Never have I ever attended a performance like this without my parents dragging me against my will. The only other time I have ever attended a concert of this nature is when my parents force my sister and I to go to the local opera house every year on Memorial Day to honor our troops and watch a couple boy scouts earn the title of eagle scout. Honestly, because I have only been to these types of concerts against my will, I did not know what to expect. I was extremely stressed out about what was appropriate to wear and how early I should show up, without my mother’s time schedule, I was more than just figuratively lost. I did not pick this concert because I was interested, I simply picked a concert that I could attend without any conflicts to my class and practice schedules and went for it. …show more content…
The piece was extremely loud and before I looked at the program I was not sure if the trumpet ensemble was in fact the first piece or just simple entry music. Not to sound ignorant or anything, but I did not understand why they played behind the crowd; I thought it was kind of cool and different, but everyone had to turn around to see them and I found that a little odd. This piece sounded like a typical fanfare with multiple sharp notes, good end cadences, and a duple meter. I personally thought the song was very fast, but other than that it was satisfactory, the piece is not my new favorite thing, but the piece did not make me regret my decision on showing up
Overall I actually enjoyed the piece more than I thought I would. It had a nice tempo that allowed listeners to be engaged and even when the volume dropped the violins played a softer texture as if they were inviting you to listen closer and pay more attention. Generally, the theme was also joyful which I took notice of and enjoyed. Lastly, I didn’t notice any musical mistakes, and thought the piece was well played.
At the very beginning of the piece, it was a little bit shaky as the brass was a little bit too loud over the winds. The alto solo at measure 5 was played over the band though and that set a good tone for the piece. At measure 13, there was a good blend between trumpets, trombones, and flutes. At measure 31, the clarinets and alto saxophones did a good job carrying the melody. At measure 51 the band did a good job of letting the trumpets play the melody in the piece. At measure 59, the trombones were the clear melody and they played at an appropriate dynamic marking. At measure 67, backgrounds were overplaying a bit and the nice flute melody was covered. The trumpets did a good job of controlling the melody at measure 73. At measure 101, the band did a good job of contrasting the flute melody because the other sections of the band came in quietly. The alto saxophone and clarinet melody at measure 120 was played above the rest of the band, but if could have been a little bit louder. From measures 128 to 140, it was hard to distinguish a certain melody. The trombone melody at measure 148 could have been cleaner and louder as it was hard to listen to in the recording. The rest of the piece had a good melody, though as it was mainly carried by trumpets and winds. Overall, the band blending could have been a little bit better, but it still sounded
This piece has a different theme than the other songs that I am reviewing today. Built to give thanks for the Russian victory over the French in 1812, the “1812 Overture” gives off a very strong and heroic feeling. The “1812 Overture” was introduced with a forte entrance with the help from the brassier, deeper instruments like the trumpets and trombones. The tempo of the song juggled back and forth between slow and fast paces to set the theme of the song. The “1812 Overture” started more at a homophonic texture followed by some imitative polyphony when the flutes were introduced. The flutes accented the song with their mesmerizing high pitch tones creating the audience to picture a scene where bells were ringing. The accompaniment of the flutes with the brassier instruments really intrigued the audience and left them wanting to hear
Before the concert began, the atmosphere felt causal and comforting. The non-ticketed nature of the concert seemed to create a diversity within the audience. There appeared to no unreasonable dress code policy and the ages of the audience ranged from infants to elderly adults. Something I took note of was that the instruments that made up the ensemble were all wind instruments, except for the string bassist and pianist. I had never attended a performance primarily consisting of wind instruments, so I was curious to hear whether the themes of the pieces were going to be betrayed similarly to string instruments.
I think that the performer’s ability was appropriate for their location and for their audience because the tone quality of the musicians sounded very rich and clean. When I listened to the performance, I was able to hear all of the different parts of the piece clearly, which has made me much more conscious of the balance and dynamics of each phrase when I play. The texture of the pieces played was very rich and full because an orchestral piece is designed to have a good balance of instruments and good range of frequencies of sound that has lots of different things happening at the same time.
I feel that the fourteen members of chamber orchestra and the two vocalists did an outstanding job. This piece was well put together. I loved the harmony that was brought forth between the orchestra and the vocalists. The two vocalists a tenor known as Paul Groves and a soprano known as Anna Larson, did a beautiful job staying in tune. The way that their voices went back and forth in harmony was just beautiful.
