Antigone, Creon, and Teiresias. All three of them have a part of ethos, pathos, or logos. In Sophocles The Oedipus Cycle, Antigone, by Dudley Fitts and Robert Fitzgerald, Antigone, the protagonist, has the rhetorical appeal of pathos. Creon, the antagonist, has the rhetorical appeals of ethos and logos. Teiresias, a prophet, has the rhetorical appeal of logos. Antigone needs to bury her brother Polyneices, while Creon is purposely not burying him, and Teiresias is trying to convince Creon that he is the wrong this time. Antigone has pathos. A emotional rhetorical appeal. Antigone has gone to Ismene and told her how Creon is not going to bury Polyneices. Antigone is furious about how their brother Eteocles, who died the same way as Polyneices, …show more content…
He is both logical and ethical. Creon is talking to his “people” and he says that he knows that no one will just follow a person around like a mindless drone. He says that his rules are the law and if you fight for your country you will die in honor and will be praised for it, but if you betray your country for another you will be left for the dogs and birds to feed on you. He says that, that is his command is a wise decision. “I am aware, of course, that no ruler can expect complete loyalty from his subjects until he has been tested in office.” “These are my principles, at any rate, and that is why I have made the following decision concerning the sons of Oedipus: Eteocles, who died as a man should die, fighting for his country, is to be buried with full military honors, with all the ceremony that is usual when the greatest heroes die; but his brother Polyneices, who broke his exile to come back with fire and sword against his native city and the shrines of his fathers’ gods, whose one idea was to spill the blood of his blood and sell his own people into slavery–– Polyneices, I say, is to have no burial: no man is to touch him or say the least prayer for him; he shall lie on the plain, unburied; and the birds and the scavenging dogs can do with him whatever they like.This is my command, and you can see the wisdom behind it”(196). Creon is being logical. He is being logical because he is setting an example to the people of his country. His …show more content…
He has the rhetorical appeal of logic. He is trying to persuade Creon that his actions are wrong and that only bad things will come out of it. Teiresias is trying to convince Creon that he is bringing destruction to his country. He says that the gods are mad at him because he hasn’t sent Polyneices to them. He says that pride is the only crime here and if you don’t lose your pride he will continue to bring destruction.He says that Creon should be able to know when he should give in to pride and when not to. “This was a sign from heaven. My boy described it,Seeing for me as I see for others.I tell you, Creon, you yourself have brought This new calamity upon us. Our hearths and altars Are stained with the corruption of dogs and carrion birds That glut themselves on the corpse of Oedipus’ son. The gods are deaf when we pray to them, their fire Recoils from our offering, their birds of omen Have no cry of comfort, for they are gorged With the thick blood of the dead” (231). “Then take this, and take it to heart! The time is not far off when you shall pay back corpse for corpse, flesh of your own flesh” (234).Teiresias is being logical. He is being logical because he sees that pride is getting to Creon and is corrupting him to do the wrong things. Now that the gods are furious with them they will most likely not be able to bury another and have that person go to the afterlife. He knows that there will be more disasters in the future. He also knows that the
The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them
One of which is pathos. Lines (32-34) say, “But the body of Polynices, who died miserably— why, a city-wide proclamation, rumor has it, forbids anyone to bury him, even mourn him. He's to be left unwept, unburied, a lovely treasure”. Pathos is evoking pity or sadness on someone. Antigone can’t mourn properly until the body is buried.
In scene five of Antigone, a Greek tragedy by Sophocles, the prophet Teiresias foresees the downfall of Creon, the king of Thebes, and warns him to change his mind and give Polyneices a proper burial and free Antigone. Within the speech given by the prophet, Teiresias uses the rhetorical strategies of ethos, pathos, and logos to persuade the king into righting his own wrong. The prophet uses ethos and builds up Creon’s character when he states how the past can not be changed, but explains, “All men make mistakes / but a good man yields when he knows his course / is wrong / and repairs the evil. The only crime is pride,” (v. 32–35). Creon can not change his previous actions, but having the understanding that doing the right thing and letting Antigone go will cause the citizens to like him more and appreciate him as a king.
