Deceitful Clytemnestra of Euripides' Electra Essay

Agamemnon in the realm of Hades goes on to reveal how, “ There is no being more fell, more bestial than a wife in such an action, and what an action that one planned! The murder of her husband and her lord. Great god, I thought my children and my slaves at least would give me welcome. But that woman, plotting a thing so low, defiled herself and all her sex, all women yet to come, even those few who may be virtuous,” (Homer 6.496-504). This had been spoken by Agamemnon to Odysseus in the Underworld after his wife had plotted his murder along with one of her servants. Readers had been past exposed with Telemachus to this situation , “ But the Lady Klytaimnestra, in the first days, rebuffed him, being faithful still; then, too, she had at hand as her companion a minstrel Agamemnon left attending her, charged with her care, when he took ship for Troy,”(Homer 3.285-289). This had been discussed by Nestor to Telemachus when he inquired about the events after the Trojan War. While Agamemnon was revealed as an honorable man his wife was portrayed as a scheming backstabber or adding to the foil between husband and wife The Odyssey experiences.

Clytemnestra’s overwhelming hate for her husband deepens because Agamemnon shows no feelings of remorse and believes that Iphigenia’s sacrifice “[is] for the best” (216-224). Aeschylus recalls the final moments of Iphigenia’s sacrifice: “her pleading, her terrified cries of “Father”!/[…]/ Her eyes threw a last pitiful glace at her sacrificers,/ but like a figure in a painting,/she could not call to them for help” (228-242). Consequently, Iphigenia’s heartbreaking sacrifice motivates Clytemnestra’s “unforgiving child-avenging Rage” (155) upon her husband, Agamemnon. Clytemnestra’s maternal instinct implores her to take revenge against Agamemnon for his mistreatment of their daughter. Furthermore, Clytemnestra views Agamemnon’s sacrifice of Iphigenia as a betrayal of their marital love. Clytemnestra believes her husband deserves the same fate as Iphigenia because Agamemnon “[has] sacrificed [their] own child, [Clytemnestra’s] labour of love, to charm away the cruel storm-winds of Thrace” (1417-1417). To Clytemnestra, Agamemnon must “suffer, deed for deed,/ for what he [has] [done] to [their] daughter,/Iphigenia, his own flesh and blood!”

Agamemnon in the realm of Hades goes on to reveal how, “ There is no being more fell, more bestial than a wife in such an action, and what an action that one planned! The murder of her husband and her lord. Great god, I thought my children and my slaves at least would give me welcome. But that woman, plotting a thing so low, defiled herself and all her sex, all women yet to come, even those few who may be virtuous,” (Homer 6.496-504). This had been spoken by Agamemnon to Odysseus in the Underworld after his wife had plotted his murder along with one of her servants. Readers had been past exposed with Telemachus to this situation , “ But the Lady Klytaimnestra, in the first days, rebuffed him, being faithful still; then, too, she had at hand as her companion a minstrel Agamemnon left attending her, charged with her care, when he took ship for Troy,”(Homer 3.285-289). This had been discussed by Nestor to Telemachus when he inquired about the events after the Trojan War. While Agamemnon was revealed as a honorable man his wife was portrayed as a scheming backstabber or adding to the foil between husband and wife The Odyssey experiences.

illustrated the struggle between men and women, democracy at play and the rise of a tyrant. With the theme tyranny in mind, we look to find examples that illustrate the former. The most appropriate example of tyranny is the famous carpet scene between Clytemnestra and Agamemnon. It begins with Agamemnon returning from the Trojan war along with Cassandra, is greeted at the palace with a long red carpet presented by Clytemnestra his wife. The carpet symbolizes tyranny in it’s imagery through colour, betrayal and logic.

