Creon Is a Tragic Hero Essay

Tragic Heroes: Creon, Odysseus and Brutus Every child dreams of being a hero while growing up. Superman, Batman or Captain America, but usually never a tragic hero. A tragic hero is defined as a noble person who acquires heroic or potential heroic abilities. Creon, Odysseus and Brutus all had heroic qualities that made them qualified as tragic Heros.

I believe creon isn’t a tragic hero. Here’s why he isn’t a noble stature you can argue he is because he’s a king. You can also argue that he gains self knowledge but you can’t argue that he get a redemption. You also cannot argue he is a good person. So now I’ll prove why I believe I’m right but this is my apoyen

In his “Poetics,” Aristotle originally identified a tragic hero as someone who possesses an arete, hamartia, peripety, and anagnorisis. An arete shows human excellence or nobility in a character. On the other hand, a hamartia reveals a character’s major flaw. The tragic hero also undergoes a change in fortune from good to bad known as a peripety. Through the peripety, the character realizes his hamartia. In the Greek playwright “Antigone” by Sophocles, Creon, the King of Thebes is a tragic hero because he possesses all four of these traits.

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

Aristotle describes a tragic hero as someone with good intentions, high class, and must suffer a fall from grace. Creon, the new King of Thebes, fits this bill quite nicely. While other tragic hero’s have suffered horrible fates, like Hamlet or Antigone, they did it with a selfish pursuit. Creon’s journey involved the country of Thebes scrutinizing all his actions; this influenced his actions and the tragedy he suffered. In literature history, Creon proves to be the most tragic character because he fulfills all the qualities Aristotle deems as a tragic hero while also trying to balance his powerful position.

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

What is a tragic hero? A tragic hero is a literary character who makes a judgement error that inevitably leads to his or her own destruction. In the Greek tragedy Antigone by Sophocles, a king named Creon places a law that makes it illegal to bury Polyneices who is Antigone’s brother. But not being buried in Greek culture is a big deal because it means you don't make it to the afterlife, so then Antigone buries her brother so he can be at peace. The tragedy is about how Antigone and Creon each react to each other's actions, it becomes a battle of law and morality. In the tragedy, there are two possible tragic heroes, Antigone or Creon. I believe that Creon is the tragic hero because his tragic flaw led to the downfall of himself and his loved ones.

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

Every Greek tragedy must have a tragic hero. In The Burial at Thebes: A Version of Sophocles’ Antigone translated by Seamus Heaney, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. Antigone receives a punishment for disobeying Creon’s orders by burying her brother’s body. Antigone went against Creon’s law and listened to god’s law while burying Polyneices. Based on Aristotle’s definition, Creon is the tragic hero of Antigone because although he starts from a position of greatness, his tragic flaw leads to a catastrophe; he realizes the error of his ways, but it is too late to prevent the catastrophe; and his downfall and suffering leaves him humbled and enlightened.

Creon has no toleration for people who place personal beliefs over the common good. He believes that government and law is the supreme authority, and civil disobedience is worst form of sin. The problem with Creon’s argument is he approaches He approaches every dilemma that requires judgement through descriptive generalizations. In contrast to the morality defined by Aristotle in his Nicomachaean Ethics, Creon shows that he is deaf to the knowledge of particulars--of place, time, manner, and persons, which is essential for moral reasoning. In short, he does not effectively bring together general principles and specific situations Creon does not acknowledge that emotion, and perception are as critical to proper moral consideration as reason. This explains why he does not respond accordingly with the reasoning of the guard, Tiresias the prophet, Antigone, her sister Ismene, or even his own son Haemon. Throughout the whole play, Creon emphasizes the importance of practical judgement over a sick, illogical mind, when in fact it is him who has the sick, illogical mind. He too exhibits pride in his argument. To Antigone and most of the Athenians, possessing a wise and logical mind means acknowledging human limitations and behaving piously towards the gods. Humans must take a humble attitude towards fate and the power of the gods, yet Creon mocks death throughout the play. He doest not learn his lesson until the end of the play when he speaks respectfully of