To him, Eteocles is a hero to Thebes who died defending the city’s honor. On the other hand, he would not overlook Polyneices’ alliance with other city-states to attack his hometown. Creon feels that the only reasonable way to promote peace in Thebes is to be strict on those who attacked Thebes. His edict read, “Eteocles, who died as a man should die, fighting for his country, is to be buried with full military honors, with all the ceremony that is usual when the greatest heroes die; but his brother Polyneices. . . I say, is to have no burial: no man is to touch him or say the least prayer for him; he shall lie on the plain, unburied; and the birds and the scavenging dogs can do with him whatever they like” (163-173). Once he finds out Antigone has disobeyed his orders, he considers her an ‘ungovernable young woman’ and sentences her to be buried alive. He disliked Antigone’s reasoning and thought that the God’s were on his side, seeing Polyneices as a traitor. It is ironic to see him behave the way Oedipus does when he was once king. Creon accuses everybody of conspiracy, including the blind prophet Teiresias. He predicts that Creon’s actions will result in the death of his family. Creon indicts him of being
By examining the use of ethos and pathos in Antigone, it is clear that they both help to achieve Sophocles purpose. His purpose in writing the play was to show people that they need to stand up for what they believe in, even if that means they have to defy the government. Ethos is prevalent throughout the play with use of determining if things appeal to the greater good and if things are credible. Pathos is also prevalent throughout Antigone when the characters use personal beliefs, threats, and calls to action. The two rhetorical methods of ethos and pathos are used in many ways, to achieve Sophocles purpose.
“The gods no longer will accept our sacrifice, our prayers, our thigh bones burned in fire.” (Lines 1133-35) Teiresias explained to the king that a mortal human being was no match, and should not try to match, against the glorious gods. Creon admitted that he stood firmly on the final decision of not burying Polyneices, Antigone’s brother, and that no god had the power to make him to do so. “Even if Zeus’ eagles should choose to seize his festering body and take it up, right to the throne of Zeus, not even then would I, in trembling fear of some defilement, permit that corpse a burial.” (Lines 1160-65) Teiresias, on the other hand, was continuously persuading for Creon to compromise with everyone else, to fix his egotistic actions, with his statement: “Men who put their stubbornness on show invite accusations of stupidity.” (Line 1144-45) To which Creon responds with an insult rather than
When Polyneices, the son who went against the city of Thebes, dies, Creon decrees a law against the burial of the brother and son. He claims that Polyneices “broke his exile to come back with fire and sword against his native city and the shrines of his fathers’ gods, whose one idea was to spill the blood of his blood and sell his own people into slavery.” (Sophocles 261) Therefore, no proper burial should be given to a traitor. A just king sets aside his personal relationships for the good of the state. Creon is only trying to address the problem and ignore that Polyneices is family, treating him as any other citizen. When he addresses the chorus he speaks to them of
Creon’s was used to being the hero of Thebes after repairing the damage Oedipus’ horrifying end had caused, now he was faced with an uncomfortable choice. Being the new reigning monarch of Thebes, his morals were centered around keeping himself monarch. As a result, Creon’s selfishness tipped his internal scales3 of what was just and what was not. His pride was so great that he not only refused to bury the revolutionary, Polyneices, but declared, “he’ll have no burial mound, no
Creon learned valuable lessons of morality, moderation, piety, reverence, wisdom, and humility. Throughout all Greek dramas, myths, and even architecture, the idea of moderation has always been the front-runner in lessons. Creon, a rather overconfident king, wants his authority and power in the polis to not be challenged. New to the job, he makes his first judgment against the body of Polynices, instructing that his body is not to be buried and left for the dogs, threatening death by public stoning if one dared to disobey him. After making his decree, he boldly stated, "No man shall bury, none should wail for him;...His body
Like his other work Oedipus and the King,it was devisied to bring back belief to the traditional gods and the like.Similar to Oedious and the King, excessive pride is a major part in Antigone.In the plays pride [excessive pride] is abhorred.A person with hubris is severly punished by the gods.
