Feminism In Lysistrata

Lysistrata, visibly upset that the women have not appeared, turns to her friend Cleonice, who reassures her that everyone will come, but “it’s not easy...for women to leave the house. One is busy pottering about her husband; another is getting the servant up; a third is putting her child asleep or washing the brat or feeding it” (Lysistrata). The exposition to the drama therefore tells us everything we need to know: women are trying and failing to remove themselves from their traditional housekeeping role. This is in part forced upon them by men, but also in part by their own will: throughout the play, the women place themselves in a lesser role and act unable to control themselves.  When Lysistrata explains her plan to Cleonice, Cleonice responds that “salvation hangs on a poor thread” if women are in charge. It is therefore not only men who enforce the anti-feminist view that women cannot “perform so wise and glorious an achievement” as ending the

Lysistrata is shown to be a very clever and cunning woman as she is able to use emotive language in order to persuade the women into listening to her

Anything a mother consumes will affect her baby’s health, either positively or negatively. After the sperm enters into the egg, instantly, the baby begins to grow inside of the placenta, which is inside of the mothers’ uterus. “The placenta has been described as a pancake-shaped organ that attaches to the inside of the uterus and is connected to the fetus by the umbilical cord.” As the placenta produces the hormones for the baby, it also supplies the blood to the fetus from the mother. The most important element that allows the fetus to grow is the umbilical cord. The umbilical cord is composed of three blood vessels that attach to the placenta and the fetus. All of these components help the baby’s growth, but the amniotic sac, which is composed of amniotic fluid, helps protect the fetus. The amniotic fluid helps the baby maintain a regular body temperature that

Ultimately, she chooses to use manipulation and temptation to her advantage to sway the minds of men. “If we sat there at home in our make-up, and came into their rooms wearing our lawn shifts and nothing else and plucked down below delta-style, and our husbands got all horny…but we kept away and didn’t come to them—they’d make peace fast enough I know for sure” (Aristophanes 80) Lysistrata urges that the women avoid sex by any means, even if they must fight against physical force by their husbands (Aristophanes). By using this tactic of a sex strike applied all over mainland Greece, Lysistrata remains confident that women can persuade men to keep peace as opposed to war. Therefore, evidence suggests in Aristophanes’ play that women such as Lysistrata derives power and authority over men through sex and temptation. Women can only attempt to persuade them due to the fact that men hold too much power to be outright forced to anything.

Lysistrata's whole plan to have a sex strike was clever. She caught the men by surprise as she played on their vulnerability. By requesting that the women use their attractiveness to make the males want them sexually, Lysistrata encourages the women to play to their stereotype and exploit the sexual, romanticized female. Myrrhine is used by Lysistrata to seduce her husband, Kinesias, who is left with his painful erection unsatisfied (pg763-765)

By emphasizing the “untaught mind”—both in “Clifton Hill” and other poems—Yearsley positions herself and the women within her poem as maintaining power and authority over their own experiences and writing. Yearsley’s entire collection, Poems on Several Occasions, reflects her desire to see and experience in these powerful positions, as her patrons do, and she also begins to adopt the attitude and responsibilities of a patron-figure in her verse. For example, in the poem she connects creativity with laboring class status, but again she is instructive in her tone to the fellow unlettered poet, thus inverting the traditional patron-poet relationship. She describes the “moment” when a poem occurs to uninterrupted, natural genius: I eager seiz‘d, no formal Rule e‘er aw‘d; No Precedent controuled;

In nearly every conflict between man and woman portrayed in Lysistrata, the women emerge victorious. This is especially significant since women can assert themselves and impose their will on man. Traditionally, men are the ones who possess this behavior and force women to be at their ever will. Yet, there are many instances in this play when these roles are opposite occurring, which is further evidence that Aristophanes has switched the characteristics of the genders. One instance from the text is when the men and women choruses are speaking to each other at the Acropolis. “All you fellow citizens, we’ll start to give the city good advice and rightly, since it raised us splendidly… I was born a woman, but don’t hold that against me if I introduce a plan to make our present situation better. For I make contributions to the state—I give birth to men. You miserable old farts, you contribute nothing! (Aristophanes 42-43). Furthermore, this quote portrays the control taken by the women when they take the Acropolis and fend of the chorus of old

Since the beginning of time, women have always been looked down upon mentally. During the time period of The Odyssey and Lysistrata, women were known as less powerful gender. They have never had much say about what goes on around them. Some women were recognized as a sex symbol. In The Odyssey, some women were goddesses that just wanted sex and other women had to stay at home to help raise their kids and do all of the feminine work. Compared to The Odyssey, in Lysistrata, women denied sex against their men to get what they want. In addition, they did not have many political rights and a say so on what goes on in their country. In comparing both of these stories, women show similarities toward each other.

