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Concert Analysis: A Concert Featuring Lola Astanova and Gerard Schwarz

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In this concert, featuring Lola Astanova and Gerard Schwarz, complex understanding of the music was shown. The first piece, ‘the Tsar’s Bride’ by Nicolai Rimsky-Korsakov, was a historically influenced opera talking about the tsar’s third wife dying almost immediately after her wedding in fifteen-seventy one. The opera was more dramatic than others Rimsky-Korsakov wrote because the main character, the tsar, never sang. He is only known through the orchestra’s music. The opera first premiered in Moscow on November 3, 1899. The West Virginia Symphony Orchestra played it extremely well. They started out soft, and suddenly got louder, making mini-climaxes. This happened throughout the entire piece, until they reached the second theme-it …show more content…

They eventually get their happy ever after. There is a violin soloist in this piece which represents the sweet voice of Scheherazade.
Scheherazade starts out with the story of Sinbad’s ship. It starts out strongly with the brass section only. Then the string section joins in. The woodwinds play a different tune when they join though. The solo violinist (concertmaster) is the only one playing for a while. The rest of the orchestra joins in with the concertmaster. Amelia Chan displays lots of coloring when playing her solo. She gets actively involved with the music, moving about like a true concertmaster. In the third piece, the melody is passed off to different parts of the symphony. The solo clarinetist gets the melody while everyone else accompanies him. For the finale, the concertmaster once again has a solo, but a clarinet accompanies her. She sustains the same note for about a minute or so, and then slowly dies away.
Lola Astanova was born in the former Soviet Union. At the age of six, she began playing the piano under the tutelage of several professors at the Moscow Conservatory. With a distinct visual flair, she has caught the eye of many. She is what we call a modern virtuoso, and proved herself at her Carnegie Hall debut hosted by Julie Andrews. Here in the Clay Center for the Arts and Sciences, she played Rachmaninoff’s Concerto No. 2 in C minor, Op.18.
It starts out softly with a strong bass accompaniment

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