MUS 110CL Concert Critique Guidelines and Rubric After either attending a live concert or watching a full length concert online, write a critique of the performance following the format below. Here are a few examples of full length concerts you can find online (by conducting a web search using the criteria below) that could be used for this assignment: Coldplay Live In Boston 2012 (Full Concert DVD) Sting: If on a winters night-Live from Durham Cathedral 2009 (watch all 14 songs on concert) Eric Clapton, Jeff Beck, Jimmy Page, Ron Wood, Bill Wyman, Jan Hammer, Charlie Duke Ellington The Great Paris Concert Richard Galliano/Winton Marsalis - Billie Holiday meets Edith PIAF Wynton Marsalis and the Lincoln Jazz Center
They took me to several of these concerts when I was very young. One of my most memorable experiences was at a Patti Smith concert when I was 2 years old where I pumped my fist at a song that I did not understand. These days, my family has settled down to focus more on me and my brother’s future, but every few months there is a special occasion where we would go see something new and refreshing. As a Bender, I absorbed a great deal of knowledge as well as a unique musical taste. I knew I wanted to become a part of music by learning how to play a musical instrument.
The event was at the Potter center at Jackson College. My first time ever going to a live show here at my own college. The auditorium was huge and the stage was bright of lights. At first it was cold and quiet but soon as the show began. The room was lighted up with music and not only the actors dancing but the audience as well. It was like a movie theater but bigger. The audience was live as well. It was not as dull as I expected. I felt like I was at a concert, but I was being entertained even more. Being able to see the actors’ natural reaction and hearing their voices while I watch them sing and dance right in front of me was even more fun and exciting than watching it on television. It felt like I was there. Like I was one of the students at that school. Being there watching them live, you could not help but feel intact. It made me
My mom and I go to concerts, it always ends up being a huge bonding experience. She had bought tickets for Skillet in Regina so on our way we were listening to all their albums. We had to stop for gas once we got into town and when mom went inside to pay this song came on. I had really liked it at the start so I had been listening to the lyrics really close; by the time mom got back the song had ended. Flash forward to the Encore of the concert, this song started playing. I was having a great time singing along to my new favorite song and mom looked over at me, shocked because she had never heard this song before. In conclusion the reason I like this song so much is because whenever I listen to it I remember this concert with mom. Also the lyrics just really hit home, they tell a story I want to listen to. What I didn't know walking into this concert was that Skillet is a Christian rock band. I'm sure they intended this song to mean God is here for us, and he knows who we are, we don't have to pretend or hide, but I took it a different way. I think of it as a couple having broken up and one person thinks really highly of their ex. They still feel like this person is their world, they hold the stars up, and calm the raging seas. Since they can do impossible tasks like this they believe if they wanted to this person could help them hold their heart in place, and calm the storm within them. I just think that this song could be really poetic.
It was performed by the CSU Graduate Brass Quintet, consisting of Nikolas Valinsky, Matthew Chanlynn, Emelie Pfaff, William Gamache, and Heather Ewer. While Valinsky and Chanlynn played the trumpet, Pfaff played the horn, Gamache the trombone and Ewer tuba. This quartet accomplished a wonderful work by the different melodies, pitches and dynamics. While the tuba was heard more in the background due to its low pitch, the most significant instruments were the trumpets. Not only did they provide the highest pitch but it was also heard as the main instrument because of their rhythm. Together, this group of brass instruments created a dense rhythm by providing the audience with several layers of music on top of each-other. Altogether, I enjoyed this piece the most. It made me feel happy, excited and joyful.
I enjoyed this concert. Not only it’s my first time went to a classical music concert, but also the music of this concert that the musicians played were very well. When the movement was change my mood was different. I think it’s totally different feel if you attending a live concert or just watch at home. The atmosphere I was realy enjoyed in that time at the
The overall concert offered a wide verity of choir song, from classical pieces composed by Mozart to musical show tunes. The combination of which resulted in an overall enjoyable experience. The concert was not the first choir concert I had ever attended so I went in expecting it to be similar to the high school choir performances I have seen before. I was not expecting the scale of the concert to be so large. Instead of being one choir and an hour-long program there were four groups along with a much longer program. Each of the choir groups had a different dynamic, sound and feel to it. The differences made it interesting.
The first half of the concert was only instrumental. There were two violins, two violas, and two cellos. They sat on stage with the violins one my right, then the violas in the middle, and the cellos on the end. The violins played a few songs solo. The second half of the concert was only the choir and a piano. Their performance started with the song Daybreak. The song Daybreak also had a few girls playing percussion, one of them had a tambourine. Using SHMRG, the Harmony of most of the choirs songs were very homophonic. The Melody of most of the songs were mainly slow, though a couple songs were very fast, and upbeat.
On Wednesday July, 8 I attended a concert at the Mimoda Studio located in Los Angeles the concert started at eight o’clock. On that day there was a group of four Instrumentalists performing a cello concert. The performances consisted of acts of big composers such as David popper the cellist also Alexander Konstantinovich ,it last about an hour. The show did not include programs so I will have to go off my notes some of the pieces that were played for David popper were Serade, Ballet scene, Gavotte, and La Chanson villageoise. The pieces played from Alexander Konstantinovich were impatient, land of heroes. There were also some Armenian chants played from the medival times, that were either composed by Sahakdukht orkhosrovidukht.