In book one of the Iliad, a plague is placed on the Achaian army because Agamemnon wouldn’t release Chryseis, a maiden he’d taken as a prize for sacking a Trojan-allied town. Agamemnon refuses to give up Chryseis until Achilleus surrenders Briseis, another maiden, to him as consultation. This insults Achilleus’ pride and is the first event in the epic to fuel his burning rage (1.8-1.611). Due to his leader, Agamemnon, wounding his pride, he refuses to fight for the Achaians for the first 15 books. However, the tide turns in book 16 when Patroklos, Achilleus’ friend, is killed (16.816-16.821). His rage causes him to join the Achaians once more and develope aristeia, where a hero in battle has his finest moments. He nearly single-handedly slaughters the Trojan army by splitting their ranks and pursuing half of them into the river, where he recognizes Lykaon (21.1-21.35).

Both Clytemnestra and Antigone are driven by their passionate transgressions and desires due to conflicts within their families, and they are incapable of bearing the consequences they bring upon their nations and societies. There are times when personal sacrifices are necessary to the greater social progress, and the death of Iphigenia is an example in which case her death contributes to the victory of the Greek army. Agamemnon, the commander of the Greek army, decides to sacrifice the life of his own daughter in exchange of the wind that carries the Greek army to the land of Troy, which eventually leads to a glorious victory. However, Clytemnestra is overwhelmed by the death of her daughter, and she is not capable of perceiving the death of Iphigenia as a sacrifice to secure the Greeks’ victory with help from the Gods. Her husband Agamemnon, who lies to Iphigenia and sends her

Greek society is highly stratified, one where the distinctions between Nobles, peasants, and slaves are explicit. While many people consider women oppressed in the ancient hierarchy, this notion is somewhat contradicted in the Odyssey, where many women act as powerful figures. Penelope separates herself from the suitors that plague her palace, who are relentless in their pursuit for her hand in marriage. Circe has the capability to seduce an entire unit of Odysseus’ men and turn them into pigs. Athena benevolently guides Telemachus over the many obstacles he faces on his quest to seek out his father. Helen defects from Sparta, rallying all of Troy for her cause. Clytemnestra deceitfully plans Agamemnon's death for her new love interest, Aegisthus. Women in the Odyssey show that through seduction, trickery, and wisdom, women of Ancient Greece are able to obtain significant power.

The bad actions of Clytemnestra are immediately seen in a negative way but she, at first, has avenged her daughter’s murder. What the chorus thinks of her is that she is an imposing figure, she is not noble and her information is unreliable. She is kind of underestimated and misjudged. She is presented as the bad woman but it is clear that the aim of Clytemnestra is taking her revenge. Aeschylus’ portrait of Clytemnestra can be seen as negative and positive; on one hand she seeks justice for her daughter, on the other she is completely incurable for the act of murder. She does not hide from her actions, instead she freely admits her murder and embraces the power and authority. It is through the inversion of traditional gender roles, adopting masculine speech, behaviors and activities, that she achieves her revenge for the sacrifice of Iphigenia. On one hand Clytemnestra’s revenge may have been seen as an upsetting act but on the other hand it let people (the audience) reflect on the traditional gender role of women in society. The power of Clytemnestra can be also seen through the chorus speech. It highlights her authority even if the chorus

Euripides' Medea Medea is the tragic tale of a woman scorned. It was written in 431 B.C. by the Greek playwright, Euripides. Eruipides was the first Greek poet to suffer the fate of so many of the great modern writers: rejected by most of his contemporaries (he rarely won first prize and was the favorite target for the scurrilous humor of the comic poets), he was universally admired and revered by the Greeks of the centuries that followed his death('Norton Anthology';). Euripides showed his interest in psychology in his many understanding portraits of women ('World Book';). Euripides choice of women support characters such as the nurse and the chorus is imperative to the magnification of Medea's emotions.

