Have you ever wondered why people or characters change? In scary stories these changes are very noticeable. In the sixth grade, it was Halloween night. As a group me and my friends were walking through a “haunted house,” as we walked through we all saw a small child just standing in the middle of the hallway. When it turned around it was apparent that this was no “child,” it had bloody face and we all ran away. The reason it was actually scary is because we all thought it was a normal kid but when I turned around it transformed from a normal kid to a scary, and bloody kid.
All though transformation is mostly looked at as bad, in “Frankenstein” Victor’s mom was happy, but when she found Elizabeth she became a happy and loving mother for both of them. Even though “Frankenstein” is thought of as a scary book some characters transformed into something better. Victor went from being a normal child and when he saw the tree get electrocuted he transformed into a kid interested in science. Although those are good changes some changes were bad. When Victor became so vengeful that he let the “monster” kill his entire family. In stories meant to scare us transformation is almost always to scare us.
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These transformations are meant to scare us. The man that came to visit Usher became mentally unstable, same as Usher. The house also starts to change, and the weather. While the narrator and Usher are in the house the weather outside because extremely windy, showing something wrong was going to happen. In the end the narrator runs from the house at the house implodes and get swallowed by the lake. The changes in the story gives it an odd felling to the story and makes it much “scarier” then a normal, happy visit in the countryside would make
I can compare Frankenstein to the movie I saw by Tim Burton, Frankenweenie. They are similar but instead of a human body, it was a dog and the mad scientist was a young boy named Victor Frankenstein. The young Victor Frankenstein brings his dog back to life after being hit by a car for a science fair project while the real Victor Frankenstein wanted to create a real life human. Just like the real Frankenstein monster, the dog brings trouble. In the book, the mad scientist, denies the monster but in Frankenweenie, the young boy convinces his family and friends to like his creation. Some of his classmates had known the young Victor Frankenstein creation and was intrigued to do the same experiment like his but it went out of the standards of
The once admirable and loving tone Victor once had for his creation quickly changes to becoming mortified as his dreams has turned into a living nightmare. Instead of seeing the creature he fell in love with at first he now sees a hideous monster. The creature scared Victor to the extent that he “escaped and rushed downstairs” as he escapes to the courtyard to hide from the creature. Victor took every precaution, “ catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life”. The creature had become so frightening to the point that it had become a disgrace to Victor’s eye.
Out of many things that can scare us, the transformation of a person or environment can truly terrify us. Transformation can be erratic and random, so one cannot expect what would happen next and does not allow us to gain control over it. This truly frightens us. As a little girl watching Ratatouille, I was very scared. Before, I thought that it was the rat that scared me, but I now realize that the abrupt changes in the setting was what actually scared me. For example Remy, the main character, starts off on a roof top, then inside a house, then down a sewage “river” in the first few minutes of the movie. To add on, the scenes changed very quickly not giving me a chance to get used to the environment. It unnerved me that I could not expect what would happen next. Transformation in character and setting can instigate fear in with their erratic nature and can develop an uncertainty of what will happen next. There are many examples in literature where a character or setting goes through a transformation that establishes a sense of fear in the audience. Some examples of transformation creating fear can be seen in “The Fall of the House of Usher” and “Where is Here?” with changes in the characters and abnormal changes of the houses. “The Feather Pillow” also features how transformation can induce fear when Alicia’s health worsens as the monster inside her pillow grows.
The "monster becomes a round character with feelings and emotions as opposed to the beginning of his existence in which he was nothing but a mere image of wretchedness created by Victor. The "monster" develops slowly into a "human" form to show that sometimes appearances fail to show character. As the story progresses Victor Frankenstein begins to lose his
On the other hands, these stages in helping and encouraging a kid are important for them to able to become an adult. But once again, Frankenstein never displays how a father would act. Yet, Victor only showed sign of terror by the repulsive exterior of the creature. No parent should draw final conclusion on whether if the child will become evil or good; its final judgment will be upon how they act toward the others. Just by looking at their communication and action, it can tell a lot of who they are as a person and how the parents has influence their belief.
