Death of a Salesman - A Modern Day Tragedy Essay

In order for one to succeed in any situation, business or otherwise, two things are necessary. Both an individual’s personal ability to succeed, as a result of personality, training, willpower and determination, etc., and favorable circumstances or situational

“Build your own life...find your opportunity, and always be sexy.” The general claim made by Aston Kutcher’s in his speech at the Teen Choice Awards is that to be successful you have to make your own life, work hard, and be thoughtful. He uses ethos and rhetorical devices to support his claim. His purpose is to inform in order to be inspiring. He establishes a serious but casual tone for his audience of mostly teens.

“You can only become truly accomplished at something you love. Don 't make money your goal. Instead, pursue the things you love doing, and then do them so well that people can 't take their eyes off you.”

But despite the self gratifying goal this game promotes, it teaches kids to plan, prioritize, provide for, and celebrate life achievements. And even though we try to plan out our lives, the game shows us that life may not go the way we plan. There’s this element of chance that life seems to have, whether it’s making it big by

The lives of the Loman’s from beginning to end seems troubling, the play is centered on trying to be successful or trying to be happy, and the sacrifice which must be made of one to achieve the other. The environment that these characters live in encourages them to pursue the American dream, which can be said to devalue happiness through the pursuit of material success. Death of A Salesman written by Arthur Miller has several themes that run through the play, one of the most obvious is the constant striving for success. Willy Loman put his family through endless torture because of his search for a successful life. Willy, Biff, and Happy are chasing the American dream instead of examining themselves

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

The story ‘Death of a Salesman’ written by Miller focuses on a man doing all he can to allow him and his family to live the American dream. Throughout the story it is shown how the Loman’s struggle with finding happiness and also with becoming successful. Throughout their entire lives many problems come their way resulting in a devastating death caused by foolishness and the drive to be successful. Ever since he and his wife, Linda, met she has been living a sad and miserable life, because she has been trying support his unachievable goals. Also by him being naïve put his children’s lives in jeopardy and also made them lose sight of who they really were. Miller uses the Loman family to show how feeling the need to appear a certain way to the public and trying to live a life that is not really yours can turn into an American nightmare.

Arthur Miller and David Mamet both rely on many of the same topic elements. They both explore capitalism’s effect on communication. From this similarity, we see that Miller’s "Death of a Salesman" and Mamet’s "Glengarry Glen Ross" argue the same message: capitalism can destroy our ability to function naturally as humans. Instead, we become part of a system in which we must learn to operate under.

From sudden death, to catching a loved one in an affair, what effect does tragedy hold on a person? Hamlet from Shakespeare’s Hamlet, and Biff Loman in Arthur Miller’s Death of a Salesman both experience life changing tragedy. Hamlet’s father died and his mother remarried to his uncle Claudius within two month of his father’s death. Hamlet is also compelled to avenge his father’s death and against his will he must kill King Claudius. In Death of a Salesman, Biff Loman struggles with the knowledge of his father’s affair, and his lack of success in life. On top of that he finds out that his father is in a state of mental decay. With the effect of tragedy how do Hamlet and Biff measure up through influence, relationships, and emotions?

In the play Death of a Salesman by Arthur Miller, Willy is both sympathized with and looked down upon throughout the story. Willy is a very complex character with problems and faults that gain both sympathy and also turn the reader off to him. Willy Loman is both the protagonist and the antagonist, gaining sympathy from the reader only to lose it moments later.

"I don't say he's a great man. Willy Loman never made a lot of money; his name was never in the paper; he's not the finest character that ever lived. But he's a human being, and a terrible thing is happening to him. So attention must be paid ... Attention, attention, must be finally paid to such a person." from Death of a Salesman

Many works of literature have the theme of a failed American Dream, which is the basic idea that no matter what social class an individual may be, they still have an equal ability to achieve prosperity and a good life for their family; however, there has been much debate over whether or not the American dream is still obtainable in modern society. One piece of American literature that substantiates the fact that the American Dream can not be gotten is Arthur Miller’s Death of a Salesman which describes the tragedy of the average person in America. A number of other writers also draw the inability to capture the American Dream. John Steinbeck demonstrates in his highly acclaimed novel The Grapes of Wrath how hard economic times can

Modern domestic tragedies began between the late 19th century and feature ordinary people to be the heroes/anti-heroes unlike Greek tragedies in which the protagonist was of high status or noble birth. “Death of a Salesman” by Arthur Miller is a classic example of this and features the anti-hero Willy showing the audience how his perfect family lifestyle has falling apart contributing to the disorder of his world which increases as his mind slowly deteriorates.

As though to recreate the connection in life, literature often shows the relationship between past events and a character’s present actions and values. In Arthur Miller’s Death of a Salesman, Willy is haunted by memories of his older brother, father, and salesman Dave Singleman. Willy’s character and values are constantly influenced by the memory of the three men, compounding upon his deliria throughout the play. Willy considers these men the epitome of success, thus explaining his dependency on all three. Miller’s view on society, men, and the success of the American Dream are portrayed through Willy’s interactions with the men. The American Dream is synonymous with the phrase “the world is your oyster,” but Miller uses Death of a Salesman to criticize the American Dream through Willy Loman and his interplay between the past and present.

Death of a Salesman is typically classified as a modern tragedy. This implies that it follows the example of the classic Greek tragedies, Roman tragedies and Shakespearian and Jacobean tragedy. There are, however, subtle but vital differences between these forms. Aristotle’s classic view of tragedy saw the form as one which only properly deals with the fate of gods, kings and heroes. In the twentieth century, such a restricted definition would consign tragedy to the waste bin of literary history. Consequently, in Death of a Salesman, Miller challenges this view and presents us with an entirely new one.