Examples Of Hyperbole In Bread Givers

    Anzia Yezierska’s most-taught novel, Bread Givers, "is an extensive observation of relationships in an immigrant family of early 20th century America" (Sample 1). Noticeably, one of the most fascinating qualities of Yezierska’s work is that, though most readers probably come from significantly different backgrounds than that of her characters, she writes in a manner that allows her stories to be discussed in contemporary terms, (Drucker 1) while simultaneously illustrating the immigrant experience. Particularly, this phenomenon can be seen in her portrayal of certain generational conflicts. In Bread Givers, Yezierska depicts the struggle of finding one’s self in life, a

She compares the few tasks that civilized women are able to perform with the wide variety of tasks that men routinely perform in order to illustrate how little autonomy the modern woman has. For instance, while a male soldier can “march and counter-march” and manipulate the senate to work for them, women do not have any of these opportunities. Men have so much more power; they govern everything that goes on outside the house, and have a lot more freedom in what they do. Even in a relationship, the man is “responsible” and the women is reduced to a “cypher,” she claims. Furthermore, it is extremely difficult for a woman to get a job that pays enough so she can be financially independent of her husband;

Bread Givers tells the story of Sara Smolinsky, whose life is almost the same as Anzia Yezierska, who is the author. Through Sara we see the collapse of a family because of religion and old world ways. Sara tries so hard to get away from her past but in the end it shows that your family will always be there, for good or bad.

The narration of the mother lecturing her daughter with commanding diction leads to the theme of women conforming to domesticity and if they don’t conform then they will lead a life of promiscuity that will affect the way people perceive them. Women in the past believed that a woman’s role was that of a domesticated housewife. The narration of the third point of view in this story and the commanding diction of it places an importance in the reinforcement of this idea, that if a woman doesn’t follow social norms, she will eventually turn to a “slut” one that her family will be ashamed of. She must set the table for lunch and for breakfast that is “how to behave in the presence of men who don’t know [her] very well, and that it the way they won’t recognize immediately the slut that [the mother has] warned her against becoming.”(Kincaid 485) through her commanding diction, the mother is telling her daughter how to set a table, how to cook, she

The women of the story are not treated with the respect, which reflects their social standings. The first image of the women that the reader gets is a typical housewife. They are imaged as “wearing faded house dresses and

Sara faces a number of serious hindrances on her way to making a life of her own. One of them is her father, who she looks up to and starts to resent later on in life. Her father, Red Smolinsky wants his all daughters to fulfill their gender roles: maintain the household, take care of children, cook, etc. Women, in his opinion, do not exist without men and their own function is to serve men in all senses – sexual, psychological and spiritual. Red Smolinsky represents the Old World with its conservative view on the womanhood. She also starts to hate her father when she understands the ways he has denied his daughters, her older sisters, lives of their own. Sara tries to resist this “new” world and her

Women working men’s jobs were not as welcomed in society as they were in factories. People held on to the belief that women should be house wives and not have to do much in the way of work. The man should provide for the family, and the women should take care of the family. Many of the women who worked were lower class and had to help provide for their families, or were the only providers for their families. Women who worked men’s jobs were looked down upon and thought to be no better than dirt. Although women working in factories were still women, men did not show them the same respect as they did a woman working as a secretary or teacher.

Now, Sarah feels that her personal pursuit relies on getting herself embedded in the American culture through getting herself educated. This dream, however, is to face the negligence of her family, leaving her strong will to be the only tool in need to fight with the ancient molding of cultural dilemma which taught to treat women like they were the dolls in the house and are to be treated whatever the man’s in house wished to treat them as. If one raids out the whole book to find the very cause of her family being negligence will find the need for her family’s food and warmth as equal as the societal expectation

     In Anzia Yezierska’s novel entitled Bread Givers, there is an apparent conflict between Reb Smolinsky, a devout Orthodox rabbi of the Old World, and his daughter Sara who yearns to associate and belong to the New World. Throughout the story, one learns about the hardships of living in poverty, the unjust treatment of women, and the growth of a very strong willed and determined young woman—Sara Smolinsky.