In "Fall of the House of Usher," by Edgar Allen Poe, transformation plays a role as the narrator's mind changes and slowly becomes insane. First off, the gloomy atmosphere of the story causes the narrator to start having strange thoughts. For example, the house looked vacant and decayed which gave the narrator, as well as the reader, a sinking feeling. This begins to tempt the narrator into thinking with a depressed mindset. Next, Roderick Usher, the narrator's close friend, starts to infect the narrator with his own mental illness. The narrator states, "It was no wonder that his condition terrified – that it infected me" (Poe, 24). This quote shows that Usher's ludicrous behavior had a
Transformation plays a role in stories meant to scare us by playing with our imagination safety and mood of a story. Imagination appears in both Edgar Allan Poe’s, gothic fiction story “The Fall of the House of Usher,” by Usher’s isolated environment and in Joyce Carol Oates gothic literature story “Where is Here?,” by foreseeing who people are. Transformation also plays a role by it assists knowing our own selves are safe in a scary situation. This is shown in, “ Why do Some Brains Enjoy Fear?,” by Allegra Ringo and in “ House Taken Over,” by Julio Cortazar. Transformation plays with our imagination and our safety it also plays a role in the mood and setting. This appears in , “The Fall of the House of Usher,” and “The Dream Collector,”
First, in “The Fall of the House of Usher” the author uses the transformation of Roderick Usher to create an
For the better or for the worse, for the dull or for the sharp, there were moments in the Frankenstein book that were different from the events in the movie. There could many different explanations for this but the one that feels to be most prevalent is how the scene fits. Some scenes look better when seen with eyes then just reading and visa versa. There were little differences but in this I will be highlighting the more important differences in the story.
Victor Frankenstein is motivated by his mother’s death to create this creature. After she passed away, Victor was left in denial of her permanent absence. He notes, “It is so long before the mind can persuade itself that she, whom we saw everyday, and whose very existence appeared a part of our own, can have departed forever…” (Shelley 45). As a distraction, Victor becomes enthralled with the idea of giving life to dead humans. He tells the reader how “It was on a dreary night of November, that I beheld the accomplishment of my toils” (Shelley 58). As he realizes his mistake, Victor begins to feel horror and disgust towards this being, whom he essentially created to replace his mother. The being does not impress him any longer or provide an
The novel Frankenstein was written by Mary Shelley in 1818. This gothic romance novel tells the story of a philosopher who discovered how to create life, without the full knowledge that his actions could cause grave consequences. Universal Studios made the film version of this novel in 1931. Unfortunately, the film version of Frankenstein has more differences than similarities to the novel. In the novel, Victor’s mental obsession seems to be more severe than in the film. The character of Victor Frankenstein was portrayed in both the novel and the film as a veriphobe, or one who is afraid of the truth, in this case, the truth of his actions. He
Topic: Mary Shelley has Victor Frankenstein create a living being, who then becomes a murderer. Who or what is responsible for the wretch’s behavior? Is Shelley casting blame on a society that refuses to accept the wretch? Does she hold Victor responsible for his negligence as a “parent” (both father and mother) or is the wretch himself responsible for the chaos he creates?
Frankenstein , by Mary Shelley, is a novel that tells the story of a man's scientific endeavors and how through his knowledge bestows life into a lifeless matter which comes to be feared and hated by all. The Tyger, by William Blake, is a poem composed of a series of questions about a tiger that depicts the issues of creation, innocence and experience, and ultimately good and evil . Both pieces of literature describe misunderstood creatures who struggle to define themselves as solely good or evil which then leads to the questioning of their very existence.
Mary Shelley’s Frankenstein portrays one of the darkest, most hopeless situations that could possibly occur due to the monstrous deeds performed by the main characters in the novel. When one thinks of Frankenstein, they generally think of Victor’s creation as being a monster, and the cause of the unfortunate events that occur in the novel. While Victor’s creation is indeed a monster, Victor is equally as monstrous in his actions. While both characters are initially innocent, they are being constantly corrupted throughout the story. Both Victor and his creation become monsters through their actions.
The monster believed that Victor would accept him, but after he realized that not only did Victor not want to assume his position in the monster’s life, but society also rejected him, it became a transitory thought, and instead became replaced with his bloodthirst towards Victor and his loved ones, which he knew would hurt way worse than just killing him; making him lonely like himself. Both Victor and the monster partook in horrid acts, in which held horrendous actions; the main one being Victor creating the monster in the first place which in result caused the both of them heartbreak, loneliness, and pain. If Victor wouldn’t have created the monster, then his life would not be filled with so much grief and emptiness; Victor is the true monster, although they are both the primal protagonists as much as they are the antagonists because of the display of the emotions they both portray as lamenting humans/monsters, and the power they give to nature in order to destroy one another. Victor used nature to his advantage, although it was wrong; Victor used nature to create and destroy the monster; he used the