Character Sketch Of Padre Pino

Giovanni Bernardone, more widely known as Francis of Assisi, was a Catholic friar that founded the Franciscan Order in the early thirteenth century. The Franciscan Order, under the spiritual guidance and teachings of Francis and his disciples, became one of the largest sects of the Catholic church today. Francis’ teachings brought about a reform in the Catholic church that changed ideas on grace and salvation of the Christian

The early life of Pope John XXIII shaped his morality and future ideas, and his travelling made him tolerant towards other people, cultures and beliefs. He believed that “No one is excluded by love” and pursued this belief throughout is papacy, even visiting prisons in order to forgive those who had sinned,

Next, Alessandra answers the question of why Francesco would give his daughter to an exile. The first reason she mentions is because there is a shortage of young men from good families who have abilities and money. This is another statement that shows us how status, power, and money were all much bigger factors in finding a spouse than they are today. Her second reason was that she only has a small dowry. Once again, this statement speaks to the importance of money in the Renaissance period. The third reason that Alessandra gives is that Francesco has a big family and that this would help them get settled. This statement once again shows the importance of family unity to Renaissance Florence families.

          Florence- Florence is one of Atonio’s friends. Although he does not believe in God, he attends catechism lessons with his friends. Florence’s mother died when he was three. Afterwards, his father slowly killed himself with alcohol. His sisters are now prostitutes at Rosie’s house. He asks Antonio insightful questions that point out the gaps in the Catholic Religion. When Antonio becomes

Not only was life at home difficult for Francis, he also grew up in an atmosphere of civil war. Italy decided to retaliate against the pressing German empire. After a period of fighting with the Germans and resistance to Innocent III, Assisians lived in a very brief time of peace. The peace did not sustain long. Perugia, Assisi’s rival, declared war. Battle between the two communities would last for nearly a decade. Francis was not just a bystander during this period. “Francis fought in it bravely, was taken prisoner, and carried away as a hostage to Perugia.” He would remain in prison for a year. After his release, he became depressed and fell ill.

her. His public moral attitudes were strict (he had been appointed pontifex (priest) at the age of fifteen or

Today I’ll be talking about Francesco della Rovere whom later became Pope Sixtus IV from the 14th century who was mostly known for his renovation and sizable projects throughout Rome which became a supreme element and feature of Rome’s cityscape by the late 15th century. Sixtus assumed to the spiritual role as Pope of the Roman Catholic Church on the 14th of December 1471-1484 and almost immediately got renovations and building projects underway from the Ponte Sisto to the Vatican Library and many streets throughout Rome. Prior to becoming Pope, Sixtus was a prominent scholar and theologian and acquired his doctorate in 1444. Unfortunately most facts about Sixtus before he was Pope are not to be found or are quite rare which leads some historians to think that Sixtus could of been ashamed of his prior life. However we do know that he came from poor family, his father was either a fisherman or a cloth trader, and he became very close friends with the della Rovere family. According to a few sources I found he became so close to that family that he became just like a family

The Deposition from the Cross (Entombment of Christ) by Jacopo Pontormo was completed in 1528 and originally resided in the Florence Charterhouse as the main altarpiece. With it’s distinct iconography, the work was intended to show the public the raw suffering of Christ after his sacrifice and how those around him felt at the time of his death. It holds an uplifting and even hopeful tone with it’s “sour” color palette, a stable for the Mannerist movement.

In St. Augustine’s Confessions and Dante’s Inferno, the central characters in their respective narratives are presented a message from which induces distinct reactions. More importantly, their reactions are reflections of their perspective concerning the Christian outlook

A post Middle Age Italy was afflicted by medieval wars and the bubonic plague. A change was needed to restore the vision of what Italy could become. This change was found within one family: the Medici’s, who helped to return the glory and influence to Florence. The Medici’s saw the value in contributing to the advancement of the greatest minds of the period. This was evident in their patronage of leading Artists such as Michelangelo and of renowned Teachers such as Galileo. The sphere of influence the Medici’s enjoyed also extended to the political arena, which happened to be heavily influenced by the Catholic Church at the time. The Medici’s were able to capitalize on the power of the Church and through this influence and the use of

     This paper will compare the themes found in the paintings “Madonna and Child with St. John the Baptist and an Angel” by Domenico di Bartolomeo Ubaldini (Puligo) and “Madonna Enthroned” by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

St. Francis of Assisi was born in Umbria in the year 1182. He was a child every father hoped for, he was filled with life, a determined and courageous individual. He was gifted with rather good looks, qualities that attracted friends and a gift of leadership. His father was an extremely wealthy merchant in Assisi. But this son, his favourite, was the one who broke Peter Bernardone’s heart. The boy turned on his father, and in a vicious event that eventually resulted into a public scene. St. Francis of Assisi stepped away from his father, his business and left his father in a state of immense emotional suffering.

It was “on the third day of rain” that the Pelayo family found “a very old man, lying face down in the mud…impeded by his enormous wings” (1). By stating in the first line that it had rained for three days, the significance of the rain is exemplified. Being a symbol of rejuvenation and rebirth, the old man can be seen as being reborn on this day. This imagery is further reinforced by the fact that Jesus also was reborn from the dead after three days. Being found in mud also correlates to how Jesus was born among commoners. Many people come to witness the flesh and blood angel. However, the “consolation miracles” performed by the angel were said to show his “certain mental disorder” (4). This again parallels the way God performs strange works. Like Christ, the old man’s apparent disillusion discredited him. All these similarities to Christ give the old man a particular significance.

Francis, was cautious about education such as his protégé possessed. He had seen too many theologians taking pride in their sophisticated knowledge. Still, if the friars had to hit the roads and preach to all sorts of people, they needed a firm grounding in Scripture and theology. So, when he heard the glowing report of Anthony’s debut at the ordinations, Francis wrote in 1224, “;It pleases me that you should teach the friars sacred theology, provided that in such studies they do not destroy the spirit of holy prayer and devotedness, as contained in the Rule.”

This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare