Different portrayals of women in "Antigone" and "Lysistrata"

Throughout history, women have almost always been seen as the inferior sex. This culture prevails in Ancient Athens where both the plays Antigone and Lysistrata were created; however, these plays present situations where women turn against their male counterparts to stand up for their beliefs. On the surface these may both seem like feminist plays, but the most important difference between the two is the way women are depicted to the audience. Antigone stood against a king and sacrificed herself for her brother and the gods. She is a respected hero by her people. Lysistrata uses the female body as a tool to successfully end the war, but the play ends up being more of a mockery of women, as if their only worth was their bodies. This difference is important in understanding the feelings men had towards women during that time period.

Throughout history, art has been a reflection of society, an indication to culture and a way to analyze historical context. Art is a gateway to understanding how people think, feel, and act in the context the art was created in. Athenian theater remains popular in modern times; it is not only timeless in its message but it can be useful in analyzing the way in which people lived during the time. Oedipus and Lysistrata, both Greek dramas, prove an example of this: they provide a reflection on the views of women at the time. The playwrights, Sophocles and Aristophanes, were both highly popularized at the time, deeply culturally ingrained into society and therefore highly reliable when it comes to cultural observation. The role of women in Ancient Athens was that of subservience and limitation. Respectable women held no job, instead bound housework and childcare. While higher class women often had

All is fair in love and war, right? Right! Aristophanes play “Lysistrata” is exactly that, but with a twist. The play takes its name from the main female heroine, you guessed it, Lysistrata, an Athenian woman with a plan to stop the Peloponnessian war. Taking an in depth look on how, we can look at her leadership qualities that helped to make this happen in the play. From keeping the woman in line, to depriving the men of sex, just how does she do it?

The women in Lysistrata are portrayed as strong and confident. This is seen in the form of the main character of the play, Lysistrata; who is the first one to propose the idea of withholding sex as a measure to stop the war. She demonstrates the qualities of a true leader as she has a well-planned strategy to get her way: “if we would compel our husbands to make peace, we must refrain”. At first this idea is instantly rejected by the women, but Lysistrata manages to convince them with her words of wisdom. This indicates how strong and perseverant Lysistrata is, and this is displayed by her idea of giving up sex. This is likely to be appreciated by the contemporary Greek audiences, as sex is described as the “most beautiful thing in the world” and Lysistrata is giving it up.

It was seen as irrational to the men that women withheld sex, that their own wives abandon their vice to be heard in a society where there was not a part in democracy for women. Moreover, this situation depicts how serious the women were about having a voice in their government, because a three-decade long war was excessive. Luckily, Lysistrata did not back down from the men and was determined to find a voice amongst the men, in that society, a woman did not belong in the government, because a woman is a housewife and a sex tool. (ADD MORE)

Lysistrata is very passionate about her cause and will not back down. She stands up for what she believes in and inspires others to do the same. Lysistrata is strong willed and does not let any of her gang back out at any point. This is shown when the women are trying to leave the Akropolis to go home: “Woman: 'Oh dear, oh goodness, what shall I do- my flax! I left and forgot to peal it!' Lysistrata: ' Another one. She suffers from unpeeled flax -Get back inside!'” (Lysistrata, page 71). When her fellow cohorts started to wane, she kept them all in line. Lysistrata is overall a very confident and strong woman. Much Ado About Nothing features Beatrice, a very confident, rebellious woman as well. She goes against all the standards of the age

The comedy, Lysistrata, is based almost entirely around the theme of lust. The story tells of a war among the Greeks. Lysistrata, whose name means "she who dissolves armies," is the wife of one of the soldiers. She, along with the other wives, is sick and tired of her

In the Land of Ancient Greece, one of power Gods and Legendary hero’s. Two men wrote two extraordinary plays about the lives of the Greek people. The first was written by the author Sophocles, and his work Antigone is a play about a young girl who goes against the wishes of her king to abided by the will of the Gods. The second was written by Aristophanes and this piece of work was called Lysistrata. This play told the tale of the women of Greece as they try and find a way to end the Peloponnesian War. These two tales both revolve around the women of Greece however, these two tales show us that both what traditional life was like for the women of Greece and how those same beliefs were at times challenged. In this essay, I will explore how both

Ultimately, she chooses to use manipulation and temptation to her advantage to sway the minds of men. “If we sat there at home in our make-up, and came into their rooms wearing our lawn shifts and nothing else and plucked down below delta-style, and our husbands got all horny…but we kept away and didn’t come to them—they’d make peace fast enough I know for sure” (Aristophanes 80) Lysistrata urges that the women avoid sex by any means, even if they must fight against physical force by their husbands (Aristophanes). By using this tactic of a sex strike applied all over mainland Greece, Lysistrata remains confident that women can persuade men to keep peace as opposed to war. Therefore, evidence suggests in Aristophanes’ play that women such as Lysistrata derives power and authority over men through sex and temptation. Women can only attempt to persuade them due to the fact that men hold too much power to be outright forced to anything.

In Antigone and Lysistrata the tension between the polis and oikos is reflected in different ways. Antigone prioritizes oikos over polis, while Creon prioritizes polis over oikos. The men in Lysistrata favor fighting for the state over being at home while the women want their husbands with them instead of being at the war. We find ample evidence of different conflicts and similarities in both plays, but the male's prioritizing polis over oikos and the female's prioritizing oikos over polis causes the central tension in Antigone and Lysistrata.

“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an

From the moment Lysistrata explains her plan to the other women, she is immediately met with another conflict. By asking the women to deny their husbands,

Lysistrata's role and her powers of manipulation are very similar to those of Medea. Lysistrata is an Athenian woman who is interested in ending the Peloponessian War and also is upset with the treatment of women in Athens. Lysistrata gathers the women of Sparta and Athens together to solve these problems and uses the art of manipulation to find success and power in her journey. Lysistrata develops a plan to deny sex to the men of Greece and take over the Acropolis, which is the heart of Athenian commerce until they stop the war. She is able to manipulate the women of Sparta and

In nearly every conflict between man and woman portrayed in Lysistrata, the women emerge victorious. This is especially significant since women can assert themselves and impose their will on man. Traditionally, men are the ones who possess this behavior and force women to be at their ever will. Yet, there are many instances in this play when these roles are opposite occurring, which is further evidence that Aristophanes has switched the characteristics of the genders. One instance from the text is when the men and women choruses are speaking to each other at the Acropolis. “All you fellow citizens, we’ll start to give the city good advice and rightly, since it raised us splendidly… I was born a woman, but don’t hold that against me if I introduce a plan to make our present situation better. For I make contributions to the state—I give birth to men. You miserable old farts, you contribute nothing! (Aristophanes 42-43). Furthermore, this quote portrays the control taken by the women when they take the Acropolis and fend of the chorus of old

Lysistrata formulates a plan in which, women take the Treasury of the city of Athens as hostage. They barricade the gates and bar men from entering the city. Lysistrata claimed that a lot of money is being used to fund the war, but without the money, the men would eventually surrender to their demand to end the war. Women in ancient Greece were not allowed to