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973”, how music was “trying to be all things

During this call to action, people had different ideas on how to respond to the events surrounding the bombing on 16th street Baptist church. The response ranged from marching, protests, and most importantly, music. During the Civil Rights movement, music allowed artists to express their dissent through a medium in which their message could reach a plethora of peoples. Music during this time was also akin to the music effect of “work songs” sang during slavery as well as songs such as “we shall overcome” which draws parallels to songs sang as slaves attempted to escape to the north. Music also helped those involved in the civil

Joan Baez was a white singer that sang “oh freedom”. She ended up singing it at Martin Luther King Jr.’s ‘I have a Dream’ speech. In the meaningful slow song Joan Baez expressed her wanting for equality and freedom.

Cooke was considered a great soul singer that inspired many people. This song encouraged people that change will

The 1960’s in America was often referred to as an age of protest because of not only the social protests that have taken place, but also for the upbringing of protest music, which became very popular during that era. The roots of protest music were largely from folk music of American musicians during 1950’. Folk musicians, such as Joe Hill, composed labor union protest songs and distributed song booklets, hoping to “fan the flames of discontent.” (Rodnitzky pg. 6) Symbolically, this meant that the songs, the fan, would reduce the uncontrollable social protests that the United States government caused with the misleading information that they did not keep their word on, or the flames of discontent. Other folk musicians, such as Woody Guthrie and Pete Seeger, traveled around the United States spreading their “message music” and becoming involved in political movements. Guthrie and Seeger were the pioneers of protest music, bringing their folk music to New York City and merging it with urban music. Woody’s songs were about the masses, often identifying problems and offering solutions. While Seeger was cautious about referring to his music as folk music, preferring the term “people’s music,” meaning that not everyone may had the same thoughts, but they all expressed it in their own unique musical sense. For both Woody and Seeger, folk music was a necessity in these protests, when the needs

All cultures following prehistory had a musical background, therefore everyone can connect more effectively with a music containing a message than a speech, therefore spreading the message more effectively. “The freedom songs are playing a strong and vital role in our struggle” (MLK). In the case of the Civil Rights Movement, it was the prominent method to give the group a voice, represent them, and highlight their determination for social change. When times were hard for the movement, they would also rely on songs to sustain morale:

Over the period, “We Shall Overcome” by Pete Seeger quickly developed into one of the most popular songs of the civil rights movement. Released in 1959, this song remained an important civil justice song not only within the movement, but also across the globe. As mentioned earlier, the act of singing together is a powerful tool to unite individuals and to create a sense of community. This song evoked vitality and strong emotions across the south were most of the blacks lived as well as rejuvenating courage, and confidence in the search for freedom in their struggles. The complex process of the song, We Shall Overcome “reveals much about the improvisational and hybrid nature of not just African American musical culture, but also the movement

From the Civil Rights Movement to the Black Lives Matter movement, music continue to be the expression of all that is contained in the movement. It shows the struggles, the passions, the history of the movements. It gives hope, brightens the day, rallies, and unifies the people of movements.

For centuries, Gospel music has influenced and promoted African-American social, moral and ethical values, playing an imperative role in modelling their past and future. Originating from the hardships of slavery and the strength of Christian worship, Gospel music has adapted to musical tastes through the development of a number of sub-genres, while retaining its moral and spiritual framework. Throughout its musical history, Gospel music has had a profound and predominant influence on its devotees and followers. During the turbulent years of the American Civil Rights Movement, Gospel music played a vital role in building the foundations of stability and

Gospel music is an elegant form of worship. It has been used to speak out against oppression and to advocate for freedom and equality for all. Gospel Music is exemplary of music being used to change the world. Gospel music and the various artists associated with it have had a monumental impact on the face of our

Dylan’s most famous protest song is “Blown’ in the Wind”. It became the anthem for the civil rights movement in America during the 1960s, and as result Dylan was viewed as the spiritual leader of the civil rights movement. “Blown’ in the Wind” became very popular among the American people because the lyrics of the song could be applied to any situation as the lyrics were all about humanity learning from its mistakes and a call for freedom. “Only a Pawn in Their Game” was Dylan’s most offensive protest song that he wrote, and it was first performed at a civil rights rally in Greenwood, Mississippi. This song was about a civil rights activist who was murdered by “just a poor dumb

The spirituals the influnced gospel msuc in the 1920’s and 30’s. As time went on, slaves then wanted to fight for freedom. Where spirtuals and gospel then played a big role in protest. Later African-Americans used the two types of music to protest in various Civil Rights movements in the 1950’s and 60’s. One song that made a big impact was the song “How I Got Over” by Mahalia Jackson.

Speeches and music are great ways to bring awareness to inequalities around the globe. Music created by artists can help support many causes, through their lyrics people subconsciously learn about social inequities. “Known throughout the world, Youssou N’Dour is a musical peacemaker in his native Senegal and lends his words and music to critical campaigns, such as malaria prevention programmes.” (Da Silva) Another example is Oliver Mtukudzi, a musician from Zimbabwe, who helps raise awareness of diseases by shaping his lyrics to inspire people to help his causes. Yet another example is Angelique Kidjo, an ambassador of goodwill, who helps causes like hunger by singing about them. In synopsis, music has a major effect on social inequities and can greatly help change to our society. Lastly, speeches have had the biggest impact on our society out of any genre of literature. Susan B. Anthony greatly paved a path for women's’ rights by tenaciously campaigning to get women's rights to be equal to men’s. For example, she helped women get the right to vote. Correspondingly, in The Gettysburg Address, Lincoln focused on fixing the inequality of slavery and helping colored people gain equal rights. When Martin Luther King gave the I Have A Dream speech, he completely changed social inequities by greatly decreasing racism. “Africans found a particularly poignant

“Where Have All The Flowers Gone?” by Pete Seeger became a popular anti-war protest song during the 1960s. This song did not only protest against the Vietnam War but also made their generation more aware about the global problems. Songs like “Not Ready to Make Nice” by Dixie chicks about freedom of speech was written after they received death threats for singing against the Iraq war, protests against the violation of human rights. But music is not only used to protest, it is also used to give hope and optimism. “We Shall Overcome”, a song sung by Guy Carawan together with the Montgomery Gospel Trio and the Nashville Quartet, is perhaps the best known example of civil rights song. Instead of blaming the government, this song registered a feeling of hope and faith among African-Americans during the civil rights movement.

Music has a dynamic ability of influencing emotions, from mood regulation to rumination and self-expression. The presence of political and social messages in popular music is frequently seen across cultures, in particular focusing on social issues and racism (Back, 2000, 127). This paper attempted to explore the political and social messages in popular music, more specifically it investigated the relationship between Soul music and civil rights movements in the United States.