Essay On The Tragedy Of Antony And Cleopatra

When Octavian stated “And yet, at first, I was so enthusiastic about him that I shared with him my command, married my sister to him, and have him legions,” he shows that he was the dominate male in his home and an authority figure in Rome during his speech to his troops (Document 2). He tells them of how men are superior to woman, but that Antony is allowing Cleopatra to take control of Rome and him. Antony has given her everything that the citizens of Rome have worked for and owned including land, riches, and even an island, all while he is still married to Octavian’s sister. Antony went as far as even “legitimizing the two children, Alexander Helios and Cleopatra Selena,” that he conceived with Cleopatra while still married (Document 1). Octavian tried to reason with Antony, showing that he still backed him but that he needed to come back to the Roman side because the Egyptian queen has brainwashed him, and turned him into a female servant. Once, Antony rejects the offer, Octavian condemned Antony and in return was condemned right back (Document 1). From that point, Octavian decided that he no longer has a choice, Rome needed to defend themselves from the Egyptian sorcerous, Cleopatra, and the bewitched Marc Antony. If they conquered them, then they would be free from all that has been done, but if they lose, then they have brought shame upon themselves (Document

Mark Antony, in the play The Tragedy of Julius Caesar, was a brave, intelligent, pleasure-loving, and cunning man. He was loyal to his friend, Caesar, whom he considered a true friend. He looked at life as a game in which he had a signified part to play, and played that part with excellent refinement and skill.

Wanting to avoid yet another Roman civil war, Octavian did not want to pit Romans against Romans, and so he instead chose to ignore Antony and focus Rome’s suspicion and hostility on Antony’s wife — Cleopatra — instead (Schiff). Two themes dominated the propaganda spread by Octavian. The first being that Cleopatra had used sex to ensnare Antony and lure him away from his wife (and Octavian’s sister), Octavia, causing him to become totally subservient to the Egyptian queen who was now forcing him to oppose Rome’s best interests by giving Cleopatra and her children Roman territories; and the second, and arguably worse, theme was that Cleopatra’s true goal was not to secure the welfare of Egypt, but the subjection of Rome to Egypt (Burstein

	Julius Caesar is a play written by William Shakespeare during the year 1597. Julius Caesar’s story involves a conspiracy against Julius Caesar, a powerful senator.

    The meaningful term “love” can be applied to differing relationships in Shakespeare’s tragedy Othello. In this essay let us examine under a microscope the “love” that we find throughout the play.

     In the play, The Tragedy of Julius Caesar, William Shakespeare shows how friends often betray each other. Julius Caesar is about to be crowned king of Rome, when some well-known Romans decide that it is not a good idea for this to happen. They form a conspiracy and kill Caesar. Brutus, an honorable Roman and a very good friend of Caesar’s, betrays Caesar by killing him for the good of Rome. Antony, Caesar’s best friend and another honorable Roman, betrays Brutus by turning against the conspirators. Cassius, a respected Roman, and Brutus betray each other by arguing and destroying their friendship. All this betraying lead to many deaths in the play.

In the Tragedy of Julius Caesar by William Shakespeare, Calphurnia, Caesar's wife, tells Caesar that he should not go out today because it’s the Ides of March, but that she also had a dream. A dream that she saw a statue of Caesar that had blood running down it while Romans were washing their hands in the blood of Caesar with smiles on their faces. Eventually, Caesar does get murdered and there's a funeral held for him which Brutus and Marc Antony talk at. They Roman's follow both men, but can not decide who is more effective.

Impressions of Egypt and Rome in First Two Scenes of Antony and Cleopatra In the first two scenes of Antony and Cleopatra, we are introduced to Egypt and Rome through the images and language used by the characters in the play. Although the contrast between the two countries is emphasised, we are also shown the way in which the two cultures are often merged by the presence of the Romans in the Egyptian environment. Egypt is predominantly presented to us as a liberal, hedonistic society, where precedence is given to banquets and pleasure-seeking, and it is full of female characteristics. On the other hand, Rome is an extremely masculine, military-based society.

