The Color Purple documents Celie’s war between independence and identity. As a teenager, Celie is married to Albert and though her relationship with him is one of abuse, she thinks of herself as his wife. Then, after staring at her picture for months, Celie finally meets Shug, and from then on she is predominantly her lover and friend. While these relationships help Celie mature and learn about herself, she is also limited by them. Celie, particularly because of her subjugation at the hands of black men and white society, longs for independence. Although, the often codependent nature of her relationships with others complicates her pursuit for her own liberty. On one hand, they provide her with the life experience necessary for growth and personal …show more content…
Shug, sexy and bold, is the beginning and end of Celie’s sexuality. She is the purple that defines what purple looks like. However, Celie experiences subjugation under the influence of Shug just as she did with Albert. Though Celie’s inferiority to Shug stems from her understandably obsessive love for her savior and her slavery to Albert stems from fear, both effectively prevent Celie from her identity and independence. Shug’s generosity builds a tremendous intimacy between her and Celie, but also breeds debt. This debt, regardless of whether or not it is acknowledged by either, demotes Celie from any honestly equal standing she may have had in their relationship. Perhaps the greatest of all of Shug’s favors, and thus the greatest of all of Celie’s debts, is her encouragement to read Nettie’s letters. It is understood from early in the novel that Celie and Nettie’s sisterhood is an unbreakable bond which will remain in their hearts for their whole lives. In a way, they are soulmates. Their absence is like a small death for the both of them. In persuading Celie to read Nettie’s letters, Shug gives Celie the gift of her sister. She is Celie’s much needed example of bravery, determination, and justice. However, as much as Shug raises her, she tears her down. Shug is one of the only people Celie has ever allowed herself to be truly vulnerable around, and the news of Shug’s affair
Shug helps Celie with self-identification. A bondage that Celie faces is the discovery of Nettie’s letters that Albert has hidden from her. She has regained bondage with her sister whom she thought was no longer alive. She bonded with Shug to find the letters and with the help of Shug she was advised not to kill Albert even though it was tough for Celie to accept this for the love
Celie, the narrator of The Color Purple, is an uneducated, submissive, 14-year old black girl who lives in Georgia. Celie is constantly being abused and raped by her father, Alphonso. He has already impregnated Celie twice. The first one was a girl while the second one was a boy. All her children were taken away by her father after they were born. Her father told her that she better not tell anybody about their relationship but God, which explains why every letter she write begins with “Dear God”. Celie’s mother is happy because Alphonso doesn’t bother her anymore, but the truth is that Alphonso has been raping Celie as a substitute for her mother to gratify his sexual needs. Celie’s mother becomes seriously sick and eventually dies. Alphonso brings home another woman but continues to sexually
Later on being sold to Mr. she still let herself be pushed around without any complaint as though she just figured out it’s the way her life is going to be. With Mr’s. children disobeying her command she feels she can never be as welcomed as his wife and she is simply his rag doll being ready to use her to please his needs. If only Celie defended herself against the brutal beatings and the harassments from her father and Mr. she would have a considerate outcoming. As said in the story Shug was that person to not let men go at her without a fight as well as Sofia.
As Nettie receives opportunities Celie could never fathom, their relationship comes to a halt. Celie stops receiving letters from her sister and is left to take care of her husband’s obnoxious children from a previous marriage, and is verbally/physically abused on a daily basis by both her husband and his children. Celie’s husband has a torrent affair with Shug Avery, a blues singer with a practical mentality who does not endure any mistreatment from anyone, regardless of their gender. When Shug Avery falls into Celie’s care, Shug Avery teaches Celie a thing or two about self-confidence and the strength she must find within herself to stand up to her husband. Towards the end of the novel, Shug Avery encourages Celie to leave her husband and move with her to Memphis, where she can escape the pain of her past and for once in her life be happy.
