The biggest characterization seen in the short story, Cathedral, is the main character's ability to change. Our text states that “Characters should possess the ability to change, and the reader should see this potential. Change is particularly important for a story’s main character.” (42) In Cathedral the main character starts out completely dismissive in his thoughts of Robert, the blind friend of his wife. As his wife begs him to be kind to her friend, he says, “I don’t have any blind friends.” (273) Most of the dismissiveness we see within the main character is his lack of understanding of the relationship his wife can share with this “blind man.” This changes towards the end of the story as he spends one on one time with Robert while his
He makes this clear in the opening paragraph of the story where he says “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1). The narrator dismisses Robert in the same manner a white racist may dismiss an African-American. His prejudice, or any prejudice, is preconceived based on superficial qualities rather than actual experience or reason. It is evident the narrator can’t see beyond Robert’s disability and is judging Robert because of a characteristic that makes him uncomfortable. This unconscious placement of Robert into an atypical category prevents him from seeing Robert as an individual. The narrator does not see Robert as a whole person, but solely as a blind man. Part of what makes the narrator emotionally blind is this
Throughout the middle of the story, the narrator is discriminatory towards blind people but suddenly feels the need to make Robert feel comfortable just because it will please his wife. The narrator and his wife were in the kitchen talking, and then the wife says “If you love me, you can do this for me. If you don’t love me, okay. But if you have a friend, any friend, and the friend came to visit, I’d make him feel comfortable” (116). To show that her husband is still prejudice towards blind people, he replies and says “I don’t have any blind friends” (116) which gets his wife upset because Robert is her friend. When the narrator says that he does not have any
In Raymond Carver’s “Cathedral”, the short story is told by a character within the story. The first-person point of view gives us a transparent visual of an important time in the narrators’ life. The narrator, who is “un-named” in the beginning of the story, uses blunt, flawless and a particular choice of words. This gives us as the reader a deeper connection with the narrator. The narrator begins this story by taking us through the changes he go through with the uneasy feeling of having a blind-man coming to his house to visit.
He is always focused on his wife, and even though it is not his ideal of a perfect marriage he does seem to love and admire his wife as if it was. He is capable of telling us a lot of details about his wife without ever calling her out or even trying to persuade us to dislike her. His love for her makes it possible for the narrator to get past his dislike of Robert, and allow him to stay in his house. Even after all the dislike he shares with us in the very beginning of the story. He comes into the kitchen to talk to his wife, and tries his best to be a nice guy about the topic of the blind guest which is a much different view from earlier. This persuades us to look at the narrator in his wife's perspective, even though we have knowledge that she doesn't about the narrators anxiety over Robert. Another large detail we have over the wife is that the narrator is jealous of Robert and is just using his blindness as a scapegoat. However, even though this extreme case of jealousy is unhealthy for their relationship, the narrator, in his own way, tells his wife he loves her. When his wife tells him "If you love me... you can do this for me. If you don't love me, okay." he does exactly that and tries to make Robert comfortable (Carver 107).
The story opens with the narrator giving a background of his wife and Robert. Immediately, it is easy for the audience to form a negative opinion about the narrator. Within the first paragraph of the story he says, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 33). This exemplifies his pre-formed opinion about Robert even though he hardly knows anything about him. He clearly is uncomfortable with the fact that Robert is blind, mainly based on his lack of exposure to people with disabilities. The narrator is very narrow-minded for most of this story, making it easy to initially dislike him.
In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.
In the beginning of the story the husband seems uncomfortable with having a blind man in his house. For example, he says, “a blind man in my house is not something I look forward to” (185). The husband is uncomfortable with first meeting Robert even though Robert seems fine as we can see in this quote. “the blind man let go of his suitcase and up came his hand. I took it. He squeezed hard, held my hand, and then he let go. I feel like we have already met, he boomed. Likewise, I said. I didn’t know what else to say” (186). The husband is clearly uncomfortable and awkward in the beginning and this leads to some of the mean comments said about Robert.
