Harold Krebs is a young fellow who has as of late come back from his administration with the U.S. Marines amid World War. His house is in a residential area in Oklahoma. The story opens with the depiction of two photos: in the main, Krebs is envisioned with his society siblings. In the second photo, he is envisioned with another trooper and some German young ladies promptly after the war in Europe. He is imagined here as being too enormous for his uniform, recommending that he doesn't fit serenely into either his uniform or his life. Presently, with his arrival to Oklahoma, he seems to belong nowhere. Once home, Krebs fills his days with sleeping, playing pool and practicing the clarinet. He also likes watching the young girls in town from
Krebs “felt the need to talk but no one wanted to hear about it. His town had heard too many atrocity stories to be thrilled by actualities.” Krebs own family lacks support for his yearning to talk to someone about what he has done and gone through. “She [Krebs’ mother] often came in when he was in bed and asked him to tell her about the war, but her attention always wandered. His father was non-committal.” It is obvious why Krebs decided to sleep all day and lock himself in his room, his town and his family have locked him in there with nothing but his thoughts. Krebs cannot leave the room because he is unable to let out all that he carries from the war.
Chapter 2 sums up the war in a different fashion, showing the contrast between the uselessness of past knowledge and the “raw and emotional skills necessary” in the trenches (20). The duties imposed on the camp by Corporal Himmelstoss symbolize the hours of work and duties done before enlistment that mean nothing during the war. Being “put through every conceivable refinement of parade ground soldiering” shows how schoolbook tasks were diligently performed only for fear of how society would perceive the boys if they were to do otherwise (26). Himmelstoss himself is the embodiment of previous responsibilities that only make the men “howl with rage” at present (26). The death of Kemmerich goes hand in hand with the death of innocence, Kemmerich’s shiny boots being the small glimpse of hope that keeps the men going. Baumer receives saveloy, hot tea, and rum from Muller for salvaging the boots. In return for giving Muller a sense of hope, Baumer receives a more needed sense of comfort and satisfaction. His hunger, one “greater than comes from the belly alone” (33), is thus satisfied. Chapter 7 directly reinforces this transition from an old life into a new one. Baumer “feels an attraction” to the
Overseas females were either not present or presented as prostitutes. This corruption of women in Krebs mind remains, but he still thinks about them frequently. He states, “That was all a lie. It was a lie both ways.”, this demonstrates how, like many other facets of home life, was disenchanted by his service in war. Ernest uses repetition to demonstrate the revision of thought. For Norman, he only wishes he could’ve had what he almost had before he went away. His old sweetheart, Sally did not wait for him and, “...had her house and her new husband, and there was really nothing he could say to her.” O’Brien writes this as a list to convey that Norman feels overwhelmed by how much change has occurred during his absence. Once again, these soldiers feel isolated by their experience, Norman by the time spent away, and Krebs by the things he saw while he was
Norman, a strong guy, could not save him not for lack of strength, but instead because of complete chaos around him, and “the worst part […] the smell” (O’Brien, 139). After the firefight was over, guilt set into Norman that would never leave. He blamed himself for Kiowa’s death, and it riddled him with self-doubt. After the war, he is completely unable to tell anyone about the incident, and the medal he should’ve won, “he wished he could have explained some of this. How he had been braver than he ever thought possible, but how he had not been so brave as he wanted to be” (O’Brien, 126). His feeling of inadequacy is based on this singular incident, and is something unable to be represented in the NBER study. After the war, Norman lived in the same town he has always lived in, yet he felt like a stranger: “the town could not, and would not listen. […] It had no memory, therefore no guilt” (O’Brien, 137). Norman feels alienated from society, wracked with guilt for a situation beyond his control, he finds his only solace is in the taking of his life. Tim O’Brien uses the suicide of Norman Bawker to represent the extremes of post-war trauma of veterans as a whole. Norman is a stand-in for every soldier who comes home from the war feeling as if he could have done more. Norman’s home town, a sleepy town in middle America with, “stone patios with barbecue spits and grills, and wooden shingles” (O’Brien, 131) represents America as a whole and its uncertainty of how to
Owen states that he has altered some names, and that since he is human some events may have played out differently. Lt. Owen also informs that he used help from his coworkers to make sure he retells the tale with utmost honesty. “All the men portrayed here are real, and the substance of their stories is faithful to the actual events depicted.” (Preface, xvi) It is with this precaution we are introduced to the first Chapter. Lt. Owen gives the readers information not only about his background, but also the background of his coworkers. He speaks of the pride a marine should have, and the bravery of Baker-One-Seven. “We were under way. There were tears, but Marines and Marine wives aren’t ashamed of tears when their hymn plays.” (Chap. 3, pg. 46) This memoir serves as a tribute to the Marines of Baker-One-Seven. The events and facts depicted in Owen’s memoir contains historical
Krebs soon comes to isolate himself and oppose discussing his war experience and the influence it had on him. For Krebs, living in a town that has moved past the war, was his reason to reminisce on his war experiences and the women who would walk the streets in Germany and France. After spending two years in World War I, adapting to the real world was asking Krebs to let go of everything that has shaped him since he has been gone. “He sat there on the porch reading a book on the war. It was a history and he was reading about all the engagements he had been in. It was the most interesting reading he had ever done.” Even after arriving home, attempting to adapt to the fact that the war was over, he studied war events he was part of; routes and war sites he had taken and fought at.