From the beginning, the character of Agamemnon appears as a courageous warrior and grand which destroys the heroically powerful army as well as Troy. However, at the outset, we learn to know Agamemnon as a person who has changed the winds to go to Troy, at the price of the sacrifice of his own daughter,

The Iliad: Book I, is about the conflict between Achilles and Agamemnon in the beginning of the Trojan War. It shows how vigorous Achilles’ rage was and that he is no one to mess with. The book states “Peleus’ son Achilles, murderous, doomed”. This shows his fury in just a few words. Achilles was a Greek hero who was the son of a Goddess named Thetis. He was an incredible solder; brave, violent and godlike. However, Agamemnon was the commander of the Achaean Army. He was greedy, aggressive and selfish. He was described as “the most grasping man alive”. He absolutely hated Achilles. I feel that he was jealous of how respected Achilles was among the ranks in the army because of his superior skills in the field of battle. Agamemnon claimed Chryseis as his prize, after sacking a Trojan town. Chryseis was a daughter of a Priest of Apollo, Chryses. He offered an enormous ransom to get his daughter back. At first Agamemnon didn’t want it but the people round him persuaded him that it would be best to let her go so they could be released from the plague that Apollo put on them. Agamemnon then poised to Achilles that he is going to steal Achilles prize, Briseis. This is when Achilles’ rage shows at its best. He nearly draws his sword to kill Agamemnon but he is stopped by the goddess, Athena.

Cassandra walks fearfully into the palace, then the chorus hears Agamemnon’s cry for help. After some deliberation of what to do, they go into the palace only to see Clytemnestra over the dead bodies of Agamemnon and Cassandra. Clytemnestra tells that the reason for this seemingly wrong act was to do justice for Agamemnon sacrificing their daughter. Clytemnestra’s lover and partner in crime, Aegisthus, enters the palace with an armed bodyguard and justifies his part in the crime. He tells of Atreus’, Agamemnon’s father, sinful act against Thyestes, Aegisthus’ father.

In Homer’s The Iliad, the son of Atreus and the brother of Menelaus, Agamemnon, led the Greek forces in the Trojan War, which accounted for vicious fighting and losses. The Iliad recites some of the important incidents of the concluding weeks in the Trojan war. It’s Zeus will for Troy to fall. Agamemnon reveals before us as a supremely achieved warrior, however, as a king he typically demonstrates the displays unsuited with the ideals of real amity. Agamemnon, lord of men and king of the Greeks, shows leadership and pride throughout the epic, as he commands the entire Greek army, he causes rage of Achilles while attempting to maintain his honor.

Agamemnon is the King of the Greek army and brother of the King of Sparta, Menelaus. His character resembles that of Achilles because he is hungry for pride and glory and is as angry or even angrier man than Achilles. In contrast to Achilles, Agamemnon is prone to arrogance. He decides to take Briseis away from Achilles. This forces Achilles to withdraw from the battle which in turn significantly weakens the Greek army. Achilles wanted the Greek army to be slaughtered and angrily withdraws from the battle. Agamemnon learns the importance of Achilles on the battlefield while his men were being slaughtered and yet refuses to give Briseis back to Achilles. Unlike Achilles, Agamemnon is not much of a warrior. He always stands in safety and not on the battlefield. He wants his men to do the work for him but he always claims the biggest prizes. Agamemnon is able to appreciate people, unlike Achilles. He uses his skills to manipulate people the way he pleases just to get what he wants. Agamemnon uses his manipulating skills to find a way to get Achilles back in the battlefield. He calls for Patroclus to join the fight and lets him fight Hector knowing

In book three of Iliad, “illustrious king” (9.126) and his Achaean armies fight the Trojans to stop wife stealing but despites that he still dishonors and takes Achilles prize, Breseis. Agamemnon in the Iliad can be seen as the mortal Aphrodite. In book three of Iliad, Helen disobeyed Aphrodite and she responds with rage and so does “lord of men” (9.112) in book one. Agamemnon feels that Achilles disobeyed him, so he answers with wrath just to show “how much greater [he] [is] than [him]…. for hoping to rival [him] strength for strength” (1.219-221). His statement makes Achilles furious with rage. “Why, why in the world if not for Helen with her loose and lustrous hair? Are they the only men alive who love their wives, those sons of Atreus? Never!” (9.411-414). Achilles expresses his feeling on how contradicting the whole Trojan war is and that is he going to involve himself, it will be for Bresies only. Bresies is who he loves not