Creole Culture In The Awakening

While Mrs. Pontellier is having an affair with Arobin and moving into the pigeon house, her kids live with their grandparents and she goes months without seeing them, which is very unusual for the mother during that time period. After leaving Mr. Lebrun, Edna Pontellier goes to visit Madame Ratignolle during her difficult childbirth, where Ratignolle tells Mrs. Pontellier to “Think of the children. Remember them” which foreshadows Edna’s selfish death. Mrs. Pontellier knows that if she does obtain a divorce from Leonce Pontellier that she would still have to take care of her children and that she would not be completely free or independent. The choices that Edna Pontellier made and women's’ options during the 1800s and 1900s left her with little choices on how to continue her

Marriage did not bring fulfillment or satisfaction to Edna’s life, nor did being a mother. “She would sometimes gather them passionately to her heart; she would sometimes forget them.” (Chopin, ch. 7) When her children were away with their grandmother, they were not missed by their mother. “Their absence was a sort of relief, though she did not admit this, even to herself. It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (Chopin, ch. 7) What mother forgets her children and does not miss them when they are gone? Edna was searching for meaning in her life, she wanted happiness.

There are certain ideals that need to be met while being in a relationship; they play concrete roles in the stability of the partnership. The idea of Edna being confined in a marriage with Mr. Pontellier who doesn’t

Edna portrays her role as a feminist in many ways. She tells Madame Ratignolle "she would never sacrifice herself for her children, or for anyone. . . . I would give up the essential; I would give my money, I would give my life for my children; but I wouldn't give myself" (Chopin 47). This exemplifies Edna's theory that if she gives up her soul, the very base of her womanhood and what she stands for in life, then her existence and her point in the world is over, and she may drift away into the abyss of commonality. "Kate Chopin has given Edna an inner sight. Edna begins on a search of what is to be, not of what it is necessarily to be female, but simply to be," Jennifer Ward compares. Edna believes in herself as a strong individual and moves forward to attaining her sexuality and opinions, strongly enforcing the beliefs of feminism to intimately discovering one's mind and body. Although there are many different definitions of feminism, it is conclusive that feminism is about the labors of women to define themselves as passionate counterparts to men, and not merely faithful dogs padding loyally on the heels of their masters.

The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.

By giving her children a sense of independance early which may enable them for success later on. While other children of the times may have a pseudo unhealthy reliance on a mother, much like Robert's brother Victor who still lives at home. Another more risky thing she did was make a statement that most women even now wouldn't agree with. Edna states: “I would give up the unessential; I would give up my money, I would give my life for my children; but I wouldn't give myself.”(Chopin 47) This statement holds quite a lot of weight in the way we can view edna. Some may call her selfish for a lack of an undying love for her children. But I view it as brutal honesty. The fact that edna is coming to this conclusion and fighting the ever pushing stream of society really shows how she is trying to fight. Giving up one's self is a very dangerous thing to do. For once you give too much you can lose who you are. But too little and people can lose sight of what you can be/who you are. As a mother edna realizes this and decides to make herself known in a different way than as a mother-woman.

Edna’s children are different from other children, if one of her boys fell “…he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing”. Edna is not a typical Creole “mother-woman” who “idolized her children (and) worshipped her husband” (8) and at times that results in her husband’s claims that she neglects her children. Edna’s children leave her attached to her husband, and even if she is somehow able to escape the relationship with her husband she will never be able to escape her children. She realizes this and whether consciously or not, doesn’t care for her children the way this is expected of a woman in her time period. When Adele Ratignolle reminds her to, “Think of the children!…Oh think of the children! Remember them!” Edna finally realizes her decisions affect her and her children. Instead of accepting her responsibility as a mother Edna decides to give up, and does so by committing suicide.

Edna Pontellier was a very respectable woman from the 1800's that was unsatisfied with her situation in life. Mrs. Pontellier was a mother of two sons and had a husband whom she adored at the beginning of their marriage, but overtime they have became distant and her sexual desires were no longer being fulfilled. She soon broke the role society had casted upon her and became rebellious by leaving her womanly duties behind. Kate Chopin reveals Edna Pontellier's character through the her actions, through dialogue, and by telling the reader the thoughts and feelings that are circulation through Mrs. Pontellier.

In The Awakening, Kate Chopin creates a protagonist that clearly demonstrates a feminist. The protagonist, Edna Pontellier seeks more from life than what she is living and starts to refuse the standards of the society she lives in. Edna has many moments of awakening resulting in creating a new person for herself. She starts to see the life of freedom and individuality she wants to live. The Awakening encourages feminism as a way for women to obtain freedom and choose individuality over conformity. Chopin creates a feminist story that shows a transformation from an obedient “mother-woman” to a woman who is willing to sacrifice her old life to become independent and make an identity for herself.

In Kate Chopin’s novel, The Awakening, the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society. Despite these people, Edna has a need to be free and she is able to escape from the society that she despises. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conformity. “Edna's journey for personal independence involves finding the words to express herself. She commits suicide rather than sacrificing her independent,

“Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her” (547). She looked at and heard things as if for the first time. “The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column” (556). She decided that she would move out of her house with her husband and children and would move into a small apartment by herself. This is something that women of her day simple did not do. Edna was different.

However, many women did not have the courage to stand up for themselves, and kept living miserable, and boring lives. They were not allowed to voice their opinions, or have any rights. The main character, Edna, portrays the motherly woman, who does not like the tasks society has deemed acceptable for women. Moreover, as Edna begins to become free she is more rebellious and begins to question everything. According to “Women of Color in The Awakening” by Elizabeth Ammons, “ It is the story of a woman of one race and class who is able to dream of total personal freedom because an important piece of that highly individualistic ideal… has been brought to her.” This means that this novel follows the theme of many other works of literature, in that a heroine is trying to seek free control because she knows she can obtain freedom. Women’s roles play a key factor to the feminism shown throughout the novel.

Throughout most of her life, Edna Pontellier’s true self was majorly suppressed by her husband, as well as her duties as a mother, and society’s image of

Through the story Edna becomes more and more uneasy about not being able to do and have what she really wants. This can be shown from the beginning when she lets her children play by themselves and doesn’t miss her husband when he is away from home. Edna tried to be a good mother by becoming friends with an old fashioned woman, Madame Adèle Ratignolle, who devoted her life to her husband and children. However, when Edna was not around Madame Adèle Ratignolle, she forgot how to be like Adèle Ratignolle and instead busied herself with what was considered to be her “childish ways”. She would try to make herself as happy as possible; she was not her happiest with her husband and kids. When Edna discovered her passion for art, she embraced it and neglected her family even more so than before.

Edna Pontellier is a woman of great needs. Although she has a husband who cares for her and two children, she is very unhappy. She plays her roles as a mother and wife often, but still keeps doing things unmarried, barren women should do: enjoy the company of other men, ignore her children's cries, dress unladylike for the times. The story is set in the late 1800's, when women were to be in the kitchen preparing a meal for their family, giving birth to more children to help with daily chores, or sitting quietly at home, teaching the children while the husband was at work. Edna Pontellier was a woman not of her time. At only 28, she would have rather been out gallivanting with different men, traveling with them, and painting