Corporal Thomas Searles underwent a drastic change from a nerdy, bookish man, to one of the most bravest soldiers in the regiment. The minute he found out about the 54th Massachusetts regiment, he didn’t think twice in enlisting and was very eager about it. The minute he got in his
A “Soldier’s Home” by Ernest Hemmingway is an intriguing story about a man by the name of Krebs who enlists in the Marine Corps during his attendance at a Methodist college in Kansas. After serving for two years at the Rhine, he returned with the second division in 1919 but Krebs wasn’t in the same state of mind as before he left. The reason why Krebs was so distraught when he returned home was not because of the fact that no one wanted to listen to his war stories but because him and other soldiers were without any real benefits such as medical, education, extra remuneration, or anything to help him get back into the real world. This reason stated is the reason that Krebs and soldiers alike came home from war with nothing to show for
As a young man coming back from the war, Krebs expected things to be the same when he got home and they were, except one. Sure the town looked older and all the girls had matured into beautiful women, Krebs had never expected that he would be the one to change. The horrific experiences of the first World War had alienated and removed those he had cared about, including his family, who stood naïve to the realities and consequences only those who live it first hand would comprehend.
Harold Krebs personality in the image with his fraternity brothers shows how differently, he was before he joined the Marines. Hemingway spoke of “A picture which shows him among his fraternity brothers, all of them wearing exactly the same height and style collar” (Hemingway 133). In the picture, Krebs seems to be the most popular guy because he was in a fraternity group. It also shows that Krebs was in a place where he was able to connect or conform to his fraternity peers. His fraternity brothers made him feel part of a family. He was excited and enjoyed his life as a college student. Harold Krebs was an ordinary average college boy, but all that changed when he went to war.
In Soldier's Home, Ernest Hemingway paints a vivid picture of Harold Krebs return home from World War I and the issues he confronts while trying to shift his way back towards the ordinary life he once lived. After his battling over seas took place, it took Krebs over a year to finally leave Europe and make his way back home to his family in Oklahoma. After finally finding the drive to come home, Krebs found that it was difficult to express his feelings towards all he had seen during his tour of duty, which must be attributed to the fact that he was in the heart of some of the bloodiest and most crucial battles mankind has ever seen. Therefore, Krebs difficulty in acknowledging his past is because he was indeed a “good soldier” (133), whose
Soldier’s Home is a story about the experiences of a soldier returning from war. The narrative starts with a description of an image or photograph of Harold Krebs. Krebs is the main character of this story. He was a young man who was attending the Methodist College in Kansas before he had to enlist in the Marines to find in the war (Hemingway 111-116). The opening picture is an increasingly significant source of contrast between the young man who went to war and the one who comes back who has become silent and alienated after coming home. Krebs comes back in 1919 even though the war ended in 1918. His return is not marked by celebrations and parades that were often given to the young soldiers who had managed to come home early. Rather, Krebs finds out that the people are not overly excited about his news of the war unless he lies and exaggerates about his role during the war (Hemingway 111-116).
Harold Krebs is a man who has gone through a life-changing event and has experienced many consequences made by his own choices and decisions. He then has to come to the understanding that he has to try and rebuild his life as he knew it. Things weren’t working out at his family’s house so he decided to move to Kansas City where he would get a job. This war was a hundred years ago and Krebs came back and had no clue what to do with his life when he got back. The
After reading this short story, I personally do not think that Krebs was suffering from Post Traumatic Stress Disorder (PTSD). The reason why I think this is because he did not show any of the symptoms that the article talks about. The story shows in some parts that he is emotionless, bu he actually shows emotion regarding other things. The story shows he is emotionless by saying that he doesn't want to have a serious relationship with a girl and he also tells his mother that he doesnt love her
A cross-dressing up to no good “rebel”of a solider know as Klinger off the TV show M*A*S*H brings to light the harsh reality of being an unwilling draft solider by trying constantly to be discharged. Klinger plays the portrayal of the archetype of the classic rebel. The Rebel archetype is a very American archetype and is in some ways a definitive behavior of the American individual and is inexorably linked to freedom. Klinger exemplifies this; his whole goal is freedom- more specifically to get out of the draft that he was sucked into. The show takes place in the 1950’s when America was drafting soldiers from the Korean and Vietnam Wars; Klinger wears his insane “uniform” hoping to convince his superiors that he 's mentally unstable. This character portrayal illustrates the cultural stigma of the 1950’s draft. Men who were drafted were expected to serve, but not all men wanted to be drafted Klinger’s character symbolizes the unheard cry of the drafted soldiers.