Cypher And Plato's Cave

While interpreting Plato’s “Allegory of the Cave’’ in which is a representation that described a narrative of the society of people in before Christ years. I realized how there was a major comparison of people in today’s society that reflected the same prisoner traits as the prisoners that were described in the dialogue. According to the Plato’s “Allegory of the Cave.” It described conditions of people chained at birth unable to function as independent individuals that were locked in a protracted dark cave. They were allowed to rotate their necks but could not stand up unless told to or leave the cave. Within this cave they could only watch a wall showing flash images and objects as if the prisoners were watching a play or movies at a theater. They believed that the pictures shown on the wall were factual in which they were just shadows of objects that were behind them. The objects reflected forms and puppet that were placed up by puppeteers to create shadows on the wall. The prisoners were unable to see the puppeteers and seemed as if they were watching a puppet show in the dark.

When the prisoner makes his way back into the cave, he will have to readjust to the darkness, since he has been out in the daylight- however, he knows this does not matter as he has seen what is beyond this cave. The prisoners would not want be freed: the cave is all they have come to know, it is their reality; the cave is where they are most comfortable. Leaving the cave would mean they would have to adjust to new factors and face the fact that their whole understanding was based upon an illusion. Even if the prisoner goes back to tell the other prisoners about all that he has seen in the world outside the cave, they won’t believe him; they will not understand what he is speaking of. Those who live in the cave are accustomed to that life only; if someone leaves and discovers that reality is drastically different, then that person is going to have a hard time convincing the others that there is anything other than what they know. The person who tells them otherwise will be criticized and labeled "crazy" by the inhabitants of the cave because they simply don't know any

Peter Losin taught philosophy at the University of Wisconsin, the College of Charleston, and Gonzaga University. Most of his teaching and writing are focused on Greek philosophy, especially Plato and Aristotle. The article focuses on the Book VII of Plato's `Republic.' And deals with the analogy for the human condition and demonstration of ways on how to unpack the details of a shadowy image. This theme is discussed throughout my essay and explains how everyone has their own “cave” they need to escape.

In Plato's Cave, the prisoners are tied down with chains, hand, and foot under bondage. In fact they have been there since their childhood, which much like matrix people are seen as in reality being bound within a pad whereby they are feed images/illusions which keep them in a dreamlike state and they have been in this bondage by virtue of the virtual reality pads in the fields since their youth and like the allegory of the Cave they are completely unaware of such a predicament since in regards to the Cave they have become conditioned to the shadows that dance upon the wall and do not see the true forms of which the shadow is a mere non-substantial pattern of. In the Matrix, within the person of the virtual world, it is a non-substantial pattern of the world, it is reflective of the real world, it is a shadow in its form and nature being a simulation of the world at a particular point in history. Like the prisoners in the cave, those who are prisoners in the system of a matrix are held in their calm state by reason of the illusion that stimulates them and tricks them into remaining asleep or rather into being ignorant of the fact that they are prisoners in pads so the machines can feed on their bio-energy. The shadows on the wall which are reflective is to keep the prisoners on the Cave unaware of the fact that they are prisoners, that they are under bondage and have never truly seen life outside of the Cave. The shadows on the walls are by puppets, perchance puppeteers. They could be seen as the agents, whom within the Matrix being programs are to maintain that the humans asleep in the matrix remain in their comatose state, they are to support the illusion, by keeping man actively ignorant of what is truly happening, so they never wake up. The puppeteers of the puppets which are seen on the wall to keep the mind of the prisoners stimulated so they never realize that they are chained, and only have a vision that is straightforward, which is basically saying their minds are only subjected to a single perspective and they are blind to the degree of seeing within other perspectives, broader perspectives and this in and of itself is a limitation.

Prompt: Define Plato 's “Allegory of the Cave”. What is the central message? Is he describing education alone? Where does politics come in?

In “The Allegory of the Cave,” Plato also stated that eventually one of the prisoners, who Plato would say was the philosopher or intellectual, would break free from the cave and into the outside world. The one prisoner that Plato refers to, would also reflect Neo in “The Matrix” when he in being released from his pod that the machines have created. Once the prisoner of the cave has broken free he can now look all around him, and see the objects as they really are and the people carrying them as well. While in the movie “The Matrix”, Neo is using is own eyes for the first time and sees that he is actually living in a human factory. In Plato’s “Allegory of the Cave” he states that the freed prisoner would be shocked by the outside world, he would not be able to see the realities that he was used to deep in the shadows of the cave. The prisoner would try to think that what he saw and experienced before was truer than what is he sees now. When Neo is revived from being detached from the pod, Morpheus tells him what state the world is in now and Neo is in a state of disarray and denial. This new knowledge of the truth, overwhelmed Neo so much that he vomited and passed out. The released prisoner in “The Allegory of the Cave” might feel that what he is seeing was the illusion and shadows on the wall

