Colonialism And Isolation In Jane Eyre

Exile. Isolation. Solitude. Whether literal or not, exile from the familiar, while both traumatic and alienating to experience, can serve to ultimately be enriching. These descriptors summarize Jane Eyre’s isolation in the novel Jane Eyre, by Charlotte Brontë. Her isolation manifests itself as emotional and physical, and Jane’s repeated inability to establish herself in a stable home becomes somewhat of an identifier for her, from her emotional isolation and abuse in her first “home” at Gateshead to her final dwelling at Ferndean.

The novel Jane Eyre is predominantly a bildungsroman, Jane’s development throughout the novel is one of the most important aspects of the narrative. During Jane’s time at Thornfield she makes huge emotional progress through her relationship with Rochester and the discovery of Bertha Mason, eventually resulting in her departure from Thornfield.

Fire is a symbol of emotion in the novel and is involved in deep moments of love and hate. There were various examples of ‘fire’ that develop love and hate in the story. The two most important ‘fires’ in the novel are literal and both committed by Bertha Mason. The first act of arson occurs in Volume 1, Chapter 15 when Bertha sets Rochester’s clothes on fire. “Something creaked: it was a door ajar, and that door was Mr. Rochester’s, and the smoke rushed in a cloud from thence” (148). Out of love, Jane doused her crush in

“Jane Eyre” is a book centred around female duality. In a time when females were still expected to fulfill their “womanly duties,” Charlotte Bronte wrote a novel dealing with a woman’s view on morality & sexuality, passion & sensibility, and conformity & insanity, among other themes. This motif of duality plays a strong part in the dynamism that makes up the book, and is not limited to the themes, but is also used to relate many of the characters to the titular Jane. In “The Mystery at Thornfield,” Valerie Beattie makes claims that the character Bertha Mason’s insanity is a representation of rebellion toward the limitations of Victorian women. Not only is

In the novel, ‘Jane Eyre’ by Charlotte Bronte, setting is used throughout the novel to illustrate the development in the character. The novel is revolved around five separate locations, ; the Reed family's home at Gateshead, the wretched Lowood School, Rochester's manor, Thornfield, the Rivers family's home at Moor House, and Rochester's rural retreat at Ferndean, these settings all play a very important part in Jane’s life as they all represent the development of Jane’s character and the different period’s of her eventful life.

Through a close reading of the selected passage of Charlotte Brontë’s Jane Eyre: An Autobiography, a reader can see that Jane attempts to separate herself from her decisions by personifying her emotions and giving them a specific voice, which strongly reflects the societal views of the time. At this point in the story, Jane has discovered, on her wedding day, that Mr. Rochester is still married to a woman named Bertha, and that woman still lives in his house. Distraught, Jane locks herself in her room and tries to decide what she should do. When she wakes up the next day, she is again confronted with what she needs to do in the wake of her discovery.

Though it is possible that Bertha’s insanity could have been solely caused by genetics and hereditary history, it is a valid argument to say that the empty relationship that she and Rochester shared contributed certain physiological factors to her madness. Furthermore, Jane and Rochester’s relationship drives Jane to feel mad due to their dysfunctional yet loving relationship, and Jane even admits to herself that she feels insane. A reader could also assume that Jane’s insanity could possibly worsen, but maybe not reach the extent of Bertha. Overall, Charlotte Brontë’s portrayal of Bertha as psychotic and Jane the same but to a lesser degree, proves that men can essentially drive women’s complex minds mad when they: one, treated them the way that they think acceptable and appropriate today in the Victorian Era, and two, treat women with disrespect, neglect, or inequality in our current world. Charlotte Brontë not only clandestinely fought for a more equal position of women in Victorian England, but her message also represents the equality and fight against gender related stereotypes that women and protestors battle

Through Mr Rochester, Bronte uses terminology that has racial connotations when referring to Bertha. Mr Rochester “conveyed” Bertha from her home and “safely lodged (her) in that third-story room” . This presents colonial ideologies, as Bertha’s possessions became controlled and possessed by Mr Rochester and she in turn lost her freedom. Bertha’s race contributes to this perception as black people at the time had little rights in society and were unable to have a high status. The comparison between Bertha’s “black and scarlet visage” and Jane being a “dove” shows Mr Rochester’s dislike of Bertha. Doves are typically a symbol of peace and the embodiment of the Holy Spirit, whereas in contrast, “Black and scarlet” are colours associated with evil, demons and witchcraft, all things black people are historically accused of being involved with. This description of Bertha creates unease within the reader. Mr Rochester refuses to speak

One defining characteristic of Charlotte Brontë, Jane Eyre (1847) is that in the passage, Mr. Rochester marginalizes his wife, Bertha and her family. He sees them as insignificant

