Plato The Matrix

Thesis: There are many similarities in the Matrix ( Wachowski, Andy, and Lana Wachowski 1999 ), The Allegory of the Cave ( Plato ) and Meditation I of The Things of Which We May Doubt ( Decartes, 1641 ). It appears as you take a close look at the Matrix that it is a retelling of “The Allegory of the Cave” with elements of “Meditation I of the Things of Which We May Doubt” in it as well.

The Matrix itself is very comparable to the cave because both are prisons of false reality. Humans are trapped and manipulated by their surroundings.Their senses are tricked and they can 't recognize the truth. In the Allegory of the Cave, “people have been in this dwelling since childhood, shackled by the legs and neck. Thus they stay in the same place so that there is only one thing for them to look that: whatever they encounter in front of their faces. But because they are shackled, they are unable to turn their heads around.” Just like the prisoners, Neo is chained to a bunch of machines who blind him from the real world. In the film, Morpheus says: “Like everyone else, you were born into bondage, kept inside a prison that you cannot smell, taste, or touch. A prison for your mind”. Neither the prisoners or the people living in the Matrix know they are trapped. They are unaware anything exists beyond their

As the plot of The Matrix advances, this “reality” is explained. Neo eventually wakes up, and witnesses the truth – a world controlled, by machines. As he awakens to a dark desolate world, towers taller than sky scrapers surround him, loaded with humans – in a cocooned state. Machines monitor these sleeping humans - who are unaware of the truth. One of these machines quickly scans Neo, and realizes things aren’t quite right with him, and so he is released down a tube leading to a body disposal, and his possible demise. They (the machines) obviously don’t want him

The one prisoner that Plato refers to reflects Neo in The Matrix when he is being released from his pod that the machines have created. Once the prisoner of the cave has broken free he can now look all around him and see the objects as they really are. While in the movie The Matrix, Neo is using is own eyes for the first time and sees that he is actually living in a human factory. In Plato's "Allegory of the Cave," he states that the freed prisoner would be shocked and not used to the outside world. The prisoner would try to think that what he saw and experienced before was truer than what is he sees now.

In Plato's Cave, the prisoners are tied down with chains, hand, and foot under bondage. In fact they have been there since their childhood, which much like matrix people are seen as in reality being bound within a pad whereby they are feed images/illusions which keep them in a dreamlike state and they have been in this bondage by virtue of the virtual reality pads in the fields since their youth and like the allegory of the Cave they are completely unaware of such a predicament since in regards to the Cave they have become conditioned to the shadows that dance upon the wall and do not see the true forms of which the shadow is a mere non-substantial pattern of. In the Matrix, within the person of the virtual world, it is a non-substantial pattern of the world, it is reflective of the real world, it is a shadow in its form and nature being a simulation of the world at a particular point in history. Like the prisoners in the cave, those who are prisoners in the system of a matrix are held in their calm state by reason of the illusion that stimulates them and tricks them into remaining asleep or rather into being ignorant of the fact that they are prisoners in pads so the machines can feed on their bio-energy. The shadows on the wall which are reflective is to keep the prisoners on the Cave unaware of the fact that they are prisoners, that they are under bondage and have never truly seen life outside of the Cave. The shadows on the walls are by puppets, perchance puppeteers. They could be seen as the agents, whom within the Matrix being programs are to maintain that the humans asleep in the matrix remain in their comatose state, they are to support the illusion, by keeping man actively ignorant of what is truly happening, so they never wake up. The puppeteers of the puppets which are seen on the wall to keep the mind of the prisoners stimulated so they never realize that they are chained, and only have a vision that is straightforward, which is basically saying their minds are only subjected to a single perspective and they are blind to the degree of seeing within other perspectives, broader perspectives and this in and of itself is a limitation.

In “The Allegory of the Cave,” Plato also stated that eventually one of the prisoners, who Plato would say was the philosopher or intellectual, would break free from the cave and into the outside world. The one prisoner that Plato refers to, would also reflect Neo in “The Matrix” when he in being released from his pod that the machines have created. Once the prisoner of the cave has broken free he can now look all around him, and see the objects as they really are and the people carrying them as well. While in the movie “The Matrix”, Neo is using is own eyes for the first time and sees that he is actually living in a human factory. In Plato’s “Allegory of the Cave” he states that the freed prisoner would be shocked by the outside world, he would not be able to see the realities that he was used to deep in the shadows of the cave. The prisoner would try to think that what he saw and experienced before was truer than what is he sees now. When Neo is revived from being detached from the pod, Morpheus tells him what state the world is in now and Neo is in a state of disarray and denial. This new knowledge of the truth, overwhelmed Neo so much that he vomited and passed out. The released prisoner in “The Allegory of the Cave” might feel that what he is seeing was the illusion and shadows on the wall

