Examples Of Death In Death Of A Salesman

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

When Linda refers to Willy as a "little boat looking for a harbor," another wind blows against Linda, pushing her to act with pity (1247). To her, he is nothing more than a small, helpless old man. She blames the business for forgetting Willy in his old age, and passing him over like an orange peel. Toward the end of Act I, Linda presents a sorry image of Willy, describing his past greatness as a salesman and ending with a sad description of treachery. She tells her sons that Willy is "exhausted" from driving 1400 miles without earning a penny, and that his reward from the ones he loved the most, his sons, is spite and rejection (1237). The picture she paints of her husband is on filled with pity and sorrow.

The play, Death of a Salesman by Arthur Miller, takes issue with those in America who place too much stress upon material gain, at the expense of other, more admirable human values. Miller uses flashbacks to provide exposition, to foreshadow the upcoming tragedy, and most importantly to reveal character traits. An analysis of the main character, Willy Loman, illustrates the underlying theme that the concern over material success breaks down the bonds between men that form the basis of a smooth-functioning society.

In contrast, Willy believes that as long as you have personality and a great appearance you can be successful. These two views make all the difference between them and their children. Charley is a successful salesman and his son is a successful lawyer. Willy on the other hand lives in a fantasy and is unsuccessful, with bad morals that have rubbed off on his two sons. These two different views make all the difference when it comes to surviving the world. Unrealistic beliefs usually lead to an unsuccessful life, and realistic beliefs usually lead to success. Charley highlights every flaw in Willy by highlighting his own positive aspects as well. Miller uses his unique war of molding these two characters in order to show the balance that opposition plays within the

  Charley says something in Arthur Miller’s Death of a Salesman that sums up Willy’s whole life. He asks him, "When the hell are you going to grow up” (Miller 97)?  Willy spends his entire life in an illusion, seeing himself as a great man who is popular and successful.  Willy exhibits many childlike qualities and his two sons Biff and Happy pattern their behavior after their father.  Many of these qualities, such as idealism, stubbornness, and a false sense of self-importance in the world have a negative impact on Willy’s family,

The story ‘Death of a Salesman’ written by Miller focuses on a man doing all he can to allow him and his family to live the American dream. Throughout the story it is shown how the Loman’s struggle with finding happiness and also with becoming successful. Throughout their entire lives many problems come their way resulting in a devastating death caused by foolishness and the drive to be successful. Ever since he and his wife, Linda, met she has been living a sad and miserable life, because she has been trying support his unachievable goals. Also by him being naïve put his children’s lives in jeopardy and also made them lose sight of who they really were. Miller uses the Loman family to show how feeling the need to appear a certain way to the public and trying to live a life that is not really yours can turn into an American nightmare.

Willy foolishly pursues the wrong dream and constantly lives in an unreal world blinded from reality. Despite his dream Willy constantly attempts to live in an artificial world and claims “If old Wagner was alive I’d be in charge of New York by now” (Miller 14). As a result, Willy often ignores his troubles and denies any financial trouble when he says “business is bad, it’s murderous. But not for me of course” (Miller 51). Another false segment of Willy’s dream includes the success of his two sons Happy and Biff. Biff was a high school football star who never cared about academics and now that he needs a job says “screw the business world” (Miller 61). Ironically, Willy suggests that Biff go west an “be a carpenter, or a cowboy, enjoy yourself!”, an idea that perhaps Willy should have pursued. Constantly advising his boys of the importance of being well liked, Willy fails to stress academics as an important part of life (Miller 40). Furthermore, Willy dies an unexpected death that reveals important causes of the failure to achieve the American dream. At the funeral Linda cries “I made the last payment on the house today... and there’ll be nobody home” to say that she misses Willy but in essence his death freed the Lomans from debt and the hopes and expectations Willy placed on his family (Miller 139). Very few people attend

I want them to know the kind of stock they spring from.” (48). This is ironic, because Willy doesn’t remember his father aside from his beard and his flute, so he would not know if his father would be someone to admire. Even though Willy does not have a job, he wants so badly to continue being a salesman that he still drives out to Boston and other cities, deluding his faithful wife, Linda Loman, and in part, himself, to think that he is going on important selling missions. Willy lies so convincingly that, when Ben proposes the idea of going to Alaska, a shocked Linda exclaims, “You’re well liked, and the boys love you, and someday – why, old man Wagner told him just the other day that if he keeps it up he’ll be a member of the firm . . .” (85). Linda is clearly oblivious to the fact that Willy is crestfallen and miserable. Willy even tries to prove to himself that he is happy, but the only true reason he remains a salesman is to gain the money he believes accompanies the job. Throughout Willy’s struggle, Charley, a FOIL to Willy, is constantly at Willy’s side helping him. Charley is Willy’s crutch, his reality check, and basically his only friend. While Willy fights to keep his family afloat, Charley has a steady job; while Willy manages his children’s lives, Charley leaves his only son, Bernard, to find his own path; while Willy loses his grip on reality, Charley has a firm grasp and a level head. Charley is the true example of the hard working, happy

As a salesman, Willy shows he perceives himself highly when talking to Linda about his job: “I’m the New England man. I’m vital in New England” (14). One can also see Willy’s inflated sense of self-worth when he talks to his children about his job: “They know me, boys, they know me up and down New England... I have friends. I can park my car in any street in New England, and the cops protect it like their own” (31). However, even though he is extremely confident about his value as a salesman to his family, the reality of Willy’s reputation at his job is almost completely opposite: “I’m fat. I’m very—foolish to look at... they do laugh at me” (37). Although he essentially brags to his family about his expertise in business, Willy acknowledges the reality that his career is much less successful than he expects it to be. In fact, the inner turmoil inside of Willy from his unrealistic expectation of himself of being a fantastic salesman leads Willy to become mentally unhealthy, and eventually results in Willy committing suicide when he believes that he doesn’t have any self-worth anymore. Willy’s previous inflated self-worth is demonstrated yet again at his funeral, when no one shows up even though Willy thought he had a lot of friends from his job: “Why didn’t anybody come...