“And she just about the color of a eggplant.” (87) Finally, Celie lives her life bitterly and does not notice or appreciate anything around her. Shug tells her, “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” (p. 178) Shug feels that God created beauty in the world to make humans happy. She feels that it is important that people take the time to acknowledge everything around them. From this, Celie realizes that Shug has enlightened her. She admits that she does not appreciate the world she lives in. This changes the way Celie perceives her existence. She begins to have a more positive outlook on life, despite the hardship she experiences. Celie herself can also be compared to the color purple. She has lived her life unnoticed. Once she realizes this, Celie creates an identity for herself and is finally noticed amongst her community. Another important symbol in this novel is pants. Once Celie is liberated from her marriage, she starts a pant-making business. The pants represent independence, which again is a concept that relates to the theme of the novel. Celie can finally provide for herself. In her “previous life”, Celie’s only role in society was to bear children and keep house. The pants also symbolize a change in Celie’s relationship with men. Before, the idea that men and women had anything at all in common was completely daft.
However, the pair forms a nurturing relationship in which they take care of one another. These days Shug is all about love, and touch and feeling. As Shug says of her love of cuddling, "I love to hug, period, she say. Don't need nothing else right now" (Walker 152). Celie learns from Shug how to care about people once more, including caring for herself. Celie begins this journey to independence and love of self and others through her relationship with Shug. At one point she and Shug have physical relations, but it is Walker's purpose to show this as a means of providing each other comfort, nurturing, and humanity - not as a display of homosexuality. The entire episode is treated in the novel as a nurturing act, akin to a mother compassionate mother nursing her needy child, "Then I feels something real soft and wet on my breast, feel like one of my little lost babies mouth. Way after a while, I act like a little lost baby too" (Walker 118). We can see in
Characters throughout Alice Walker’s The Color Purple can be evaluated and analyzed using Maslow’s Hierarchy of Needs, a five-stage model consisting of fundamental needs and growth needs. His theory states that the basic, lower tiered needs have to be met before the growth, higher tiered needs can be met, to ultimately reach the top tier, self-actualization. In The Color Purple, Walker shows the eventual progress to self-actualization through the protagonist, Celie. Celie’s growth is shown through her letters to both God and her sister Nettie. Celie fulfills her basic physiological needs when she gets married to Mr._ because she is finally able to escape her father’s abuse, beatings, and rape. It takes a while, but Celie gains safety and security when Shug Avery tells her, “I won’t leave… until I know Albert won’t even think about beating you” (Walker 76). The relationship that Celie forms with Shug helps Celie satisfy her belonging and intimacy needs. Their love for each other can be shown when Shug states, “cause she [Nettie] the only one you ever love… sides me” (120). As Celie begins her life in Memphis, she meets the respect/self-respect needs when she opens her own business making and selling pants. Celie feels so pleased and shows her character development when she says, “I got love, I got work, I got money, friends, and time” (218). Celie finally reaches self-actualization by the end of the novel. She has a successful business, is able to be independent in her own house, and realizes that she can bring herself happiness and that through every situation she needs to see the bright side. This is evidently shown when Celie is talking to Mr._ and says, “If she [Shug] come, I be happy. If she don’t I be content” (288). Celie’s evolution to reach self-actualization is clearly displayed in The Color Purple as Celie faces and overcomes hardships and learns to be confident in herself.
Celie's transformation from Mr. ____'s slave into an independent women is successful thanks to two strong women that become role models for Celie in her everyday life; Shug Avery and Sofia. Sofia is a role model in a more unconscious way for Celie then Shug is. Sofia's whole appearance and behaviour is proud, she lets no one sit on her and Celie is, at first, jealous of Sofia's self-confidence and tries to destroy it by giving her husband Harpo the advice to beat her to make her obedient; "I think about this when Harpo ast me what he ought to do to make her mind. [---] I think bout how every time I jump when Mr. _____ call me, she [Sofia] look surprise. And like she pity me. Beat her. I say"2. When this does not work, Celie realises that Sofia is someone to become more alike, not someone to destroy.
They believe that since she is a woman, she is not intelligent or worthy of respect. An example demonstrating her stepfathers inequality towards women is when he believes that Celie is incapable of learning; therefore deciding to pull her out of school. However, Shug Avery gives Celie the love and attention she deserves, unlike these men. Although unconventional, Shug acknowledges Celie’s presence and see’s in Celie what no one does; a beautiful, intellectual and independent woman. The color purple was chosen by Alice Walker in order to demonstrate Celie's struggle with men and also represents Celie's appreciation towards herself.
