"Fiesta" for Whom? by Junot Diaz

Here we are revealed more about human nature. Just like any society that instills fear into its followers or citizens that is exactly what the father does with his family. The father is the figure of power of this family and instead of leading with love and kindness he demonstrates his power through fear and dominance. We are able to see that the family in itself is a whole and loves each other, yet there is this rift between each family member that is threatening to tear it apart. For example, when Yunior gets in trouble with his father and his brother is around instead of standing with Yunior and speaking up Rafa backs away and avoids any confrontation with their father in order to avoid his wrath. This makes Yunior look down on his brother in a sense that Rafa doesn’t have his back at times when he needs him most, so he truly can’t trust him (Shreve & Nguyen, 2006). This is just the small part of the family for there are even parts of the whole family that act in a similar fashion.

Each year, thousands of Central American immigrants embark on a dangerous journey from Mexico to the United States. Many of these migrants include young children searching for their mothers who abandoned them. In Enrique’s Journey, former Los Angeles Times reporter, Sonia Nazario, recounts the compelling story of Enrique, a young Honduran boy desperate to reunite with his mother. Thanks to her thorough reporting, Nazario gives readers a vivid and detailed account of the hardships faced by these migrant children.

Junot Diaz was born in the Dominican Republic and immigrated with his family to New Jersey, where a collection of his short stories are based from. Out of that collection is a short story “Fiesta, 1980”, which was featured in The Best American Short Stories, 1997. This story is told from the perspective of an adolescent boy, who lives in the Bronx of northern New Jersey with his family. He is having trouble understanding why things are the way they are in his family. Diaz shows Yunior’s character through his cultures, his interaction with his family, and his bitterness toward his father.

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

Baca witnesses his father physically and verbally abuse his mother, so it leads him to violent behaviors when he grows up. Baca’s father, Damacio, becomes an alcoholic after he loses his job at the DMV and “he is having trouble getting the jobs that the politicians promised him” (11). Even though Baca witnesses his father argues and threatens his mother any time his father gets home, he cannot do anything to help his mother. In chapter one, Baca states, “I would brace myself for a fight”, to show his anger as if he wants to fight to protect his mother whenever he sees his father threatening his mother (12). Additionally, Baca’s father also abuses him. After his father finishes arguing with his mother, he finds Baca, and “[tosses] him in the car and [drives] away”; as a child, Baca is scared and terrified because he never knows where his father is taking him to

She was always exhausted and instead of spending the evenings with her sons, she would sit alone on the porch. The first time that Papi was supposed to come back and didn’t, she went away from the family for five weeks. When she came back she was “no longer close” to Yunior. Maybe if Papi hadn’t left, he would be working to provide for the family and Mami would have been able to stay home and be a care-giver to her boys.

Junot Diaz is a professor at Massachusetts Institute of Technology. He is very widely known for this writing and his background story. In Junot Diaz’s story, “The Money: Starting Out,” he shares a story from his childhood. The story is about when Diaz and his family had just recently moved to New Jersey from Santo Domingo and they felt as if they were “targeted.” The neighborhood that they were living in was not the top of the line, lots of robberies were taking place. The Diazs’ themselves are a victim of robbery, but in the end, everything turns out to be good. Throughout Diaz’s story the reader can better understand and sympathize with this family because of the many uses of pathos and ethos in the passage.

It is not just the language of the Dominican culture that we find characters struggling to hold onto in Díaz’s Drown. We also find that the characters walk a fine line of defining themselves as newly Dominican American, and it seems they feel pressured to leave behind their old ways and traditions to join their new society. In the short story “Fiesta, 1980,” we find many examples of the family being torn between their Dominican customs and assimilating to their new American life. This story begins with the explanation of Papi’s most prized possession: a brand-new, lime-green, Volkswagen van. Much to Yunior’s chagrin (due to the fact that he gets sick every time he rides in the vehicle), this van means a lot to Papi, because to him, it represents an American family. According to John Riofrio (2008), “it[the van] is the embracing of the American way which has reenabled Papi’s masculinity,” (p. 33). After arriving at their Tia and Tio’s home for the party, Yunior sneers at his relatives’ apartment stating, “the place had been furnished in Contemporary Dominican Tacky” (p. 32). It seems as though Yunior, after only a short period in America, is already feeling embarrassed by his culture’s traditions. This chapter of the book also discusses the betrayal of Yunior’s father to his family, by having an affair with a Puerto Rican woman, whom

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

The father’s drinking and the mother’s temper result from the emotional impact of the devastating accident. The family eventually had to move to other city because they could not bear living their anymore because of the car accident. Not only did the accident affect the mom and dad, it affected the children.

meal she cooked regardless of how hungry she was. His mother also shows qualities of a

The author creates themes of commonality that are relatable to many in this story story. There is a crucial moment in rebellious child’s lives that pushes them to act out. For Lola this happens to be her mother and her battle with breast cancer, “with her cancer there wasn’t much she could do anymore” (Diaz 5). Lola,

The autobiography When I was Puerto Rican, written by Esmeralda Santiago, tells a story of a poor girl trying to succeed. The settings in this novel have an important influence on Esmeralda. They influence her behavior and change her ideals as an adult. Negi goes through many changes based on the challenges she faces by moving to new locations where society is different. All of these changes allow her to become a stronger person. When she lives in El Mangle, Negi has to face extreme prejudice against her upbringing as a jibara. When she leaves Puerto Rico to move to Brooklyn, she is forced to face an entirely different society. All of these events that took place in Esmeralda’s childhood had a significant impact in shaping her into an adult.

In the story, Oscar goes through difficult situations to want to interpret the role of the Dominican man. During the story, Oscar seeks a woman who gives him love and makes him feel like a man, but does not have the masculine qualities necessary to achieve his purpose. While his friend Yunior is the opposite, that is, his role in history is a man that women are always behind him by his charms, to the point that he cannot maintain a relationship with a woman because he cannot be faithful.

The way the daughter tried to solve the conflict with her father shows that she can see her father’s view on the situation and can analyze the fact that her father is only protecting her. After reciting her speech to her father about how the students need to work to destroy the teachers, her father is appalled by what she had written about and tears apart the speech. In anger the calls him a ‘Chapita’ without remembering how he had lost friends and family to the dictator Trujillo. After throwing a fit she remembers how he was still afraid the regime back in the Dominican Republic would find him and his family and that he is only protecting her. The narrator and her mom are in her room later that night, “What we ended up doing that night was