Edna Pontellier's Roles In The Awakening By Kate Chopin

First let us start with Edna Pontellier from Kate Chopin’s great novel, The Awakening. As the novel begins we meet the Pontellier’s family and most importantly Edna. We see through the exposition that Edna is a twenty-eight-year-old wife of a New Orleans businessman who see’s her as a mere possession that is the most fragile and important possession to have, but still just as a possession. Based on the culture around her we see her servility to her husband and her everlasting devotion that her life is to be controlled by whoever she marries(1878–1899: Lifestyles). This becomes very clear when reading on page two. In this situation we see Mr.

    "How do you honor the deepest truth you know?" --Ram Das        In order to honor one's deepest truth, one must first discover what that truth is and then apply that truth to everyday life.  The life of Edna Pontellier in The Awakening signifies the search, discovery, and application of an individual's deepest truth.  Edna, a wealthy New Orleans housewife, at first attempts to find the deepest truth about herself by conforming to society's norms.  She marries a well-respected man, Leonce, and bears him children.  However, Edna discovers that she wants more out of life; something about her marriage is not allowing her to achieve fulfillment.  Through her relationships,

In Kate Chopin's The Awakening, the main character, Edna leaves her husband to find place in the world. Edna believes her new sexually independent power will make her master of her own life. But, as Martin points out, she has overestimated her strength and is still hampered by her "limited ability to direct her energy and to master her emotions" (22). Unfortunately, Edna has been educated too much in the traditions of society and not enough in reason and independent survival, admitting to Robert that "we women learn so little of life on the whole" (990). She has internalized society's conception of woman as guided by her emotions and not her mind and, therefore, in the search for another man to fill the void of love in her

Marriage did not bring fulfillment or satisfaction to Edna’s life, nor did being a mother. “She would sometimes gather them passionately to her heart; she would sometimes forget them.” (Chopin, ch. 7) When her children were away with their grandmother, they were not missed by their mother. “Their absence was a sort of relief, though she did not admit this, even to herself. It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (Chopin, ch. 7) What mother forgets her children and does not miss them when they are gone? Edna was searching for meaning in her life, she wanted happiness.

She married Leonce not because she loved him but because she could not refuse his admiration and persistence. This marriage thrusts Edna into a foreign culture. She questions her role as a mother because she is different from the typical Creole "mother-woman." Edna defies the central perception that women are mothers first

Since the beginning of time social constrictions have always retained a firm grasp on the ideas and actions of humanity. While it remains a formidable foe, still some choose to fight back against the norm. This never-ending war is responsible for major advancements in the social order, but not every story is so successful. In Kate Chopin’s “The Awakening”, Edna Pontellier finds herself fighting this very battle that, although begins with a positive outlook, ultimately ends in her demise.

In the opening scene Chopin introduces “a green and yellow parrot, which hung in a cage outside the door” and speaks a “language which nobody understood…” (1). This caged bird is used as a symbol for Edna. The parrot speaks in a foreign language, revealing how Edna feels misunderstood by society due to the differing expectations of Edna’s role. Her friends and family expect Edna to be the perfect mother, devoting all of her time to her children. They are not able to comprehend Edna’s rejection towards her role as a mother, her husband even calling upon the doctor. Yet while the parrot is kept captive by the cage, Edna is bound by her children. The parrot “suggests her feeling of being trapped by traditions” (Schraufnagel 1). The tradition that all women during this time period were to become mothers is what has enslaved Edna. In contrast, Edna’s husband has “the privilege of quitting their society when they ceased to be entertaining” (Chopin 1). In this case, the birds represent Mr. and Mrs. Pontellier’s two children. Mr. Pontellier often leaves his children behind as he goes on business trips or to the club, yet expects Edna to take care of the children at all times. Because of biology, Edna is not afforded the luxury of freedom that her husband has. Mr. Pontellier is a fine husband and he treats Edna well. Yet because of the freedom he has that Edna does not possess, he

We further notice Mr. Pontelllier’s traditional thinking in Chapter three, when he notifies Edna that one of their sons is suffering with a high fever. When she doesn’t instantly jump up and run to check on her son (whom she is quite sure did not have a fever), he accuses her of being neglectful and notifies her that it was her place to look after the children. This scene is where we first take notice of Mrs. Pontellier’s dissatisfaction with her marriage and perhaps her life.