Shug is a woman who does whatever she wants whenever she wants. She is a free spirit but she does have values and is a major contributor in the transformation of Celie. Shug enjoys her life and tries to spread the happiness to those around her. She is aware of her own physical beauty and uses it to control men. For women like Celie, it isn't that easy. Celie's father tells Albert, 'She ugly. She ain't smart either.'; (9). This is where Celie develops her low self esteem. Shug tries to make Celie realize that she is a beautiful person by getting to know her and loving her.
Within The Color Purple by Alice Walker, women are treated as inferior to men therefore they must obey them. Through the strength and wisdoms Celie gains from other women, she learns to overcome her oppression and realize her self worth as a woman. The women she has met throughout her life, and the woman she protected since young, are the people that helped her become a strong independent woman. Sofia and Shug were there for Celie when she needed someone to look up to and depend on. Nettie was able to push Celie to become a more educated, independent person. The main source of conflict in this book is Celie’s struggle with becoming an independent woman who needs not to rely on a man. Throughout the book we see her grow as a person and
Though The Color Purple is a historical novel, it never refers to any factual events. Because of this, we presumably follow Celie through thirty or forty years of her life, from the age of fourteen up until her hair is gray. The setting of the novel is primarily rural Georgia in the early twentieth century. As a poor black woman in the rural south, Celie’s bad treatment is largely ignored which was the norm in this time period. Celie leaves Georgia to live in Memphis with Shug. There, Celie lives a life of luxury and empowerment. Living a poor, downtrodden life in the South, Celie had never stopped to consider her African heritage until Nettie sends
The Color Purple is the story of Celie’s life, starting from her adolescent years. At a very young and fragile age, Celie was deprived of her dignity as a woman, through the assault by her stepfather, the treatment she endured from her husband, and the disappearance of the one human she adored, her sister Nettie. As her days passed by with more worry and strife, Celie lost faith in love and resented all signs of a kind and honorable God. Shug Avery arrived in this small town to rekindle with her
Shug Avery is someone Celie admired from a young age. Shug’s exuberance and charm with people are qualities Celie never dreamed of having herself until Shug walks into her life and Celie does more with her life by actually overcoming the abuse and becomes someone more. “I ast her to give me the picture. An all night long I stare at it. An now when I dream, I dream of Shug Avery.” (Walker 7). Shug comes into Celie’s life as her husband’s mistress who was very ill but not lacking in character. She treats Celie with disrespect at first, but after living with her for some time and being nursed back to health by her Shug gains a respect for her. She teaches Celie how to speak for herself and to defend herself against Mr. Shug is the one who helps Celie escape by taking her on her tour where Celie learns how to expertly sew pants. This is another major step towards independence because Celie is no longer financially dependent on anyone but herself because she creates a successful business by making pants. Upon her return to her home, she inherits her father’s home thereby completely separating her from the men who held control over her. She can now receive her sister’s letters and make her own money. The people who love her surround her and her personality develops unhindered by abuse. Celie’s idol came through to set her free and now idolizes her to an extent.
Shug constantly threw diatribes at Celie. Celie endured Shug’s attacks, too stunned by her infatuation with Shug, to care. Mr.____ is Shug’s sycophant which entices jealousy in Celie. Celie starts to think self-deprecating thoughts because she is not as beautiful as Shug or as wanted by Mr.____. Soon after Shug and Celie start to have a sexual relationship. “Us kiss and kiss till us can’t hardly kiss no more” (Walker 113). In the 1930’s African Americans weren’t accepted as equals to whites so a lesbian relationship would be even scarcer at that time. With religion still a substantial factor in Celie’s life she had to bend her morals into accepting her new sexuality. Shug opens up many doors for Celie and instills in her that she too is worthy of being loved. “Well, she say, looking me up and down, let’s make you some pants” (Walker 146). These pants are a symbol of Celie’s psyche transformation as she becomes more independent and stands up for herself against her husband. With Shug, Celie overcomes her fear of men and no longer has a submissive-psychological stance when dealing with situations and that is a gift Celie is deserving