In Antony and Cleopatra, West and East collide, but it does not in spite of Caesar’s conquest over the land of Egypt, defeat it. Cleopatra’s suicide implies that a touch of the East’s character, the freedoms and fervour that are not signified in the play’s notion of the West, cannot be listed by Caesar’s victory. The play proposes that the East will survive on as a perceptible and invincible counterpart to the West, bound as inseparably and everlastingly as Antony and Cleopatra are in their mausoleum. As the play develops, Antony continues to occupy contradictory characteristics that play out the struggle between motive and feeling.

Such an assertion--that the danger of Cleopatra's sexuality lies in her Egyptian surroundings--requires further detail here. The Orient represented a strange, but terrifyingly fascinating world to the Elizabethans. While it was decidedly inferior and politically weak, the Orient also held a dangerous mystique. As Lucy Hughes-Hallett attests, poets, playwrights, historians and artists have found the idea of Cleopatra's foreignness, or otherness, a suitable method by which to explain away her dangerous sexuality. In other words, the fact that Cleopatra effectively seduced and influenced two powerful Roman men baffled Western thinkers who could only explain it by attributing it to her foreignness or "otherness." Not surprisingly, Shakespeare succumbs to a similar artistic temptation. In the first ten lines of the play, the surrender of Roman dignity to Egyptian passion is made clear. Philo regretfully tells Demetrius how

Deliberately falsifying information for personal gain causing an ensuing conflict is a motif clearly contrived within William Shakespeare’s tragedy Antony and Cleopatra. Deception is represented within the protagonist, the queen of Egypt, Cleopatra, a tempting seductress who has a false relationship with Antony only for personal motives. Within the play Cleopatra fabricates illnesses, deceives Antony’s love through her betrayal at sea and likens Caesar to a god, Antony’s enemy, all to achieve attention and advance politically. Created in 1606 during the Elizabethan era the characters within the play are based on an imaginary and partially real concept of historical characters. Shakespeare showcases Cleopatra as a woman unlike many of the time, holding power over man. In the visual representation a mask, ships on a stormy sea and a serpent are used to represent the act of deception. Antony’s fatal attraction to the queen, and Cleopatra’s hidden desires bind the two together to create a falsified love on public display that is fueled by deception.

A protagonist is the leading character or actor in a play, novel, or story. The leading character of a play is not easily interpreted. A protagonist does not necessarily have to be good or bad. Determining the protagonist is one of the many engaging issues presented in the play. Many characters exhibit the characteristics of a true protagonist in Julius Caesar, few stand out over all others. Caesar was a powerful, courageous, yet arrogant leader who is depicted in many different ways. Brutus friend of Caesar, loves Caesar greatly but does not think he possess leadership skills. Antony is loyal, trustworthy, and a devoted follower of Caesar, and proves to be a required character in Julius Caesar. All three of the protagonist must go

Although William Shakespeare’s Julius Caesar provides a largely accurate and incredibly detailed record of the assassination of its namesake, the play is regarded not as one of the Bard’s histories, but as one of his greatest tragedies. Shakespeare’s poignant lyrical interpretation of the fall of Julius Caesar is defined without a doubt as a tragedy by the sorrowful nature of the development, execution, and aftermath of Marcus Brutus’ betrayal of Julius Caesar.

Historically, the action of Antony and Cleopatra takes place over a ten-year span, whereas in the play the story is compressed to fit the needs of the stage. Antony is clearly much older than he was in Julius Caesar, and his political instincts

The following study is based on the plays Antony and Cleopatra which is written by William Shakespeare and All for Love which is written by John Dryden. Both writers are the most prominent playwrights in the history of English literature. We can see that both writers through their respective works have focused on the relationship between two prominent characters of the ancient world- Marc Antony, who was a Roman ruler and Cleopatra- who was considered the most beautiful woman in the world and who was also the queen of Egypt.