Antigone is thought to be a tragic hero because of everything that had happened to her throughout her life. She lost her father Oedipus through a curse and her brothers through battle. The only one that was left was her sister Ismene. Her brother Polyneices died in battle being a traitor to his family. There was a rule made from the king of Thebes stated that no one can mourn for or bury him. But Antigone did not care she still loved Polyneices and thought that he deserved to have a proper burial like his brother Eteocles. Foreshadowing, mood, and situational irony are used in the drama to explain peripeteia the reversal of fortune, nemesis fate that you can't avoid, and catharsis when the audience is feeling pity
Antigone is a Greek tragedy by Sophocles. ONE OF THE three surviving tragedians of classical Athens, along with Aeschylus and Euripides, and one of the great dramatists of world literature, Sophocles spanned in his long life (497-406 B.C.) the cultural flowering of Athens in the fifth century(Segal 1). Antigone is named after the daughter of King Oedipus of Thebes, a young woman who stood against the king’s decision and believed in the gods’ law. There are many arguments regarding who is the real protagonist and antagonist in this play. The protagonist is generally regarded as the good guy and antagonist is the bad guy. Antigone is a protagonist as she is the title character in the
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly
Before advancing to the throne, Oedipus had unknowingly killed Laius, his father and the king of Thebes. Shortly after killing the king, he married the dead king’s wife, his mother. He had committed incest by marrying and having children with his own mother. As a result he became father of Polyneices, Eteocles, Antigone, and Ismene. Oedipus stabs his eyes out and his sons, Polyneices and Eteocles killed themselves in combat, over the power of the throne. Creon was in the process of reconstructing Thebes from the ruins that his own family created. He also had to make a name for himself, after all the chaos the past rulers had made. If Creon did not set an example for civilians they would simply rebel. Creon was to stand firm by his word because no one is above the law, no matter who committed the act. In other words Creon was not a villain; he was the antagonist of Antigone. Imagine how biased Creon would appear to the Theban population if he did not pursue the punishment that he himself had instituted. In agreement to his law, Creon’s intentions were just. There’s no doubt about it, Creon’s law was harsh but when truly analyzing the situation, Polyneices was a traitor because he allied with other cities and attacked his homeland. Creon’s strong and steadfast attitudes were to support Thebes. But unfortunately, he was a little too late to understand that his fierce dedication to his decree was an error on his part.
Creon has no toleration for people who place personal beliefs over the common good. He believes that government and law is the supreme authority, and civil disobedience is worst form of sin. The problem with Creon’s argument is he approaches He approaches every dilemma that requires judgement through descriptive generalizations. In contrast to the morality defined by Aristotle in his Nicomachaean Ethics, Creon shows that he is deaf to the knowledge of particulars--of place, time, manner, and persons, which is essential for moral reasoning. In short, he does not effectively bring together general principles and specific situations Creon does not acknowledge that emotion, and perception are as critical to proper moral consideration as reason. This explains why he does not respond accordingly with the reasoning of the guard, Tiresias the prophet, Antigone, her sister Ismene, or even his own son Haemon. Throughout the whole play, Creon emphasizes the importance of practical judgement over a sick, illogical mind, when in fact it is him who has the sick, illogical mind. He too exhibits pride in his argument. To Antigone and most of the Athenians, possessing a wise and logical mind means acknowledging human limitations and behaving piously towards the gods. Humans must take a humble attitude towards fate and the power of the gods, yet Creon mocks death throughout the play. He doest not learn his lesson until the end of the play when he speaks respectfully of