Divergent Hero's Journey

Campbell describes in detail each stage of the archetypal Hero's Journey, reiterating at several points that the archetype has both a clear basis and a clear echo in the actual living existence of each human being. These spiritual echoes are awakened by metaphor, the various uses of which Campbell also describes in detail. The ultimate purpose of both myth and metaphor, Campbell maintains, is to awaken in each individual human being an awareness of the spiritual aspect of life. This awakening, Campbell maintains, is the first step in the necessary journey away from resistance to the various inevitable physical and spiritual truths associated with being human (i.e., death and suffering) and toward an embracing of them as part of the universal

Francis explains it's an old burial spot, that may even be old than him. While talking to Liam and Beckah the inflection of Francis' voice has a fearful quality. He tells the children to flee from this place. Through his special vision, Liam saw another spirit approaching. Liam realized the spirit was Fenris. Fenris attempts to grab Liam by the scruff, while simultaneously yelling, "Bring it to me, find it and bring it to me" Fenris also mentioned his brother in his rage-filled speech. Shortly after this outburst both spirts disappear and the day turn normal. Liam shared with the rest of the group what he just witnessed. They then decide to split up to question others in the town about Fenris' family.

The order of the book is in present time. They use the same states and capitals as present time. In the end they go to the Hollywood sign in California. They go to Las Vegas and Tennessee. They also go to Michigan in the beginning of the book.

Being a hero does not always mean wearing capes and fighting villains during the dark hours of the night, it means so much more as Susanna Barlow, in the article “Understanding the Hero Archetype”, explains. In the novel Sleeping Freshman Never Lie by David Lubar and in the movie The Wizard of Oz, Scott and Dorothy fall upon two incredible journeys to becoming true heroes. Throughout their remarkable journeys, Scott Hudson and Dorothy Gale experience similar difficulties, obstacles, lessons, and characteristics. These experiences demonstrate how the obstacles and lessons they suffer through teach both characters very important lessons in becoming a hero. Being a true hero requires kindness, generosity, strength,

“A hero is someone who has given his or her life to something bigger than oneself.”(Joseph Campbell). Joseph Campbell showed how important hero’s are by creating the Hero’s Journey and that you can be a hero just through writing and showing it through different characters. A hero shows that you can help other people to make the world better

Joseph Campbell, an American mythological researcher, wrote a famous book entitled The Hero with a Thousand Faces In his lifelong research Campbell discovered many common patterns running through hero myths and stories from around the world. Years of research lead Campbell to discover several basic stages that almost every hero-quest goes through Many followers of Campbell have defined the stages of his mono-myth in various ways, sometimes supplying different names for certain stages. For this reason there are many different versions of the Hero’s Journey that retain the same basic elements. these steps are ;ordinary world : This step refers to the hero's normal life at the start of the story, before the adventure begins. Call to Adventure:

“The Hero’s Journey” is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, myth, religious ritual, and psychological development. It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization. The hero’s journey is divided into three sections departure, initiation, and return. The three sections are then divided into subsections that give a little more in detail journey that the so-called “hero” takes in the storyline. Hamlet and Simba are the main characters in the two storylines that take on the role of the hero.

EXT. CHURCH OF SCIENTOLOGY - RUNWAY (GOLD BASE, CA) - dayFLORENTINARodger that commander Joshua.They board on a jet on the runway.INT./EXT. Jet - Day - travelingFlorentina and Destiny walk into the cockpit. Shane sits in the back where he lays his weapons down.Shane(whispers to himself)I can't believe I am doing this.DESTINYI hope you have a strong stomach Shane.FLORENTINABuckle up boy.Florentina goes full throttle. The plane takes off, Shane sees the ground.SHANEOh shit, I think I am going to lose my lunch.DESTINYHave you ever been on a plane before.SHANEIts been so long, I can't remember.Destiny looks at him as if he was some kind of idiot. The plane reaches 10,000 feet.SHANEHow come the ground looks so flat.FLORENTINASo you still don't believe in what Daniel told you, wait until we

A hero's place in society has remained relatively consistent since the very beginning of time. Throughout the years, people have seen many different versions of larger-than-life heroes, who have completed seemingly impossible tasks and persevered through immense adversity. The common denominator between all of these heroes has always been that each and every one of these beings has put his/her own life in danger and fought great battles in the pursuit of a better life for mankind as a whole.

“‘I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin, but begin anyway and you see it through no matter what’” (Lee 112). Courage can be defined many ways.

Throughout this semester, we mainly discussed the hero’s journey and characteristics as an ancient tale, such as in Beowulf and Grendel. But as we also saw, the hero’s potential is present in everyone with no regard of times. As such, when studying modern stories, we can see that aspects of hero’s journey are still a major theme. In The Matrix, Neo, an average hacker, who might not be seen as a hero in the first place will soon show all characteristics to become one. As a result we would study in this paper how The Matrix as a modern tale with aspects of the hero’s journey, heroes’ archetypes as well as mythical themes, can be considered as a modern example of a hero’s tale.

Macbeth is a tragedy play written by William Shakespeare during the reign of James I. Whether fiction or non-fiction, it is hard to tell for the presence of witches in the plot might be interpreted as the embodiment of Macbeth’s ambitions although Banquo being able to see them too contradicts reality. The plot started off with Macbeth and Banquo defeating an invading army. They later met three witches who told Macbeth, Thane of Glamis, that he was to be the Thane of Cawdor, then King while Banquo was not but his son will.

In Tennessee Williams’s play, A Streetcar Named Desire he creates a very complex psychoanalytic plot. Freud's most enduring and important idea was that the human psyche (personality) has more than one aspect. Freud saw the psyche structured into three parts the id, ego and superego, all developing at different stages in our lives. These are systems, not parts of the brain, or in any way physical. The three main characters in the play can each be compared with one of the three parts of the human mind. Stanley’s character corresponds with the id, Stella’s character can be compared to the ego, and Blanche’s character would represent the superego. Looking at the play through this lens one can see Williams’s reflection of himself throughout his work with an alcoholic, abusive father of his own, a strict demanding mother, and a schizophrenic sister. Knowing this A Streetcar Named Desire brings on new bigger meanings of the inner conflict within its author (Silvio).

How would you deal with living in a community in isolation, feeling lost with those around you, and having your whole life changed with one drop of blood? FOUR by Veronica Roth displays all this with a story of a young man named Tobias Eaton. This book demonstrates the drama and strategy which keeps readers involved. From being placed in one environment from birth and choosing something precisely different, readers can see what Tobias had to go through. The main elements of this book are conflict, style, and mood.

In his outline of a hero’s journey Joseph Campbell talks about the main parts of the departure phase. The hero will realize something is different