After the early 21st century, humans built these machines, which are now held in a nuclear-winter-like setting. Being deprived of sunlight as an energy source, they have enslaved the human race and are farming people as a source of bioelectrical energy. The humans are kept in an unconscious state in podlike containers in a vast holding field, plugged in to a central computer. In the scenario of The Matrix, everything in the world; cars, buildings, cities, and countries are part of a complex computer-generated virtual reality, which within the humans interact. Everything they see, smell and hear is part of this virtual construct and does not really exist. A computer merely stimulates their brains and deceives them into believing that they are all living normal 20th-century lives, eating sleeping, working and interacting together. They are all blinded to the truth about how and why they exist. After a handful of people have escaped from the nightmarish world of the Matrix, they find out the truth and reach out to those still consumed with the falsities of this world. One of these, a man named Morpheus, hacks into the Matrix and contacts Neo, telling him,

Because of how we live, true reality is not obvious to most of us. However, we mistake what we see and hear for reality and truth. This is the basic premise for Plato抯 Allegory of the Cave, in which prisoners sit in a cave, chained down, watching images cast on the wall in front of them. They accept these views as reality and they are unable to grasp their overall situation: the cave and images are a ruse, a mere shadow show orchestrated for them by unseen men. At some point, a prisoner is set free and is forced to see the situation inside the cave. Initially, one does not want to give up the security of his or her familiar reality; the person has to be dragged past the fire and up the entranceway. This is a

This first paragraph that begins the story is perfect in showing The Matrix ideas. Humans live in pods in large fields were they are grown. So like in the story they are prisoners even as children and they are plugged into the matrix or "chained so they cannot move." The fire behind the prisoners is like the matrix program it self, it's there to make illusions and make the prisoners think what they see is "real." Lastly there are the puppeteers who make shadows using the fire and create illusions. The puppeteers can easily be linked to the machines that hold the humans as prisoners and make what happens in the matrix happen. Such as the puppeteers make shadows in the fire to trick the humans, the machines do the same thing in The Matrix, it's just in a more advanced and complicated way. The machines create

The Matrix is the war between man and machine, and the possibility that reality is a deception. In a sense, the Matrix is a constant struggle of identity and reality. This struggle of identity and reality is based around the character of Thomas Anderson, an ordinary person living a mundane life.

In the "Allegory of the Cave," the chained down prisoners are limited with their perception on reality. At

In “The Matrix” and Plato’s Phaedo and Republic questions of what makes up a whole and fulfilling life are answered. Both The Matrix and Plato provide alternate forms of reality, one that is based on truth and is fulfilling and one that is based on a false reality that offers false forms of fulfillment. The Matrix and Plato show the difference of living a life in a true reality and a “fake” reality where everything inside this reality is fake making the lives inside this reality fake. True education, the ability to recollect, and knowledge of reality gives people the ability to live their lives in truth and give life meaning

We are blinded, only see shadows, hear echoes, and the world around us is a mere shadow of what truly exists “Hence, the only way to believe oneself to have knowledge is to be simpleminded; those sophisticated enough to see the relativity of everything, but still not wise enough to turn their faces toward the light, can only despair, or delight, in the lack of real knowledge” (BS). In relation to his beliefs are the ideas of the famous Rene Descartes. He doubted the certainty of the external world and came to the conclusion that our senses can’t be trusted. Additionally, Descartes ' stated that you can’t trust your senses because there has been times when you are dreaming or imagining what you have experienced rather than it being real. Certainly it becomes questionable whether in fact we can believe if any of our principles are true. In The Matrix, Neo finds out the truth and answer to his question. The Matrix is just an illusion of the world around and the humans are plugged in by a computer program. Those who are plugged in have never truly saw the world for what is. Similar to Plato’s Allegory of the Cave, the humans are prisoners forced to see shadows which are copies of things in the real world. When Neo is finally confronted with the truth he can’t imagine the thought of ever going back. Instead he plans on exposing the truth by revealing how the world they live in truly looks.

The Matrix Interweaves much symbolism, mythology, philosophy, and psychology. On the surface, the movie challenges the dominance of technology in our culture and predicts an apocalyptic result from the use of artificial intelligence. Yet, behind the human struggle for survival is a mythical backdrop upon which are backlit some of C.G. Jung's basic ideas regarding the human psyche. These Jungian ideas include the ego-Self relationship and how it relates to the persona, the shadow, individuation, and the transcendent function.

The matrix, as presented in the eponymous film, operates as an Althusserian Ideological State Apparatus (ISA). The Matrix1 presents a world in which "the state [as] a 'machine' of repression" is made literal where robots rule the land (Althusser 68). It is true that they rule by force (sentinels and agents) and these constitute the Repressive State Apparatus, but their primary force of subjugation is the matrix, their ISA. The film traces the path of one man, Neo, in his painful progress from the ideology of the matrix to the "real world," or the ideology of the "real."2