Flaw Wang Analysis

As in many of Flannery O'Connor's stories, weather is an important indicator of characters' moods and important moments. As Tom Shiftlet drives off with the younger Lucynell Crater in the car, supposedly to go on a honeymoon, "The early afternoon was clear and open and surrounded by pale blue sky;" he still has a chance to redeem himself. But after he abandons her at The Hot Spot, he has lost his chance at salvation; this moment is enforced by the weather: "Deep in the sky a storm was preparing very slowly and without thunder as if it meant to drain every drop of air from the earth before it broke." After the hitchhiking boy has thrown himself out the passenger door, all is really lost for Tom Shiftlet, and "there was a guffawing peal of thunder from behind and fantastic raindrops, like tin-can tops, crashed over the rear of Mr. Shiftlet's car."

The poem describes the weather and its effect on cotton flower by pointing out the dying branches and vanishing cotton. The image of insufficiency, struggle and death parallel the oppression of African American race. The beginning of the poem illustrates the struggle and suffering of the cotton flower; which represent the misery of African Americans and also gives an idea that there is no hope for them. But at the end the speaker says “brown eyes that loves without a trace of fear/ Beauty so sudden for that time of year” (lines 13-14). This shows the rise of the African American race, and their fight against racism. The author used mood, tone and

In the short story “On the Rainy River” by Tim O’Brien he has a way of portraying certain events with great imagery. He uses this imagery to affect the overall tone of the story. O’Brien shows examples of this from receiving his draft letter, his place of work, and describing what he sees throughout his journeys. The day that O’Brien got his draft letter helps to set the tone in the beginning.

Despite the multiple decisions that Wang Lung chooses to make, the reader still observes that Wang Lung is a human. This makes it possible to understand Wang Lung’s faults are just him being humanly imperfect. Even if Wang Lung had generated more sound resolutions, perfection would still be unattainable by him. A quote from Liza M. Wiemer states, “For whatever it’s worth, I believe we’re born imperfect, and perfection, whatever that may be, is unattainable by us mere humans.” Wang Lung is comparable to all other mere humans in the idea that no one is perfect and all people make mistakes.

We wake up everyday to different weather, either good or bad, however our emotions are depended upon it. One September day arose, rain was falling and so were my emotions. I felt sad for no reason, I should have felt happy because it was Saturday, but no matter what happened, I was down. In the Catcher in the Rye, J.D. Salinger uses weather to exploit emotion.

This shows that meteorological conditions are able to affect a character’s thoughts and alter their feelings. As has been noted, Shelley accentuates the description of spring to express the hope and renewal bestowed upon the creature by the exemplifications of the weather.

As the problems of their neighbors are broadcast into the Westcott’s living room, the weather outside begins to reflect the climate inside: "There were hundreds of clouds in the sky, as though the south wind had broken the winter into pieces and were blowing it north" (821). The Westcott’s view of society and of themselves is being changed from a beautiful, solid picture of appearances into many jagged, separate pieces that do not seem to fit together.

The weather does more than fit the scene’s energy; often, the weather mirrors the protagonist’s attitudes and feelings, helping readers sympathize and connect with the characters. The first several chapters, set at Gateshead, are rainy, cold, and dreary, paralleling Eyre’s hopeless outlook. According to Thomas Foster, one of rain’s several potential purposes in a novel is to add an air of mystery, isolation, and misery. For example, when Jane is locked in the red-room, “the beclouded afternoon was tending to drear twilight...the rain

In the first paragraph, the setting is described as a beautiful sunny day that is during the summer. Everything is in bloom and the grass is green. Basically, during this first paragraph, the author describes it as a “perfect” day which shows how nice it is and making the reader not realize what the townspeople are actually going to do, which is the opposite of how this day really is.

In the story, All Summer in a day, by Ray Bradbury, the setting helps develop the mood of sadness, and depression. The author does this by making the setting dark and stormy everyday on venus. The setting makes the story gloomy at first, but when the sun comes out for one hour, it makes the reader hopeful, but the main character missed the sun. That makes the reader’s mood depressed and sad.

Foster’s insights about seasons and weather in literature change the story’s interpretation by clarifying their purposes. Foster’s main idea in the chapter It’s More Than Just Rain or Snow is weather always has a purpose; for example, rain, which has an “association with Spring,” can allow a “character to be cleansed symbolically” and “can bring the world back to life.” This insight is clear in the short story as outside Mrs.Mallard’s room the “trees were all aquiver with the new spring life” and “the delicious breath of rain was in the air.” The rain and spring weather may be dismissed as merely setting, but Foster’s insights allow the deeper meaning behind the inclusion of rain and spring to be clarified. The rain and spring show how Mrs.Mallard was cleansed

In literature, weather is a mechanism used to enhance and create mood. In the novel Life of Pi, it is used successfully in this way. However, Yann Martel’s use of weather in the story also portrays the overwhelming commotion in Pi’s subconscious as he undergoes 227 days at sea. The parallels between the weather and Pi’s journey of transcending his safety net, his normalcy, and his childhood are evident throughout the novel. Weather is a representation of the wholehearted connection Pi has with nature, as it often accurately represents his thoughts and emotions. Yann Martel uses weather as a medium to encapsulate the reader and put them in the novel, but also to convey the dire circumstances of Pi’s mind.

Circularity is also evident when the beginning of the story is compared with the final paragraph. Consider the alliteration in lines 3-4: "summer," "streets," "shuttered," "Sunday," and "swarmed" and the ending (p. 71), where the "s" sound is repeated once again: "stared," "smiling," slowly," "small," and "shone." In addition, the image of a lamp plays a key role in each situation: to expose the "shape and hue" of the crowd in the opening (lines 4-6) and to expose the sovereign Corley holds in the final scene.

Using metaphors, the weather is described in a way for the readers to interpret the message behind the scene. With the phrases, “through the fields, and the woods, and over the walls I have wended,” and, “it is ended,” the readers can conclude to the thought of a journey that has been completed. However, the text is about the journey is meant to be his relationship because he explains different sceneries, like how the walls represent obstacles. When the speaker refers to the leaves, “the dead leaves

This just shows how weather can affect people's moods. At first the storm seemed exciting; getting to leave work and school early sounded like a good thing. However, throughout the day, little things happened that made it no longer be so exciting. And eventually, that excitement was gone and it was replaced by