“Anyone who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light, or from going into the light, which is true of the mind’s eye, quite as much as of the bodily eye…” (Plato). In this quote from Plato’s “The Allegory of the Cave” an instance in which a person comes face to face with something that confounds them, it can be due to two factors. First, it could be that they are knowledgeable and are paying attention and go to seeing ignorance. Or it could be that they are not knowledgeable and are faced with veracity. A situation such as this takes place in Plato’s

One of Plato’s more famous writings, The Allegory of the Cave, Plato outlines the story of a man who breaks free of his constraints and comes to learn of new ideas and levels of thought that exist outside of the human level of thinking. However, after having learned so many new concepts, he returns to his fellow beings and attempts to reveal his findings but is rejected and threatened with death. This dialogue is an apparent reference to his teacher’s theories in philosophy and his ultimate demise for his beliefs but is also a relation to the theory of the Divided Line. This essay will analyze major points in The Allegory of the Cave and see how it relates to the Theory of the Divided Line. Also, this

We first learn about Plato’s cave in book seven of the Republic. In his book, Plato describes a conversation he has with Socrates. He tells Socrates the story of some men who had lived their entire lives in a cave. These men knew nothing beyond what they could see on the cave wall. One day, a man is freed. At first he rejected his new found knowledge of the world but, once he accepted what he learned outside of the cave, he could never go back to his sheltered existence. The cave is an allegory, a story that has a hidden meaning. Plato is attempting to describe the difference between conventional opinion and getting educated. Plato says “compare the effect of education and of the lack of it” (Plato 175).

Plato’s “Allegory of a Cave” draws many parallels to events and characters in Bradbury’s dystopian novel, Farenheit 451. Chiefly, Plato would disapprove of the style of government in which citizens do not possess the right to think for themselves. Plato’s Cave Theory emphasizes the ability to think and experience new events in order to gain knowledge and learn, which allows the “prisoners” to escape from their binding chains of ignorance and enter a world of enlightenment. A blatant similarity between the two works lies in the characters of Clarisse, Faber, and Granger. These characters have escaped the “cave” of ignorance and have the ability to perceive true reality rather than the technology-induced one forced upon the society. Two

In Plato’s, Allegory of the cave, a key theory I found was the importance of education. Plato uses an “allegory to illustrate the dilemma facing the psyche in the ascent to knowledge of the imperishable and unchanging forms” (104) Based on my research of the republic, the allegory can reveal multiple hidden messages. Plato describes, ordinary mortals are chained within an underground chamber, which according to Fiero, represents the psyche imprisoned within the human body. These mortals can’t look sideways only straight ahead. They also can’t leave the cave and are facing a cave wall that they can see shadows from a fire of what they imagine are men. These mortals have been in this cave since childhood, which makes them believe the shadows themselves are the men, not a reflection of an actual man. Again, according to Fiero, the light, represents true knowledge, and the shadows on the walls of the cave represent the imperfect and perishable imitations of the forms that occupy the world of the senses.

Once one of the prisoner’s is released, he is forced to look at the fire and the objects that once made up his perceived reality, and realizes that the new images he is made to acknowledge are now the accepted forms of reality.

Plato’s allegory of the cave has a simple premise. People chained down, watching shadows in a cave, while the way out is hard to reach. But the simple premise has much deeper meaning. One of the reasons that Plato’s allegory of the cave has been so well received throughout history is that humans are always seeking the truth, mich like the human’s who escape the cave in the allegory. The allegory can be seen as a metaphor for many situations, but for my purposes we will use a very generic explanation of the cave.

Plato clarifies his relationship of the cave (a similarity is a straightforward story that has allegorical significance) in his Republic book VII. Plato utilizes the relationship to help portray his philosophical position on the fundamental contrast between the physical world and the World of Forms (Wof). He accepts that his similarity could obviously clarify to others why the physical or universe of sense experience was only a deception; that genuine reality must be found in the everlasting constant World of Forms. Plato's similarity starts in a cave. The cave is intended to speak to the physical world or the universe of sense experience.

“To them, I said the truth would be literally nothing but the shadows of the images.” (Plato 2) In other words the prisoners only see what the outside world wanted to show them. Being trapped inside the cave the prisoners only saw the reflections of images that were presented to them and by doing so limiting their understanding of what the outside world was. But in The Matrix everyone trapped inside the Matrix only see what the machines wanted them to see.