Flipped Characters

Throughout the novel, Janie searches for the love that she has desired from her adolescent years. A depiction of love represented by her grandmother's pear tree where bees and blossoms connect. The pear tree symbolizes her blossoming sexuality which sparks her interest in romance and her idealistic views towards relationships. In relation, the pear tree represents her crave for sexuality while the bees are the men needed to fulfill her blooming. Under the pear tree she masturbates and

“You may not control all the events that happen to you, but you can decide not to be reduced by them”, says Maya Angelou, an American poet, memoirist, and civil rights activist. This quote reflects to Sarah’s journey in the novel Sarah’s Key by Tatiana De Rosnay, since the main character, Sarah, faces events that affect her well being, as they make her both weaker and stronger. These events causes her to lose her innocence, makes her persistent, and then eventually drives her to be pessimistic. Sarah experiences traumatic events through her journey, which leads her to change both in a positive and negative way.

Janie tells Pheoby about her childhood and about how she witnesses love for the first time. When Janie was a teenager, she sees the erotic tension between a bee and a pear blossom. The narrator remarks, “Oh to be a pear tree- any tree in bloom. With kissing bees singing of the beginning of the world! She was sixteen.”

Thus, when considering the sexualized symbolism of the pear tree blooms, Janie reveals she comprehended the idea of what a marriage should be through witnessing the pollination of a bee into the blossoming pear tree.

The imagery of the bees and the pear tree are the catalyst of Janie’s coming-of-age, representing her first “springtime” and the awakening of her sexuality. The moment Janie sees the bee pollinating the blossoms on the pear tree is when she becomes aware of her sexuality. She finds herself empathizing with the blossoms; both being young and undergoing the springtime of life. Contrastingly, however, Janie has no “bees singing for her” like the blossoms do (Hurston 11). In Janie’s eyes, the relationship between the bee

[she longed] to be a pear tree - any tree in bloom! With kissing bees singing of the beginning of the world! She had glossy leaves and bursting buds and she... [was] waiting for the world to be made" (11). Janie, feeling herself opening like the petals of a flower, yearns to delve into the unfamiliar - to find the sweet marriage represented by the bees and blossoms.

Jane Hirshfield connects to nature at her home in Marin County, California this is where she gets her inspiration for her poems. Hirshfield published “Tree” in 2000 as a free verse poem, divided into 4 stanzas and 4 sentences to convey the nature world. The poem represents a “young redwood” (line 2) growing near a house, near a kitchen window. The redwood is already scraping against the window frame of the house, reminding the reader of the “foolish” (line 1) idea of letting it grow there. Humans were created to be one with nature, but as they evolved as a species, they were obligated to choose between the materialistic world or the world of nature.

The diction in the excerpt is an essential component to the dramatization of the plot’s central incident. Jewett uses rich language to intensify the simple nature of the main character Sylvia’s journey up a “great pine-tree.” For example, in describing the tree, the narrator uses personification as he mentions the “huge tree asleep yet in the paling moonlight.” The use of personification harkens back to those universal moments in childhood in which everything alive had human feelings, and creates an emotional attachment between the reader and the tree. Jewett also uses other figurative language, like similes, to relate the grandeur of the tree to the audience. She writes, “It [the tree] was like a great main-mast to the voyaging earth…” In comparing the tree to the great mast of a ship, the author invokes feelings of awe at its size.

Life is full of challenges. In the stories, “Breaking Through Uncertainty-Welcoming Adversity” and “Neighbours,” written by Jim McCormick and Lien Chao, the main characters illustrate benefits derived from taking risks. Even though both people in these texts undergo personal challenges, in “Neighbours” the character, Sally, receives greater benefits from taking risks than McCormick in “Breaking Through Uncertainty-Welcoming Adversity”.

For this addiction assignment I attended meeting run by the oldest Alcoholics Anonymous group in Auburn, Maine. This group, the Auburn Serenity Group, was founded in 1959. I found this information on their page http://www.csoaamaine.org/groups/5/auburnserenity.htm when researching meeting information. I attended on Wednesday night (10/8/14) at St. Philips Church on Turner Road in Auburn. The meeting was chaired by a man named Paul.

Many say that events, good and bad, from childhood shape a person’s future. Things like the death of a loved one, domestic violence, expectations and economic struggles can surely mould one's true self. However, the gap between finding the person they want to become and the one to avoid becoming is controlled solely by the way one chooses to handle these things in life. This is directly connected to the novel, Crow Lake by Mary Lawson, in which the life of Kate Morrison and her three siblings is depicted. The children are faced with tragedy when both their parents are killed in a fatal car accident and they are left orphaned to fend for themselves. The novel perfectly embodies what it takes to get through extremely tough times and push in order

In “The Author to Her Book,” Bradstreet is inundated in indecision and internal struggles over the virtues and shortfalls of her abilities and the book that she produced. As human beings we associate and sympathize with each other through similar experiences. It is difficult to sympathize with someone when you don’t know where they are coming from and don’t know what they are dealing with. Similar experiences and common bonds are what allow us to extend our sincere appreciation and understanding for another human being’s situation. In this poem an elaborate struggle between pride and shame manifests itself through an extended metaphor in which she equates her book to her own child.

At a very young and tender age, Janie develops an ideal view on the concept of marriage and romantic relationships, which is soon shattered by her experiences in her first two marriages. Her ideal view is shaped and created by the time she spends under the pear tree. Many an afternoon Janie would bask in it's shade, and observe the bees “sink into the sanctum of the bloom”, and watch the “thousand sister-calyxes arch to meet the love embrace and ecstatic shiver of the tree from the root to tiniest branch” (Hurston 11). She assumes that the flitting of the bees around the pears is “marriage” and feels as if she has been “summoned to behold a revelation” (Hurston 11). These seemingly pure interactions between the bees and the pear tree

What did that tree, leaning out from the bank, all white and lacy, make you think of? She asked. Well now, I dunno, said Matthew. Why a bride, of course- a bride all in white with a lovely misty veil.” (Montgomery, 65-66) It is identified here how nature pleases Anne’s eye. The way in which she is able to take a tree branch and bring it to life by imagining that is connected with something beautiful like a bride. It doesn’t only suggest her inquisitive imagination, but also her intellect. With using the enjoyments of nature to foster a desire, and with her perceptive vision she is capable of imagining the branch as something else. Through its beauty and emphasis on colour she can make a connection that the tree branch can be compared to a bride. It is crucial how Anne doesn’t take the natural sights of Avonlea for granted, because she values the power of self-expression in nature. Through her imagination with nature she is able to seek comfort. This is seen on her first night in Avonlea, when she’s afraid no one will come for her, so she turns to a tree as her home, where she can sleep. She states, “I had made up my mind that if you didn’t come for me and to-night I’d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night.” (Montgomery, 64) This scene represents how Anne is reliant on nature. Instead of being afraid that no one has yet to pick her up she uses nature to occupy her time. She is inspired by nature to

Throughout the book the pear tree symbolizes Janies ideal relationship. Tea Cake was Janies first love. When she meet Tea Cake she felt that her dream came true. It was as if she meet him under the pear tree. The moment when Janie meet Tea Cake she has immediate feelings, "He looked like the love thoughts of women. He could be a bee to a blossom-a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps." (Hurston 106). Janie perception of Tea Cake looking like love along with being a bee in a pear tree shows the strong feelings she has for Tea Cake unlike her past husbands. This quote expresses Janie strong affection and how much she admires Tea Cake. He is the fulfillment