Concert by the D'Entrecasteaux Program

The second characteristic that both pieces share in common is the continuity of rhythm, whether it is at the forefront or showcased as the beat, and the repetition of the melody. The tutti is the melody of Brandenburg Concerto No. 5, and it is repeated several times throughout the piece and sometimes even when the soloist performs. The Trio Sonata is a short piece compared to the concerto, but the melody is repeated twice in the first movement. There can be variations to the melody during the piece but it keeps the same tone and mood.

One performance I attended this semester was the Lenoir-Rhyne University Jazz Ensemble’s concert on November 13. The ensemble's performance was exciting and entertaining and I thoroughly enjoyed all ten song selections. Throughout the entire performance, a clear sound was produced along with great tone quality. Additionally, the intonation was great across all instruments, not only in the opening pieces, but for the entire concert. However, in a few places, articulations could have been more clear and consistent. Overall, dynamics were well executed and the transitions between dominance with different instruments were smooth. Contrastly, the ensemble as a whole could have backed off more dynamically during certain solos. All the solos were

Depopulation was another negative impact that slavery had on Arica. This affected the African culture because the people who were stolen may have fulfilled many societal roles in the community. Africa lost many young strong people who could have been potential traders, philosophers, and skilled laborers. This led to an economic and cultural depletion to the regions. This also slowed the growth of existing populations and halted the development of nations. The younger, stronger people were the highly chosen ones to be taken for enslavement. The opportunities they may have had to raise children of their own within their own culture damaged cultural perpetuation. The trauma of losing young family members, people removed from the social frameworks

In the May 16th concert, the Sartell High School Concert Band played six pieces in the Sartell High School auditorium. Those six piece were, “Into The Clouds”, “On The Rising WInds”, “Adagietto”, “A Westward Expedition”, “From Russia With Music”, and “Prospect”. I will be evaluating the band’s dynamics and intonation.

Regina Symphony Orchestra’s “Piano Poetry” involved a variety of trios and quartets and one suite that included piano, the flute, an oboe, cello, and violin. The purpose of this concert was to excite the audience for the Regina Symphony Orchestra’s very first piano festival. This performance took place on November 22nd at 2pm, located at the Government house. The players were Cherith Alexander on piano who was a guest appearance, Marie - Noelle Berthelet on the flute, Simon Fryer on the violoncello, Karen Constant on violin, Tamsin Johnston on the oboe, and lastly Simon MacDonald on Violin. In this concert report, the piece Trio in G Minor, Op. 63 - Movement 1 by Carl Maria Von Weber will be examined because it has a variety of textures, plays

During the Baroque period, instrumental music was written for every conceivable size of ensemble. On the smaller side, the Baroque sonata offers one of the finest examples of chamber music. Two types of sonata are found during this period: the sonata da chiesa (church sonata), and the sonata da camera (chamber sonata). The sonata da chiesa was more somber, while the sonata da camera was, much like the suite, usually comprised of dance forms. The gigue from Corelli's Sonata for 2 violins and lute is a fine example of the sonata da camera

The string family and a piano only played Vivaldi: The Four Season - Winter. Instruments noted from the string family are: violins, violas, cellos and double basses. There was a female concertmaster and she played in both sharp and soft ways. She also played in group movement and solo movements. During group movements the violins were being plucked. When that was happening it gave an effect that a harp was being played.

By 1700, composers were writing three kinds of concertos. The first two types - concerto grosso and solo concerto - were more numerous and, in retrospect, more important. Both played on the sonic contrast between many instruments and one or only a few. The concerto grosso set a small ensemble (concertino) of solo instruments against a large ensemble (concerto grosso or ripieno, meaning full). The concertino normally comprised two violins, cello, and continuo, the same forces needed to play a trio sonata, although other solo string or wind instruments might be added or substituted. In the solo concerto a single instrument, most often a violin, contrasted with the large ensemble.

This great masterpiece is carefully edited to reflect bowings obtained from renowned Baroque specialists. These bowing styles will ensure an interpretation that is true to the Baroque performance tradition of George Frederic Handel's time. This grade 3 arrangement includes optional 3rd Violin/Viola T.C. and piano parts. Duration 4:35. Kendor Concert String Orchestra #10148, $52.00

trumpet, trombone/sackbut, and tuba. The percussion includes the Timpani at this time. One of the most well known concerto composed by Vivaldi is The Four Feasons, within this he had written three movements. The first one being fast or another for fast allegro the second movement was slow and the third movement was fast again this would describe the tempo of the movements. In a concerto their is no voices but their are soloists in part of the song. This is when the violinist takes over and plays her own part that is more prominent in the song this is called a solo. Throughout the movements they remain to be homophonic, having one main melody throughout the piece. Not only during the baroque era was their just instruments but also operas.

Four years ago,  I joined a concert that makes a great influence on my life. The Formosa Quartet played three contrasting pieces in the concert that is a Mozart quartet, a Brahms viola quintet, and a Schumann piano quintet. The concert is impressed. Especially, when they played Brahms viola quintet, op.111. The character they make in three contrasting piece impressed me. This is the first time I knew the power of music would be. I felt that I can understand the ideas they want to convey to the audience without words.  They are a group to play music in unison. Meanwhile, each of them has their own character.  After the concert, I started to think--playing in a string quartet in the US.

On Sunday, May10 2015, a concert was held in The Broad Stage. The concert was played by Santa Monica College Symphony Orchestra, whose conductor is Dr. James Martin. For this concert, I would identify myself as a referential listener at this concert. I say this because I am not an expert in music, therefore it would be hard for me to be a critical listener. I wouldn’t be able to tell what went wrong with a performance even if some incorrect notes were played. I was more of a referential listener because the music was soothing and brought my mind to peaceful thoughts. This essay will tells my experience of the concert in order to persuade my friend to  attend a classical music concert with you in the future.

Trio Sonata also uses engaging rhythms and harmonies, for example, the 7-6 suspension in bar 9 and the hemiola before the perfect cadence in bar 28. Corelli also uses an inverted tonic pedal in bar 15 to create a sense of strength and anticipation before the start of the B section. “Unity of mood in Baroque is first conveyed by the continuity of rhythm.”3 This quote shows the importance of rhythm in the Baroque era, particularly lively, driving

When the order of society determines everything, a decision to become greater, will lead one to neglect their true values. In the novel Great Expectations, Charles Dickens introduces the reader to Pip. Set during the Victorian era, Dickens brings forward all the influences, good and bad, of Pips life. Professor John Bowen states “Like many Victorians, Dickens himself was fascinated by the idea that you could make yourself anew” (Bowen 2). Dickens incorporates events of his own life to help the reader understand Pips society and childhood as he learns the true meaning of life when his unexpectedly changes.

As I am walking back from the beach, I start to think about the lovely time I just spent painting a beautiful scene. However, I am always improving, but my paintings do not pay the bills. All I can think about is the man that Karen and Gabe are setting me up with. Oh, what was his name, Tom, that’s right Tom. I hope he does not mind that I am dressed in navy blue baggy pants, and a grey tank top with a blue plaid shirt over it, plus my lovely green fish-heads, because this make for one fabulous outfit. Nevertheless, it is an odd choice for clothing, but it is the artistic way. Maybe I should run up to the bathroom and freshen up a bit before I meet Tom, plus my hair is a sandy mess and I smell like a sweaty beach bum. However, that is the price an artist is willing to pay to make her piece known to the world.