With an attempt to distinguish between the old and the new, Charlotte Bronte creates the character of Bertha Mason as the exhibition of female repression and desire frequently found in the East. Bertha Rochester is the emblem of Eastern society, one which the British see as static and barbaric, and Jane Eyre is representative of the Western Civilization. In Reaches of Empire, Suvendrini Perera argues that "if the barely human prisoner caged in the Thornfield attic is the truest expression of women's anger and aspiration . . . [it is overlooked] that she is also the racial Other incarnate - a bestial, violent creature with an inordinate sexual appetite, caught in the colonized West Indies and confined 'for her own good' by a master who has appropriated both her body and her wealth" (82). If the reader only sees Bertha as the surrogate of Jane, one neglects to take note of the enriching importance of the text's suppression of Bertha. Charlotte Bronte presents Bertha as a sexually vigorous woman. This can be seen when Rochester indirectly describes

The theme of isolation is explored in Bronte’s novel; Jane Eyre. This theme is also developed in The Wide Sargasso Sea, by Jean Rhys. Both pieces present different types of isolation, such as isolation due to location and the isolation of a character due to their social status, such as Jane’s status as a governess. The various ways in which isolation is present in each of the texts show how inescapable and unavoidable isolation is for the characters in both Jane Eyre and The Wide Sargasso, with it being present in such a large way in their lives.

The powerful male roles, such as Edward Rochester, seen throughout the novel represent Great Britain, while the weaker female roles, such as Bertha Mason, represent the imperialized countries. In chapter 14 of Jane Eyre, Mr. Rochester demonstrates his assertive dominance to Jane when he asks, “Do you agree with me that I have a right to be a little masterful, abrupt, perhaps exacting, sometimes, on the grounds I stated, namely, that I am old enough to be your father, and that I have battled through a varied experience with many men of many nations, and roamed over half the globe” (Brontë 152). Rochester demonstrates the power of Great Britain here by claiming that he has the given right to take control and be the ruling figure just like Great Britain did to weaker countries. Bertha Mason parallels the countries being colonized because she is depicted as weak and someone who needs to be isolated and controlled. In "'Reader, I Buried Him': Apocalypse and Empire in Jane Eyre.", Tracy agrees that “many critics rightly place Bertha at the centre of the novel’s signifying systems, since social, cultural, imperial, and religious concerns are encoded in her relationship with Rochester”. This becomes evident in chapter 26 of Jane Eyre when Rochester is explaining Bertha’s character to Jane. Rochester states that “Bertha Mason is mad; she came of a mad family; - idiots and maniacs through three

The novel in which Jane Eyre stars in can be seen criticizing many aspects of those times such as the role and nature of women, child negligence and social hardships for those in a lesser class. Jane Eyre’s alienation from society allows for a greater reveal of the story’s culture, values, and assumptions. It’s presented through the use of gender, class and character conflicts throughout the story. On multiple occasions, Jane is judged for the presented factors reflecting the type of society Jane lives in and what the times were like at that time.

The novel Jane Eyre by Charlotte Brontë displays a variety of different themes throughout the novel. During the time period in which the novel was published, Great Britain had begun their conquest of Africa and Southeast Asia in a scramble for resources, causing mass death and suffering as a result of the native resistance. Thomas Tracy argues that Jane Eyre is written through a perspective of colonial criticism. Tracy claims that the ending of the novel exemplifies this theme with St. John’s mission to India given as the main example of the colonialist theme being present in Jane Eyre.

In Charlotte Bronte’s Jane Eyre, the character Bertha Mason is a manifestation of the feelings that Jane cannot express, and thus acts as an alter ego. Every time Bertha acts, it is predicated by a strong emotion or what should have been a strong emotion on Jane’s part. In the Victorian Era, women were expected to follow strict rules and isolate themselves from the outside world. In order to be the “angel in the house,” women were expected to obey and not question their fathers and husbands. Societal expectations dictate that Jane cannot show the full extent of her emotions, particularly when Mr. Rochester is involved. As a result, she does not do so, and they come out in the form of Bertha Mason. Throughout the novel, some sort of action by Bertha closely follows Jane’s musings on her frustrations, her discontent, or her anger. When Jane recognizes her emotions, Bertha’s expression is mild. However, Jane fails to recognize fully her emotions in multiple cases and Bertha responds violently. Because Bertha represents emotions that Jane possesses but represses in order to meet societal expectations, Bertha and these emotions must be removed before she can marry Mr. Rochester. Therefore, Bertha is a key character because she represents an important aspect of Jane and prevents Jane from fulfilling societal expectations.