Experiencing The Body

In our society today a business is not a business without an advertisement. These advertisements advertise what American’s want and desire in their lives. According to Jack Solomon in his essay, “Master’s of Desire: The Culture of American Advertising,” Jack Solomon claims: “Because ours is a highly diverse, pluralistic society, various advertisements may say different things depending on their intended audiences, but in every case they say something about America, about the status of our hopes, fears, desires, and beliefs”(Solomon). Advertisers continue to promote the American dream of what a women’s body should look like. They advertise their products in hopes for consumers to buy them, so they can look like the models pictures in the ads. Behind these ads, advertisers tend to picture flawless unrealistic woman with the help of Photoshop. In our society today to look like a model is an American dream and can be the reasons why we fantasizes and buy these products being advertised. “America’s consumer economy runs on desire, and advertising stokes the engines by transforming common objects;signs of all things that Americans covet most”(Solomon).

“Never Just Pictures” by Susan Bordo, is about how today’s society is influenced by the mass medias unrealistic ideas of how they are supposed to look. In this essay, the author breaks down the images being showcased by today’s culture concerning the aesthetics of the female body. Bordo also talks about how what was considered ‘beautiful’ or ‘perfect’ before has changed. Lately, the world has been on a craze to look like the air brushed model in the picture. Bordo explains how a lot of people are becoming more obsessed with their physique, and depending on looking thin to make them happy, instead of focusing on being happy and healthy.

Fatema Mernissi’s essay “Size 6: The Western Women’s Harem” shares her experience when she enters a department store in New York and is told she is too big when she can’t find a skirt her size. After being told she is too big, Mernissi continues on to question the sales lady. The sales lady then tells her that being a size six is a “normal” size. Immediately, it is noticeable that Mernissi isn’t too fond with the sales lady comment. The theme in Mernissi’s essay is the idea of women accepting the fact that men and society tell them how they should look in order for them to be beautiful. For example in the essay Mernissi questions as to why women accept this and how exactly does this work. By this, Mernissi shows her concern as to why women not only accept it, but also practice it.

This helps the overall quality of the essay because since women already understand the ceaseless cycle of changing their shape and figure, it is not hard to persuade them to think differently about the perception of women’s

Throughout their lives, women of all ages are constantly being bombarded with advertisements convincing them they must meet an ideal of the perfect body image. This is all thanks to companies that share a common goal to influence the mainstream population into believing they need to purchase certain products in order to compare to the impossible standards set by the beauty industry. In Dave Barry’s “Beauty and the Beast” he displays that it is planted in young girls minds that they need to look, dress, feel, and even act a certain way. However, men aren’t as affected by these capitalistic marketing schemes. In short, the media has affected the way women think of themselves.

The beauty standard is a culturally constructed notion of physical attractiveness that has become increasingly imperative for women and men. However, this standard has become extremely perilous to men and women’s self-image. Camille Paglia, a highly educated individual who earned her PhD at Yale University and became a highly acclaimed author, explicates this conception in her essay “The Pitfalls of Plastic Surgery”. Paglia suggests that the beauty standard idealizes women to look like “sex symbols with an unattainable grandeur” (776). She continues to claim that it forces her audience of higher class women to pay large sums of money in order to alter their features ultimately conforming to a very “parochial” definition of beauty (776). Although Paglia is a highly credible source, she illogically appeals to the reader’s fears in order to persuade them. Paglia fails to give any credible outside sources which affirms her preposterous beliefs. Contrary to her inconsistencies, Daniel Akst, a social journalist and graduate from New York University provides his audience with reputable sources in order to persuade his audience. Daniel Akst believes that there needs to be a “democratization of physical beauty” in which instead of attempting to alter the beauty standard, we must first change how we view ourselves. Akst provides credible sources to establish his credibility where he observes cases studies and cultural experiments from scientists and organizations including:

For women, it isn’t debatable that trends are constantly changing and impossible to keep up with. Ridiculous tabloid magazines with headlines such as “Boobs are back in style”, which suggest that a woman’s body parts are simply accessories. Again, reducing women down to nothing but an object, whose purpose is only to conform and please others. Kilbourne is adamant on mentioning that with the rapid fluctuation of beauty standards, women are left with a hopeless feeling of never being able to achieve “ideal” beauty. Even though achieving society’s expectations of perfection is literally