In the beginning of the story, the husband, who is the narrator of “Cathedral,” seems to be a very ignorant, uncaring man. Nesset wrote “Walled in by his own insecurities and prejudices, this narrator is sadly out of touch with his world and with himself, buffered by drink and pot and by the sad reality, as his wife puts it, that he has no ‘friends’” (Nesset 124). The narrator has no connection to himself or the outside world. He has no friends, as his wife points out, which goes to show he keeps to himself, but he still doesn’t fully understand who “himself” is, because he doesn’t have that connection to himself, thus leading to the drinking and drugs. He wasn’t used to change, so having a visitor come over to his house bothered him. The moment he saw Robert, the narrator began to change. When his wife pulled up with the blind man in the car and they got out of the car, he saw that Robert had a beard and he thought to himself, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 35). The narrator had expected to see the blind man in the way they showed them in the movies, but now that his idea of who Robert was as a person was being challenged, the change started to appear. Robert, who is a static character, is very essential in the change of the narrator. It is because Robert is the way he is, his marrying of a colored woman, his travels around the
And the husband’s vulnerability is shown is shown in his hostility to the blind man, whom he rightly suspects of having a psychologically more intimate relationship with his wife than he, with all his emotional blindnesses, is able to have.
This seems to unsettle the husband, as he notices that his wife has a stronger connection with Robert than they have in their marriage. The husband is blind to his wife’s feelings and needs in their relationship, and this lack of communication between them has affected their marriage. His wife wrote a poem about her experience with the blind man touching her face, and he brushed it off by stating that, “[He] can remember not thinking much about the poem” (33). The blind man however acts as an outlet for the wife to vent about her feelings which forms a close bond between the two. Robert can understand the speaker’s wife in a way that the speaker clearly is not able to. The narrator mentions that he believes Robert’s wife, Beluah, must have led a miserable life because she, “could never see herself as she was seen in the eyes of her loves one. A woman who could never go on day after day and never receive the smallest compliment from her beloved” (34). He believes that the blind man’s wife must have suffered due to his inability to see her, yet the narrator has never even truly seen his own wife. Robert’s friendship with the speaker’s wife is what his own marriage is lacking due to not being able to recognize that his wife needs an emotional connection with him.
As if someone has unlocked his prison cell to liberate him of his stereotypical point of view. The protagonist of Raymond Carver’s “Cathedral” was an individual whose stagnant mind has blind him from truly seeing the aspects and characteristics of people around him. Before meeting his wife’s blind friend whose name is Robert, the protagonist perceives reality with a stereotypical mind-set shaped by misleading information from movies. Hence, he make judgement about other people without ever setting his foot inside their shoes. Robert whose character, in an academic sense acts like a teacher, helps enlighten the protagonist’s mind by through his appearance, and actions. Raymond Carver explores how individuals with stereotypical perspective are metaphorically blind, but he also reassures readers that it is possible for these people to broaden their knowledge when they learn how to be empathetic.
As soon as the story begins, we are told that the narrator is not happy about the upcoming visit from his wife’s blind friend, Robert. The narrator states “I wasn’t enthusiastic about his visit,” “[Robert] being blind bothered me”, and “a blind
The beginning of the story presents the narrator’s wife working for a blind man one summer by reading, “stuff to him, case studies, reports, that sort of thing” (Carver, 34). She eventually extends an invitation for the blind man, Robert, to stay at their house after Robert’s wife had passed away. The narrator was not too happy about having a stranger stay in his home by stating, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 34). The narrator seems very timid about someone he had never met stay at his house who can see purely nothing. This gives off an impression that the narrator doesn’t want to have Robert stay with him because he will be a hassle to keep up with since blind people in the “movies” progress, “slowly and never
The main character or narrator in the Cathedral was not only jealous of the relationship between his wife and her friend (the blind man); moreover, he had not seen him in person and did not appreciate the idea that he was actually spending the night at their house. However, after the narrator’s encounter with Robert, he perceives that he was not what he expected him to be; instead, he was gentle and friendly. On the other hand, the main character or narrator in everyday use was outspoken and straightforward, explaining about her surroundings and what had transpired in her life. From harsh labor to the different circumstances, she had faced in her lifetime; she also talks about her daughters who had different personalities.
All over the world, people still come to admire the beauty of European cathedrals. Many of the cathedrals are fragile due to age, neglect, pollution, and insufficient funds available to restore these historical and magnificent buildings. Nevertheless, visitors to these architectural masterpieces are fascinated by the design and structure of these churches. The cathedral builders using their own ingenuity, expertise, and limited resources were able to defy the laws of gravity and time. (Icher 30)