Willy is offered help by his friend Charley, a successful Business man, Willies all time friend and only friends he has left, when Charley offers Willy a job, yet willy full of pride and envious of Charley rejects it yet does not rejects it but continues to borrow money from him. This is due to Willies flaw in his desire of being higher in society than anyone else.Willy cannot let go of the past and continuously refers to 1928, when his career was at its peak. His withdrawal into the past is a defense mechanism as he refuses to come to terms with his failure as a salesman. His illusions of grandeur lead to fierce exaggerations of himself. He tells Biff to "Go to Filene's go to the Hub, go to Slattery's, Boston. Call out the name Willy Loman and see what happens! Big shot!" (Miller, 62). He refuses to realize his personal failures and falsely believes that he is successful. Memories of a happier past Willy losing a grip on reality and on time escapes into the past. Despite his desperate searching through his past, The deep probing of dreams and memories in Death of A Salesman where quite important in illustrating Miller's point. Willy is a man stuck in the past reminiscing about times when things where good fabrication of those times really were as good as he imagines them to be? Like his inflated dreams of the future, the past may well be embellished by Willy's wild imagination. It seems

From sudden death, to catching a loved one in an affair, what effect does tragedy hold on a person? Hamlet from Shakespeare’s Hamlet, and Biff Loman in Arthur Miller’s Death of a Salesman both experience life changing tragedy. Hamlet’s father died and his mother remarried to his uncle Claudius within two month of his father’s death. Hamlet is also compelled to avenge his father’s death and against his will he must kill King Claudius. In Death of a Salesman, Biff Loman struggles with the knowledge of his father’s affair, and his lack of success in life. On top of that he finds out that his father is in a state of mental decay. With the effect of tragedy how do Hamlet and Biff measure up through influence, relationships, and emotions?

Later in a flashback, Willy and Biff are on their way to Ebbets Field for a football game when Charley appears and beings a conversation with Willy. Merely joking around, Charley makes a few comments which Willy takes great offense too and beings insulting Charley and telling him to put his hands up as if to fight. Willy's arrogance shows it's face once again when Willy is talking to Biff about his meeting with Oliver. Completly ignoring what Biff is saying, Willy goes on about how good of a kid Biff is and how impressive he is. Though not directly insulting, Willy ignores what his son has to say and goes off on his own tangents, losing the respect of the reader. Willy then ends up in another flashback in the bathroom of the restauraunt where he met Happy and Biff for dinner. The most disgusting part of Willy is revealed here. Biff walks in on Willy and his woman friend whom hes had a secret relationship with. Willy attempts to cover it up and when that doesnt work he orders Biff around and shows how bad of a person he can be.

Willy Loman is a troubled and misguided man - a salesman and a dreamer with an extreme preoccupation with his own definition of success. Willy feels that physical impact is greater than the elements of his self-defined success. However, it is apparent that Willy Loman is no successful man, even by the audience's standards. He is still a travelling salesman in his sixties with no stable location or occupation, but clings on to his dreams and ideals. He compares his sons with Bernard, using him as a gauge of success. Nonetheless, he stays in the belief that his sons are better than Bernard. Willy recollects the neighbourhood years ago, and reminisces working for Frank Wagner, although he was also in the same condition then as now. He feels that the older Wagner appreciated him more, yet it was himself who voted Howard in. Arthur Miller presents Willy as a man with great bravado but little energy left to support it. He is always tired and has dementia, contradicting himself in his conversations and showing some memory loss, living in his world of illusions and delusions. He argues with Biff, both men without knowing why. The two sons of Willy display the physical appearance of adulthood, but their talk and attitude displays immaturity. Billy finds that he is a failure because of his lack of `success', while Happy thinks he is unfulfilled because he lacks failure.

But in the beautiful, ironic complexity of her creation, she is also Willy's and their sons' destroyer. In her love Linda has accepted Willy's Greatness and his dream, but while in her admiration for Willy her love is powerful and moving, in her admiration for his dreams, it is lethal. She encourages Willy's dream, yet she will not let him leave her for the New Continent, the only realm where the dream can be fulfilled. She want to reconcile father and son, but she attempts this in the context of Willy's false values. She cannot allow her sons to achieve that selfhood that involves denial of these values" (Gordon p. 316). Linda is also caught up in Willy's lies and therefore does nothing but help fuel the fire in the inferno of their dreams and ambitions. She lets this whole masquerade continue right in front of her instead of doing something to stop their out of control lies.

Arthur Miller wrote many plays in his time, but one in particular, written in 1947 and directed in Beijing in 1983, was the “play that established him as a great American playwright” called “Death of a Salesman”. This play was about the difference between a New York family’s life in reality and what they dreamed it would be. An old man, by the name of Willy valued popularity and his friends way more than skills or even a real personality. His goal was to die a man that had all of these things, and he ends up killing himself in the end. Miller’s goal was to “take the audience on an internal journey through the mind, memories, fears, anxieties of his central character.” “Death of A Salesman” has been very popular for over a decade, performed internationally, and was even produced into movies (Kristofoletti). Many people remember this play because of how inspiring it was, also because it did not compare to any other of the ones he had ever written.