Creon as the Tragic Hero of Sophocles' Antigone
Who is the true tragic hero in Sophocles' Antigone? This question has been the subject of a great debate for numerous years. Equal arguments exist that portray Antigone as the tragic heroine in the play and Creon as the tragic hero. Aristotle, in his study of Greek drama entitled Poetics, provided the framework that determines the tragic hero of a work. Though Antigone definitely possesses the characteristics and qualities that are mentioned, Creon comes across as the true tragic hero of Antigone.
The tragic hero must be a person occupying a high position whose character embodies nobility and virtue. Creon, King of Thebes, definitely occupies a position of
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He lost all that was dear to him. By the end of the play, Creon was doomed to live with his own pain and guilt, realizing that he had ultimately caused the death of his niece, his son, and his wife. He lost his will to live when his downfall was accentuated by the destruction of his family.
Creon possessed a tragic flaw that kept him from being perfect. His harmartia was his pride and stubbornness. Because of his pride, he was inflexible in his beliefs. He didn't want to listen to his son or the blind prophet Teiresias when they were advising him to change his mind. When Haemon tries to convince him not to kill Antigone, Creon replies "Should we that are my age learn wisdom from such as he is?" (784-785) Creon was a victim not of others, but of his own pride.
Creon is sincere in his belief that he is doing what is best for his country. He feels that Polyneices was a traitor and enemy of the state because he came upon the city to fight his brother for rule. The peripetia, or moment of reversal of the play, was when Creon finally realized that he was in the wrong. He hurried to make amends by burying Polyneices and then rushing to release Antigone from her "tomb." Because he is too late and Antigone has already taken her own life, a domino effect of death takes place with Haemon, his son, and then his wife Eurydice taking their own lives. Creon advances from ignorance to
When Creon finds them both dead he realizes that it was his power as king that has caused this to happen. He begins to realize mistakes he has made. He has followed quite closely in the footsteps of Oedipus. Through his suffering we begin to see him as a human rather than a powerful tyrant.
Similarly, Creon is a good leader to his people. He punishes evil and rewards good as mentioned above. He is seen by the people, as well as his own son, to have "goodness" in his "leadership" (lines 691). Thus, Creon’s noble character seen through the love of his country, through the just decision to punish Polyneices, and through his good leadership qualifies him for the 1st criterion of being a tragic hero.
Aristotle once said, regarding his principles that a certain character is a tragic hero, "A man cannot become a hero until he can see the root of his own downfall." This quotation is an accurate statement regarding the actions between Creon in the beginning of the play, and at the end once he has lost his family. A tragic hero is defined as a character of noble stature, the hero is imperfect allowing the audience to relate to him, as well as the hero’s downfall is caused by his own fate, leading to the punishment exceeding the crime and the character’s realization leading to the fall. The audience experiences a catharsis at the end of the play, which allows the audience feel that society is “right” again. All six of
A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his
Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone.
A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of
When the title of a play is a character's name, it is normally assumed that the character is the protagonist of the play. In Sophocles' Antigone, most people probably believe Antigone to be the tragic heroine, even after they have finished watching the play. It may be argued, however, that Creon, not Antigone, is the tragic character. When we examine the nature and concept of the Greek Tragedy and what it means to be a tragic character, it becomes clear that Creon is indeed the tragic hero of the play Antigone.
In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s
Aristotle’s definition of a tragic hero is someone of great importance or royalty. The hero must go through something terrible such as a relative’s death. We must feel what this character is feeling throughout the story. Aristotle also said that a tragic hero scan be defeated by a tragic flaw, such as hubris or human pride. In Sophocles’ tragedy Antigone, both Creon and Antigone are tragic heroes.
In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.
Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.
Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.
Sophocles’ Antigone is, without a doubt, one of the greatest tragedies ever written. There are many questions that somebody could ask about this work, but this one intrigues me the most: Who is the tragic hero? Could it be Antigone? Or could it be Creon? Antigone might be the name of the tragedy, but I believe that Creon is the winning candidate. His role in the plot of this tragedy, his sensible tragic fault, and his dynamic character are the obvious reasons why I chose him as the tragic hero.
Creon has to live with the consequences of his actions. His bad characteristics overcame the good but lost in the end. He
The second criterion for being a tragic hero is that one is neither purely evil nor pre-eminently great. Although Creon possesses many good kingly qualities, as far a honor and nobility, his imperfection lies in his excessive pride and hubris, as well as his self indulgence as King of Thebes. Creon shows his power and pride