Divisions Between African-Americans And Women

Marcus Garvey, a ‘proponent of Black Nationalism and Pan-Africanism movements” (), once stated that “a people without knowledge of their past history, origin and culture is like a tree without roots.” (Good Reads Quotes) He was in fact very much so right. Most people in this world care about where they come from, who they descended from and where the backbone of their identity lies. Have you ever wondered why almost most orphans tend to look for their family lines or go out in search of where they belong? It is with this very essence my quest to look for answers and investigate about two very distinct yet similar groups. The groups I examine throughout this paper are Africans and African-Americans. What I seek to find out is why two very ‘distinct’ yet similar groups of people fail to see eye to eye, judging from the fact that Africans and African-Americans look alike, originated from Africa and their histories and culture somehow intertwine with each other. The main question here really is: what are the factors that hinder the relationship between Africans and African-American people.

Prospero’s dehumanizing his very own daughter trying to convince her that she’s incapable of surviving in this world without him. Prospero’s actions demonstrate his beliefs of equality between men and woman, and how they can’t ever be equal. Once again Prospero displays acts of sexism, when he manipulates his own daughter by grasping her “absolute [] obedience” (149) and uses her charm, beauty, intelligence, and sexuality to employ Caliban as his slave. Leininger refuses to neglect the issue that sexism led to this idea of racism in the play. Miranda’s good looks and sexuality were used to shape and sabotage Caliban creating this “Racially vile, intrinsically, uneducable, uncontrollably lustful, and rebellious [beast]” (148).

While the whites tried to maintain the economic and political oppression of the African Americans, the African American had to take responsibility and

Colonial America was made up by a diverse group of men, women, black, white and Indian. While it was the white males that could vote, decided laws, own property, and were completely free, there were other groups that did contribute. Despite not being white males in Colonial America, Women, African Americans and American Indians were the main reasons for society’s success politically, economically and socially. These diverse peoples, by serving as the backbone, provided the foundation on which the era thrived. Women worked and fought hard for not only their individual survival but also for their political and economical survival.

Disparities of all kinds exist in modern day health care. One such disparity that is of particular interest is one that exists between Caucasian and African American women relating to their respective rates of breast cancer incidence and breast cancer survival. According to the American Cancer Society, Caucasian women have a higher incidence of breast cancer than African American women however; Caucasian women have a higher survival rate than African American women (ACS, 2006, as cited in Leshner, 2006). This is to say that although Caucasian woman have a higher rate of breast cancer compared to African American women, Caucasian women have a higher rate of survival. This finding is indeed a disparity in heath care, and one that begs the question as to why this is so. The reasons as to why this disparity exists are numerous and very complex. Several factors play a role in substantiating the disparity in mortality rates related to breast cancer in African American women, including differences in spirituality and religion, differences in education surrounding breast cancer, and differences in socio economic standing as it relates to ones health promotion

This journal evaluates the epidemiology of sexually transmitted diseases disparities of African-American in the united states in comparison to white communities. This study focuses on disparities for African American because of the massive diseases of bacterial sexually transmitted diseases such as gonorrhea, chlamydia, and syphilis that the African American communities face. Most of the US population is either white or African American. This journal focuses on African American communities instead of African Americans because of the many diversities in the US African American population. Studies took from the Northeast, South, West and Midwest

13.2% of the United States population identifies themselves as Black as African Americans, and of those over 16% had an mental illness that was diagnosable. The socio economic impact of a history of slavery, sharecropping and race-based exclusion from health, racism, spiritual beliefs, social and economic resources, education and other factors are key factors that contribute to African American disparities today. Many of these things are linked to mental health. According to the US department of health, African Americans are 20% more likely to report having serious psychological distress than in non-Hispanic whites (. Despite knowing this, African Americans are less likely to seek mental health services than white Americans.

Emilia is often dubbed as “the feminist of Othello” by a scholars and critics because of her, seemingly, fiery independence among a sea of submissive women (Caitlyn, Act Four: The Feminist of Othello). The characterization of a woman who speaks out for herself suggests that Shakespeare thought progressively as during that time women were mere objects rather than human beings. The plot of Othello revolves around the misgivings of poor communication and lack of trust among the characters. Tragedy ensues, as it does in all of Shakespeare's works, but could it have been prevented? Report after report applaud Shakespeare for developing a true feminist role model, however sometimes a character who has attitude gets mistaken for honorable. This poses the question, does Emilia truly deserve the title as of a feminist?

Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found

William Shakespeare's “The Tempest” examines patriarchy through gender and class. The patriarchal system enables men to have absolute rule over the women within their lives. In the play, Prospero exercises his rights as a father to control Miranda’s love and enact self-righteous deeds. Moreover, Prospero's patriarchal rule does not halt within his family, but rather encompasses the entire kingdom of the island of which he rules. “The Tempest” forces readers to acknowledge paternal patriarchies. Thus making one examine the ways in which the female gender is discredited by the male characters within the text.

Julie Taymor 's 2010 film adaptation of Shakespeare 's The Tempest is a truthful recreation of the classic romantic tragicomedy in all aspects except that the role of the magician, Prospero, is played by Helen Mirren, turning him from Prospero to Prospera. Through this simple change in the gender of one of the main characters, we see the play 's themes called into question and viewed differently to how they would have been if the role of Prospero was played by a male. These themes include the usurpation of royalty and family. This review will discuss how Taymor 's decision to change Prospero 's gender is a critique of modern gender discourse.

Feminism is and has always been a prominent focus in society. Specifically during the Renaissance, when Shakespeare’s Othello was written, were women thought of as subordinate to men. Shakespeare portrays women as merely FOIL characters to their male counterparts throughout the play. They help shed light on the men’s dark sides as well as their true faults. Their roles include wives, prostitutes, and even messengers. The women in the play are disrespected and treated as lesser beings. Although there are imperative female characters in Shakespeare’s Othello, many of them are treated as tools or objects and are disrespected by the men, specifically Iago, Othello and Cassio.

In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.

Sycorax is ostensibly absent from Shakespeare’s The Tempest. The witch does not appear on stage once, as she dies long before the actions of the play begin. She is, however, invoked frequently, through memories and retellings and secondhand accounts, primarily by the character of Prospero. Many critics have used Sycorax’s absence as undisputable proof that The Tempest, with few traditionally powerful female characters, is, at its core, an anti-feminist play. However, while it may seem as though the easiest way to absolve women of their power is to exclude women from the

    When one considers Shakespeare’s female characters, one has to remember that the plays were written in a time when women were considered weak-minded creatures who were apt to make bad choices if given the freedom.  Shakespeare, for the most