For centuries, women have had the role of being the perfect and typical house wife; needs to stay home and watch the children, cook for husbands, tend to the laundry and chores around the house. In her short story “Girl”, Jamaica Kincaid provides a long one sentence short story about a mother giving specific instructions to her daughter but with one question towards the end, with the daughter’s mother telling her daughter if she had done all the instructions to become a so called “perfect” woman, every man would want her. Kincaid’s structuring in “Girl,” captures a demanding and commanding tone. This short story relates to feminist perspectives. The mother expects a great deal from her daughter to have a certain potential and she does not hesitate to let her daughter understand that. As a matter of fact, the story is about two pages long, made into one long sentence - almost the whole time the mother is giving her daughter directions to follow - conveys a message to the reader that the mother demands and expects great potential in her daughter. The daughter is forced to listen and learn from what her mother is telling her to do to become the perfect housewife. Throughout the story, Kincaid uses the symbols of the house and clothing, benna and food to represent the meanings of becoming a young girl to a woman and being treated like one in society. Women are portrayed to appeal to a man to become the ideal woman in society, while men can do anything they please.

Throughout American history, women, have been discriminated against and did not receive the same political as well as social rights as men since America was heavily a patriarchal society. Although women were still not on the same level of power as men in America, when women began to actually make social and political advancements in the early 20th century, their newfound liberty exceeded the independence that women of Old World cultures received and this if evident in the book Breadgivers Anna Yezierska. In the early half of the 20th century, a women's role in America was not only controlled by the society, but it was also profoundly defined by her culture. In Breadgivers, the daughter of Jewish immigrants must battle with

The author of A Pair of Silk Stockings explores female roles based on what other people believe due to stereotypes. In this short story Mrs. Sommers finds $15 which is a sizable about of money to her in New York. She and her family are on the poorer side of New York. At first Mrs. Sommers has no clue on what she should do the money she had just come to. She is thinking about her children and that they could use new skirls because she had seen a beautiful new pattern in a market window, or caps for her boys and sailor-caps for her girls (Chopin 1). She thought of them due to the fact that that is what mothers and wives do in the 1800’s, they but their children and husband before thinking of themselves. She thought back to the time when she wasn’t

Everyone wants control in his or her lives simply because control is a significant aspect of one’s psychological well-being. Many of the most difficult situations in life involve cases where events are happening, and the person has absolutely no say in how they turn out. In the play, The Cripple of Inishmaan, Billy is exactly that. He is powerless in the sense that he has no personal power. In his case it is more about the power that one has over himself rather than over others.

In many modern societies, a common belief is that women should have equal standing with men politically, socially, and in the workforce (Alesina, Guiliano, and Nunn 1). This support is generally associated with feminism, which advocates for equality between all genders (Issist). In other societies, women are unable to seek opportunities past traditional gender roles, such as domestication and childbearing (Alesina, Guiliano, and Nunn 1). This ideology is often referred to as patriarchy, which expects women to conform to stereotypes that are based on assumptions about femininity and maternal instinct. The influences of traditional gender roles revolve around conditioning, restraint, and submissive characteristics, which can result in women living in boredom and misery (Yildirim 47). To reveal the corrupt nature of the customary expectations of women living during the 1800s, the author illustrates Hedda’s marriage to George Tesman, as the husband expects his wife to devote her life solely to the wellbeing of her household and family. If Hedda decides to conform to the traditional gender roles of the Victorian era, she will not be able to express her individuality or intelligence. The only purpose that she will serve in society will be to raise children and attend to the needs of her husband. This imposes limitations on her basic human rights, as her society views her as inferior and

“There is no protection. To be female in this place is to be an open wound that cannot heal. Even if scars form, the festering is ever below” (Morrison 163). Toni Morrison, in her novel A Mercy, suggests that women in 17th century American society were constantly subjugated as inferiors no matter their class or privilege. Although Rebekka and Widow Ealing were both privileged, white women, they still faced the societal pressures that harmed the mother-child relationships among the slaves – Lina, Florens, and Sorrow. Each chapter of A Mercy is told from a different character’s perspective, allowing readers to understand the similarities among the female characters’ standpoints during this time period. By depicting the tribulations of motherhood that extend beyond society’s narrow stereotype, Morrison exposes how societal pressures of the late 17th century America influenced the complexities of motherhood.