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Cormac Mccarthy The Road Analysis

Decent Essays

Composers often shape their work around the prism of their own experiences to allow the audience to understand the composer 's perception of the world. To achieve this they employ the use of various language techniques, as seen in The Road (Cormac McCarthy), City Of Glass (Paul Auster) and 2001: A Space Odyssey (Stanley Kubrick). Cormac McCarthy wrote The Road to represent his experiences in a post 9/11 world, where he witnessed the violent nature of humanity both during the attacks as well as in the reactionary conflicts of the following decade where violent acts became normalised. The violent nature of Humanity is shown through the repeated acts of cannibalism and murder, usually committed to ensure survival, present when the boy and …show more content…

By choosing to write in format McCarthy is making the point that things that are unnecessary to the survival of a group, such as language, will slowly fall away and be lost. The concept of the loss of superfluous language that does not reference things needed for survival, is further explored when the father is thinking about saying something reassuring to the boy but cannot and he remarks about the loss of language, “The names of those things slowly following those things into oblivion.Colours.The names of birds...Finally the names of things one believed to be true”. The father references the loss of things like the names of colours and birds as well as things one believes to be true, a possible reference to religion, as useless. McCarthy selectively writes in a certain form to portray the melting away of things useless to survival, a truth he experienced himself. Paul Auster 's City Of Glass is a depiction of the composers of internal struggle with his conflicting identities as well as the power his work holds, the text is a representation of Auster’s own reality. The idea of his conflicting identities is shown through the character of the author Daniel Quinn, who holds an interesting relationship with his writing pseudonym William Wilson (Auster also wrote under a pen name) and his character Max work, “If Wilson did not exist, he nevertheless was the bridge that allowed Quinn to pass from

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