To feel body confident, you need to be happy with who you are as a women with or without curves. Many women in this century are facing a lack of confidence by the way they look. Women may lower their self esteem by seeing another women with a beautiful feature and compare their look with someone else. A women’s body image is based on thoughts and feelings regarding the way her body looks. Sometimes, they also believe other people are judging their appearance which can affect their body image. Victoria’s Secret unveiled their campaign slogan the “Perfect Body” with an image of tall and skinny models. However, Curvy Kate, a lingerie brand, recreates an image using models of all shapes and sizes mocking the Victoria’s Secrets slogan. I argue that the Victoria’s Secret slogan, “The Perfect Body” shouldn’t symbolize their tall physique models by aiming for women with a smaller waist size. The advertisement shows its audience that the perfect body is for smaller and slimmer

A female should not feel insecure with her body when she is comfortable in her own skin, whether or not she weights 130 pounds or 150 pounds at 5’5”. According to Rehab’s study of the evolution of the female figure over one hundred years, “the body shapes of the most admired models have remained consistently slimmer than that of the average American woman.” Due to the significant increase in mass media throughout the twentieth century of the United States, there has been a noteworthy impact on the popular image of women. A woman being dissatisfied with their body is a everyday trend around the world where as

It’s difficult to envision a world where idealized female imagery is not plastered everywhere, but our present circumstance is a relatively new occurrence. Before the mass media existed, our ideas of beauty were restricted to our own communities. Until the introduction of photography in 1839, people were not exposed to real-life images of faces and bodies. Most people did not even own mirrors. Today, however, we are more obsessed with our appearance than ever before. But the concern about appearance is quite normal and understandable given society’s standards. According to Jane Kilborne, “Every period of history has had its own standards of what is and is not beautiful, and every contemporary society has its own distinctive concept of the

Under society’s customs for decades, young women have found themselves immersed in the pressure and anticipation to have exemplary bodies. Nearly every young woman prefers to be slim, have a perfectly shaped body, that is beautified by applying pounds of makeup to their face but does not appear ridiculously overdone. Who’s responsible for these measures imposed on young women? When a young girl picks up the model on the cover of Vogue being called flawless, naturally it’s easy for her to then aspire to be a real-life imitation of the that model. These companies produce magazine covers shown with girls’ images daily. As if keeping the perfect body wasn’t hard enough, our culture also forces girls into the forever expanding world of composition, however, body image is a surging subject for young girls. Advertisements and pictures of lean female models are all over. Young women are measured and perplexed by their physical appearances with attire intended to raise their physical structures; social media, magazines, the society, marketing campaigns, advertisements, and the fashion gurus add to a strand of excellence.

The media have constructed attractiveness for a long time many sociocultural standards of beauty and. Especially women’s body images have been a primary concern because the value of women has been measured how they look like. How women have similar body traits with the modern female body images has been a significant and essential issue, historically. The sociocultural standards of beauty which have been created by the greed of the media have dire impacts on young females. The current beauty level of the female body image in the media is thinness. In fact, the preferred female body images have been changed through the media. Throughout history, sometimes skinny women’s body images were loved, and sometimes over weighted women’s body images were preferred. Whenever the media have dictated the ideal female

This image is a representation of the embodiment by society of what an ideal female should look like and is reflected into this Victoria’s Secret advertisement campaign. Drawing on Lock and Nguyen’s (2010) discussion on the natural body this advertisement presents a powerful example of how an ideal persists as the body is objectified to conform to a societal ideal in social representations. It also suggests tht the body is a “homogenious space” , women are classified and objectified and placed in a category and this is what the ‘perfect body’ looks like. The advertisement campaign solidifies that ideal with the slogan “The Perfect Body” and does not demonstrate a “truthful depiction of

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.

In 1934 French sociologist Marcel Mauss wrote an article called “Techniques of the Body”. Mauss’ article outlines his personal experience of the First World War and the need to change 8000 spades in the trenches because English troops were unable to use French spades. This is because the French had learnt a different way of digging compared to the English, and learning to use the other type of spade could only happen by slow learning. To capture the way in which we are formed by these learned techniques of being and doing, Mauss coined the term habitus defined as 'the techniques and work of collective and individual practical reason.' (Mauss, 101: