Dickinson and Frost

Both Dickinson and Frost approach their darkness with a sense of rhythm. In Dickinson’s poem, the “uncertain step” of line 5 is conveyed through

Darkness is a recurring image in literature that evokes a universal unknown, yet is often entrenched in many meanings. A master poet, Emily Dickinson employs darkness as a metaphor many times throughout her poetry. In “We grow accustomed to the dark” (#428) she talks of the “newness” that awaits when we “fit our Vision to the Dark.” As enigmatic and shrouded in mystery as the dark she explores, Dickinson's poetry seems our only door to understanding the recluse. As she wrote to her friend T.W. Higginson on April 15, 1862, “the Mind is so near itself – it cannot see, distinctly”(Letters 253). In this musing, she acquiesces to a notion that man remains locked in an internal struggle with himself. This inner

In Emily Dickenson’s “We grow accustomed to the Dark” and Robert Frost’s “Acquainted with the Night” distinct views of hesitation in life are explained, and are manifested with each authors different point of views, structure, sound, imagery, and metaphors.

The poem “We Grow Accustomed to the Dark “ to me is about us ,humans , overcoming setbacks.There is always going to be people or things that will try to get in the way of us being successful . The negative energy which the poet symbolized with “ darkness” will try to stop your success . Success is symbolized with “ light “ or “eyesight” which will overcome the darkness in this poem . Us becoming accustomed and or use to the darkness is us becoming use to the negative energy that tries to stop us from becoming great at our talent or whatever activity you are pursuing . In Emily Dickinson poem “ We grow accustomed to the Dark” ,she talks about how we get use to the darkness meaning we get use the people that want you to fail or the major setbacks that are coincidentally thrown in your direction while we are working our way to the stop.

In Emily Dickenson's "We Grow Accustomed to the Dark," and in Robert Frost's "Acquainted with the Night," the poets use imagery of darkness. The two poems share much in common in terms of structure, theme, imagery, and motif. Both poems are five stanzas long: brief and poignant. The central concepts of being "accustomed" to something, and being "acquainted" with something convey a sense of familiarity. However, there are core differences in the ways Dickenson and Frost craft their poems. Although both Dickenson and Frost write about darkness, they do so with different points of view, imagery, and structure.

Poems are like snowflakes. While no two are the same, they all have common structures and themes. One prevalent theme in poetry is that of death, which is present in both “Because I Could Not Stop for Death” by Emily Dickinson and “Stopping by Woods on a Snowy Evening” by Robert Frost. Dickinson perceives death as a gentleman, while Frost perceives death as loneliness, which provides insight on how the time periods of the poems, the genders of the authors, and the authors’ personal experiences influence literature.

Dickinson writes, “We grow accustomed to the Dark / When Light is put away / As when the Neighbor holds the Lamp / To witness her Goodbye” (Dickinson 1-4). The reader is given a situation where one must perceive his/her fears as an obstacle to overcome in order to adapt to the situation. Dickinson explains how the mind influences how people see things. Although the mind gets used to the “darkness”, the mind also changes its way of interpreting other problems. Emily Dickinson also writes, “The Bravest - grope a little / And sometimes hit a Tree Directly in the Forehead / But as they learn to see” (Dickinson 13-16). This stanza is explaining how the bravest people perceive their fears as an obstacle to overcome in order to continue forward with their lives, like adaptation. The “bravest” are those who choose to conquer their fears instead of letting their fears consume them. Overall, the poem, “We Grow Accustomed to the Dark”, elaborates on how people must adapt to change sufficiently both mentally and physically in order to overcome their

The poem “We grow accustomed to the Dark” also relates to Henry David Thoreau’s quote. The speaker is uncertain about the dark but soon learns to “see” something different. In the beginning of the poem the speaker “looks at” his/ her own obstacle as something difficult to overcome but by the end of the poem he/she realizes that It states” But as they learn to see-/ Either the Darkness alters-/ or something in the sight/ Adjusts itself to midnight-/”

In the first poem called We grow accustomed to the Dark, the speaker finds her way through the dark night, as her eyes adjust to the darkness, she notices there’s “a road,” and specs of light where her curiosity grows. She notices things you cannot see in the daylight like the specs of stars and the bright moon. But before she was aware of her

The dramatic realization of the absence of objects during the brief moments of sunset on a snowy evening comes fast under

Emily Dickinson , a private American poet , whose poems made a lot of metaphorical references had her poems exposed by her younger sister right after she died. As a child Dickinson lived most of her life in isolation which gave her time to write a lot of things like letters and poems like “Before I Got My Eye Put Out” and “We Grow Accustomed to the Dark”. Most of her poems aren't literal. They are written in metaphorical ways to make you think. Like her poem “Before I Got My Eye Put Out” , I think this poem is referring to how she wanted to explore the world , but later realized that she would be safer inside where there was shelter and protection. In her poem “We Grow Accustomed to the Dark” I think she refers to how she lost somebody that she was close to , and the problem she encountered along the way as they were gone. Both of these poems are alike in a way that they both talk about losing or giving up on something. In “Before I Got My Eye Put Put Out” the speaker reacts to the loss by giving up and not trying anymore. I think speaker in “We Grow Accustomed to the Dark” would react differently and actually try to explore the world and go on an adventure.

With “Night,” the eighth poem and first of the second section, darkness descends, bringing with it a series of scenes horrifying and pathetic.

Emily Dickinson was an exceptional writer through the mid-late 1800’s. She never published any of her writings and it wasn’t until after her death that they were even discovered. The complexity of understanding her poems is made prevalent because of the fact that she, the author, cannot expound on what her writing meant. This causes others to have to speculate and decide for themselves the meaning of any of her poems. There are several ways that people can interpret Emily Dickinson’s poems; readers often give their opinion on which of her poems present human understanding as something boundless and unlimited or something small and limited, and people always speculate Dickinson’s view of the individual self.

“Acquainted with the Night” by Robert Frost dramatizes the conflict that the speaker experiences with the outside world, which has rejected him, or perhaps which he has rejected. The poem is composed of fourteen lines and seven sentences, all of which begin with “I have.” Frost’s first and last line, “I have been one acquainted with the night,” emphasizes what it means for the speaker to be “acquainted with the night” (line 1; 14). The speaker describes his walk in the night as journey, in which he has “walked out of rain—and back in rain” and “outwalked the furthest city light” (line 2-3). Through the depiction of the changing weather conditions, Frost signifies the passage of time, perhaps indicating that the narrator has been on his journey for a lengthy period of time and has traveled through many cities. Furthermore, the imagery of the rain at night creates a forlorn atmosphere in the poem.

In Emily Dickinson’s lyrical poem “There’s a certain slant of light” she describes a revelation that is experienced on cold “winter afternoons.” Further she goes to say that this revelation of self “oppresses, like the Heft of Cathedral Tunes” and causes “Heavenly Hurt”, yet does not scare for it is neither exterior nor permanent. This only leaves it to be an internal feeling, and according to Dickinson that is where all the “Meanings” lie. There’s no way for this feeling to be explained, all that is known is that it is the “Seal Despair”, and an “imperial affliction”. These descriptions have a rather powerful connotation in showing the oppressive nature of his sentiment. There is an official mark of despair and an imperial affliction