“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an

Lysistrata's role and her powers of manipulation are very similar to those of Medea. Lysistrata is an Athenian woman who is interested in ending the Peloponessian War and also is upset with the treatment of women in Athens. Lysistrata gathers the women of Sparta and Athens together to solve these problems and uses the art of manipulation to find success and power in her journey. Lysistrata develops a plan to deny sex to the men of Greece and take over the Acropolis, which is the heart of Athenian commerce until they stop the war. She is able to manipulate the women of Sparta and

Compared to the way Athenian women were presented in Lysistrata, Aristophanes sticks to the now known facts of their lifestyle fairly closely. In the play’s opening, Lysistrata, our female protagonist, calls women from not only her home of Athens, but as we all the Spartan enemy and other places to meet in and is upset at their untimely arrival. Her neighbor Calonice appears and reassures her they will come eventually, but they are simply delayed due to having to care for their husbands, household, and children. In contrast, Spartan women were educated, participated in sports, and had little to do with the upbringing of their children. In fact, they only had contact with their husbands for sexual relation purposes. When the women finally arrive, Lysistrata inquires how many of their husbands are gone away to war. Some of the women reply their husbands have been gone for months. Lampito, a beautiful Spartan girl, expresses she is unhappy because her husband comes home and no sooner grabs his shield and chargers off again. Though according to our textbook, Spartan women were free to remarry if her husband was gone away to war for too long. Thus begins the flaws in Lysistrata’s plan of how the women will force the men to claim peace.

Sylivia Plath composes “Mirror” to portray the human, mostly woman, obsession over one’s appearance and dependence on reflections and how it creates how one sees themself. She displays this captivation to fabrication by employing diction to express the importance of reflections and the truth it shows that humans so rely on. The second stanza constructs how “I am important to her.” This composes how the mirror recongnizes it is important to the woman. The mirror appervieves this because “she comes and goes” and “each morning it is her face that replaces the darkness” “day after day.” The woman is indicated to be vain because of her need to see her reflection everyday. The woman’s compulsion to view her feature exhibits the human delusion that

Lysistrata comes to the conclusion that the only way to save Athens from destruction in war comes with defiance of her husband. In her role of rebel within the family, Lysistrata decides to "...compel [her] husband to make peace" by withholding sex from him until he stops his disastrous warring behavior (Lysistrata, 7). She concludes, "...there are a thousand ways of tormenting [him]" that will lead to the ultimate safety of Athens (Lysistrata, 9). Unlike Antigone, Lysistrata realistically considers the possible consequences of her actions. She understands that the consequences of rebellion against her husband could be dire. Lysistrata recognizes that her husband might beat her or even rape her in order to get physical satisfaction, but she also realizes that her husband would, "...soon tire of the game there's no satisfaction for a man, unless a woman shares it" (Lysistrata, 9). Lysistrata acknowledges that defying her husband will have consequences, but she chooses to realistically face those possible consequences, and continues knowing that her actions will benefit Athens. Aristophanes' reveals that a woman's greatest allegiance lies with her polis through Lysistrata's role of rebel within her family to save Athens.

In the excerpt Lysistrata written by Aristophanes, a flock of women gather in order to listen to Lysistrata’s speech of how to stop the war and bring peace back to Greece. “So very dainty because that the salvation of all Greece is actually in the hands of women” (76). In order for peace to be restored the women must work together. Lysistrata makes them feel useful and powerful by these statements, but she also forms doubt in their minds. “But what can women

From the moment Lysistrata explains her plan to the other women, she is immediately met with another conflict. By asking the women to deny their husbands,