The author is insinuating that Edna no longer wants to be with her husband. Kate Chopin does this by slowly making Edna Pontellier leave the presence of her old life. This also shows that Mrs. Pontellier is becoming very independent because she is no longer living off of her husband and she is doing what she wants to do when she wants to do it. This was very uncommon for a mother of two children during the 1800's. Edna Pontellier's thoughts and feelings change throughout the book and this also helps better reveal her character.

At the beginning of the novel when Edna's husband, Leonce Pontellier, returns from Klein's hotel, he checks in on the children and believing that one of them has a fever he tells his wife, Edna. She says that the child was fine when he went to bed, but Mr. Pontellier is certain that he isn't mistaken: "He reproached his wife with her inattention, her habitual neglect of the children." (7) Because of the reprimand, Edna goes into the next room to check on the children. "She soon came back and

“Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her” (547). She looked at and heard things as if for the first time. “The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column” (556). She decided that she would move out of her house with her husband and children and would move into a small apartment by herself. This is something that women of her day simple did not do. Edna was different.

Along with living up to this towering expectation they were presumed to “live their lives largely homebound, taking care of the cooking, cleaning, and child rearing,” (Sallus) which restricted a woman of this time’s value to what she could do and how she could serve others. Edna says her children’s absence was a relief in a sense because “It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (Chopin 25). This reveals that Edna feels as though she does not fit the role of the mother, nor does she want to. Edna later argues to Madame Ratignolle, the epitome of a motherwoman, that she would give up the unessential for her children, for instance money or even her own life, but she would never sacrifice herself. Madame Ratignolle demonstrates the values of a woman in their society when she replies with: “... but a woman who would give her life for her children could do no more than that--your Bible tells you so. I'm sure I couldn't do more than that.” (Chopin 64). This shows that Edna differs from the women in her society because she places herself above her family and focuses on her own happiness rather than tending to her children and husband’s every last need or want.

She was pressured to marry Leonce by her father and older sister. Along with marriage came the pressure to have children. She is forced into these roles but never actually succumbs to them. Edna not only has Madame Ratignolle's friendship and her marriage to wake her up to her dreams and emotions, her affairs wake up to her desires. The way the different male characters treat her reminds her that she will never happily fit into the role of a wife and mother, therefore awakening her.

In The Awakening, the mother-women were “women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels (Chopin 19).” They readily relinquished their individual identities. Madame Ratignolle exemplified the role of the mother-woman as she was defined by and found pleasure in her roles of both wife and mother: she “played [the piano] very well, keeping excellent waltz time and infusing an expression into the strings that … inspired… keeping up her music on account of the children… because she and her husband both considered it a means of brightening the home and making it attractive (Chopin 61).” Although Edna revels in motherhood, she believes that there is an ideal truth beyond it. This truth, according to Dyer, cannot coexist with the social, the moral, or even the biological obligations of motherhood (105). Edna, therefore, finds

Unexpectedly, Robert and Edna become extremely close with each other by summer's end. Unwilling to further his relationship with a married woman, Robert leaves the country for Mexico. Furthermore, Leónce truly believed he had no obligation to care for his children and that it was Edna’s duty to do so. “If it was not a mother’s place to look after the children, whose on earth was it?” (Chopin 7). In society’s eyes, all a man needed to do was support their kids financially while the woman supported them in other ways. Chopin focuses on two other female characters in the story, Adele Ratignolle and Mademoiselle Reisz. These women are examples of how women should be in the nineteenth century. Adele was an example of a "motherly woman.” She would gladly sacrifice anything to care for her children, husband, and household, while Edna would not. Edna finds both role models lacking and begins to see that the life of freedom and individuality that she wants goes against society. Not only did society have a specific look on how a women should be, but Leónce as well, towards Edna. “’You are burnt beyond recognition,” he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage.” This shows how Edna is not an acceptable color according to her husband’s wishes. Edna had specific guidelines to follow