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Classic Pattern Of Courtly Love

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When analyzing The Tragedy of Romeo and Juliet by William Shakespeare, people argue if, in fact, the lovers follow the classic pattern of courtly love. Leonora Brodwin, on the other hand, argues that Shakespeare composed a spiritual mysticism in the relationship. In Brodwin’s article, The Classic Pattern of Courtly Love Tragedy, she connects the spiritual ideas of Romeo and Juliet's relationship to each monumental crossroad the characters arrive at in the play. She asserts that Romeo’s relationship with Rosaline follows the attributes of a courtly love romance more than his divine relationship with Juliet. The Tragedy of Romeo and Juliet surpasses the common courtly love pattern as seen through the religious imagery used when Romeo and Juliet …show more content…

The writer directed the scene so that Romeo is looking up at Juliet, to add to her saint-like qualities and that she is closer to the Heavens. Romeo continues the spirituality of the play by calling the time he shared with Juliet a “blessed, blessed night!” (2.2.139) unlike the anguish, courtly love would require the two lovers to have on the first night they meet. In the famous monologue made by Juliet about Romeo being a Montague, Romeo later answers, “Call me but love, and I’ll be new baptiz’d;” (2.2.50). Through the religious act of baptism, which can welcome Romeo as a new person and not a Montague, Romeo and Juliet can be as one. The final outcome of The Tragedy of Romeo and Juliet is also influenced by a type of spiritual aura. When Romeo refers to Juliet as “the sun” (2.2.4) and a “bright angel” (2.2.26) in the (2.2.4) and of the darkness of night, the religious metaphors continue from when they first meet. Brodwin connects the spiritual mysticism and the ending of the play by asserting that when Romeo “...love[s] [an] object beyond the mortal condition- [it] must untimely be made by way of death.” Both Romeo and Juliet idolize each other as spiritual beings. Romeo as heavenly “stars” (3.2.22) and Juliet as a “bright angel”(2.2.26). The young couple does not suffer in professing their love to one another alone, nor do they disrupt their sacred …show more content…

If the romance was following the protocols of courtly love, their death would be the main cause of their emotional suffering. The lovers welcome their ultimate destiny, as death is the only way the two can be together apart from their feuding families (Brodwin). One main idea of the play is in the way Romeo and Juliet’s fate presents itself as predetermined, similar to the religious belief of predestination. As Romeo meets Juliet she becomes “the means which permits Romeo to confront his fate [death] as a man with joy” (Brodwin). In the final act of the play, Romeo and Juliet convert the tragedy of their death, which would be the agony of courtly love, into intimacy and desire for “the infinite peace they could find only in death” (Brodwin). At the end of The Tragedy of Romeo and Juliet, the two lovers die in the name of “...the martyrdom of the gloriously ‘faithful’ (5.3.302)” (Brodwin) to one another. As a result of all the sins the Montagues and the Capulets have committed throughout their insufferable feud, the death of Romeo and Juliet are “Poor sacrifices of [their] enmity” (5.3.304). This once more expresses how prominent religion is in this tragic love

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