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Fear Of Death In Don Delillo's White Noise

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Why is death feared, and what should be done to assuage this fear? White Noise, by Don DeLillo, focuses on Jack Gladney, a professor, as he traverses America in response to a huge man-made disaster, the Airborne Toxic Event. This stress pushes Jack to his limit, and in doing so, DeLillo exposes the masked and pernicious tropes that underlie American society. Fleeing from the Airborne Toxic Event, Jack reveals a crippling fear of death, which both paralyzes and motivates him. This fear of death is a central motif of the book, and DeLillo explores the ways in which it can be both repressed and promoted. Jack becomes stuck in paradoxical structures in which the only escape from his fear of death augments it in the long term. Amongst his escapes are consumption of goods and disaster images. Through his consumerism, Jack salves his psychological distress, as the fleeting catharsis takes his mind off the ever-looming gloom. Similarly, Jack’s viewing of disaster images makes death seem more distant, belonging …show more content…

When speaking to their class, neither Jack nor Murray give any constructive lessons or attempt to actually teach the class. When a student asks Jack about the plot on Hitler’s life, Jack’s response was just that “all plots move deathward,” instead of answering the question (DeLillo 89). In a certain sense, “[t]he professoriat...gain authority not from any innate ability or from credentials but from personal magnetism [and]...the mere fact of having the enunciative role” (Conroy 206). Similarly, “the students never think to wonder what Gladney, Siskind, and the others have to say is true, or even serious” (Conroy 206). This is quite clearly paralleled in DeLillo’s critique of postmodernism, since people assume that Murray’s postmodern monologues will have meaning purely because they are postmodern. This concurrency seems to strengthen the theory that DeLillo’s satire of postmodernism was

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