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Hemingway’s, A Farewell to Arms: Does The Film Do Justice To The Novel?

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A Farewell to Arms, published in 1929, is a classic short story written by Ernest Hemingway about the hardships and cruelties of love and war. In 1932, a film adaptation of the novel was developed by Director Frank Borzage and nonetheless the unquestionable originality of his photography as well as for his excellent directorial concepts; Borzage misses on many levels of Hemingway’s brilliant description and significant dialogue between the main character Lieutenant Frederic Henry and his fellow Italian officers. The film is voiced and positioned towards the eyes of Borzage rather than the story of Hemingway and the incidents are frequently noticeable throughout the film. But to be reasonable, the novel is a difficult task, considering that …show more content…

Also in the film, a viewer is confused as to where the characters are in the film, and when Lieutenant Henry decides to escape from Italy to Switzerland the glimpse of him getting into a boat is not recollected within the novel as Henry goes to Milan to find Catherine so they can leave for Switzerland together. The confrontation between Catherine and Henry appears to gather up hastily within the film and whenever Catherine and Frederic begin to acknowledge their love for one another, the melodrama comes forth and the story becomes intolerably sentimental. To me, it seemed as if the director feared he could not get in all that we wanted into the film and as a result, missed several of incidents of Hemingway’s novel. Also to exasperate this point, Borzage ordered that an alternate, upbeat finale be added with a sensible happier ending, worried that audiences would dislike the dark ending that is in the novel. The movie ends with the conclusion of the war (in the novel, war is still happening) and Frederic carrying Catherine’s body to the window while he declares, “Peace, Peace!” on the other hand, the book ends with the quote, “After a while I went out and left the hospital and walked back to the hotel in the rain,” ending the book in a more dark and unresolved manner. This portrays Borzage as overdramatic, for example, as Catherine lie dying in the hospital, Frederic cries, “You can't die. You're too brave to die.” This line

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