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Fukú Quotes

Decent Essays

“Fukú americanus, or more colloquially, fukú – generally a curse or doom of some kind; specifically the Curse and the Doom of the New World.” (Diaz 1)
This is a fukú story, declares the narrator Yunior in the prologue. The Dominican Republic is fukú’s Kilometer Zero - it is said that it came from Africa, with the screams of the slaves, and it poured over in the Antilles, where the Admiral first set foot to New Lands and later died of syphilis. His name became synonymous with both little and large kinds of fukú. Fukú always thrived, but it did so especially when Rafael Leónidas Trujillo Molina, also known as El Jefe and the Failed Cattle Thief, ruled over the Dominican Republic from 1930 to 1961, and “was believed by many to be the Curse’s …show more content…

The prologue elaborately writes of the fukú and Trujillo’s dictatorship, and could very likely be a part of A Marquez novel, while other magical realism elements in the book include Lola and La Inca’s ability to sense shifts and changes in their lives before it happens, or the golden-eyed mongoose Beli and Oscar witness. And yet, Oscar Wao is distinctly not a magical realism novel, but rather, to quote A. O. Scott it is an “unruly multitude of styles and genres” which includes “a young-adult melodrama draped over a multigenerational immigrant family chronicle that dabbles in tropical magic realism, punk-rock feminism, hip-hop machismo, [and] post-postmodern pyrotechnics.” (in Bautista 41) Another quite unique element of Díaz’s writing is the narration style – the narrator is omnipresent, but unreliable. Yunior knew Oscar from university and he was Lola’s sometimes-boyfriend, and the personal connection he has with them both results in narrative breaks, oftentimes written in brackets, where Yunior inputs his sarcastic and witty commentary of the …show more content…

The history of the Dominican Republic itself is complicated and its culture is made from fractures of multiple others – the colonial Spanish, the native Dominican, and the slave African, all of which accumulates to the questioning of the self and ones heritage even before de León family moves to the “New World” of New Jersey – Beli, for example, was treated differently, sometimes negatively but oftentimes in a fetishized manner, than other, lighter-skinned, Dominicans while she was young and living in Baní due to her dark coloured

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