Their Eyes Were Watching God is a novel by Zora Neale Hurston about Janie, who relates her life story of three marriages to her friend Phoeby. Throughout the novel, Janie embarks on a journey to find the limits of her personal horizons and expand them. Janie’s clothing varies from wealthy to poor, and from traditionally masculine to feminine, enriching the narrative with symbolism and supplementary information. Her femininity, actualized in her hair and clothing, is an integral part of her identity. The changing images of clothing throughout the novel exemplify Janie’s developing maturity and gradually show Janie creating a personal identity.
Throughout Janie’s childhood, clothing imagery displays Janie being sheltered by her grandmother and
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From the beginning, Janie’s happiness is abundantly clear in her relationship with Tea Cake. Although she is now a woman in her forties, Janie acts very youthful and unrestricted with him. She wears “new dresses and...comb[s] her hair a different way nearly every day (111)”. Tea Cake allows for Janie to be herself, in stark contrast to misogynistic Joe who constrained her individuality daily. Janie reports that “Tea Cake love[s] me in blue, so Ah wears it (113)”. Mutual respect and love exists in their relationship, so Janie does not mind doing things for Tea Cake. This willingness to act for her husband juxtaposes Janie in her marriage to Logan, whom she did not love, and in her marriage to Joe, who did not respect Janie and treated her like an inferior. The “blue denim overalls (134)” are what the male workers picking crops in the Everglades wore, and what Janie wore when she joined the work. For Janie, they recall the raucous, music-filled nights at Tea Cake’s house with the simplistic workers, and she expands her identity in making the overalls a traditionally masculine staple in her wardrobe. Janie outgrows her shallowness during her time in the muck and becomes “sorry for her friends back [in Eatonville] and scornful of the others (134)”, who she remembers were so fixated on
In Janie’s first marriage with Logan Killicks, an apron is used to symbolize the obligation in her marriage. “ Ah’ll cut de p’taters fuh yuh… When Janie had finished indoors she sat down in the barn with the potatoes ” (27). The apron represents Janie 's role in the marriage as a farm-hand, which is not similar to the beloved role that Janie yearns for in marriage. Janie envisions her marriage as a bond between a couple that is not affected by gender roles but by love, but the apron suggests that her purpose in marriage is to abide by Killicks’ rule. Furthermore, Janie decides to find more in her life, specifically love, and leaves Logan for Joe Starks; Janie expresses her freedom by tossing her apron away. The narrator states, “ That made her feel the apron tied around her waist. She untied it and flung it on a low bush beside the road and walked on…” (32). The apron’s removal reflects Janie’s way of displaying that she is breaking away the bonds of her marriage with Killicks, and the emotional restrictions she suffered. The emotional restrictions that Janie experiences are due to her lack
In the novel, Their Eyes Were Watching God by Zora Neale Hurston, there are many recurring images, one of the most important images is Janie’s hair which represents her power strength, identity, her freedom, and life experience. Her hair also is the cause of some conflicts like with Logan, Jody, and Tea Cake and helps develops who Janie is as character by showing us what she wants throughout this whole story.
Zora Hurston’s Their Eyes Were Watching God follows protagonist Janie Mae Crawford’s journey into womanhood and her ultimate quest for self-discovery. Having to abruptly transition from childhood to adulthood at the age of sixteen, the story demonstrates Janie’s eternal struggle to find her own voice and realize her dreams through three marriages and a lifetime of hardships that come about from being a black woman in America in the early 20th century. Throughout the novel, Hurston uses powerful metaphors helping to “unify” (as Henry Louis Gates Jr. puts it) the novel’s themes and narrative; thus providing a greater understanding of Janie’s quest for selfhood. There are three significant metaphors in the novel that achieve this unity: the
In Their Eyes Were Watching God, Hurston follows the main character Janie’s journey to find love on her own terms. The first man she married, she married to appease Nanny, her grandmother. The second man she marries is Jody Starks, who she marries because she failed to find love for her previous husband. After the oppressive Starks dies, Janie remarries Vergible “Tea Cake” Woods, the only man she has ever loved. They move to “the muck” where Janie feels more at home than ever before because she is with Tea Cake and because she can choose to indulge in her own relations without anyone telling her what to do or with whom to associate.
Representing many ideas and being that 'image' looked upon, it's clear to say that Janie indeed has been attached herself to images as well as becoming one herself. The imagery shown throughout the book was physically and figuratively there with the photograph, idea of a trophy wife, and the mirror. The development of the images throughout the story helped show Janie's progression. Being
Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she
Similarly, Janie makes another great sacrifice when she decides to leave her life of ease and luxury in Eatonville, so she can start a new life with Tea Cake. In Eatonville, she had authority as the store owner and as the former mayor’s wife, but she decides to follow her heart which ultimately leads to her fulfillment of self-actualization with the help of Tea Cake. Without Tea Cake, Janie could not have found herself, and his impact on her remains even after his death. Janie recounts her life lesson to Phoeby saying, “Love is lak da sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore...Two things everybody’s got tuh do for theyselves. They got tuh go tuh God, and they got tuh find out about livin’ fuh theyselves” (191-92). Through Janie’s words, the effect of Tea Cake on her is eminent through how Janie learn about life and herself and leads her to becoming independent. Because Janie sacrifices her luxurious life in Eatonville, through Tea Cake, she fulfills her need of self-actualization, a recurring idea in the book. Janie’s values concerning her life and of Tea Cake are also illuminated in her conversation with Phoeby before she leaves Eatonville. She and Tea Cake “‘...[had] done made up [their] minds tuh
Even before Joe’s death, Janie “was saving up feelings for some man she had never seen. She had an inside and an outside now and suddenly she knew not how to mix them.”(75) Joe’s influences controlled Janie to the point where she lost her independence and hope. She no longer knew how to adapt to the change brought upon her. When she finally settles and begins to gain back that independence, the outward existence of society came back into play. “Uh woman by herself is uh pitiful thing. Dey needs aid and assistance.”(90) Except this time Janie acted upon her own judgment and fell for someone out of the ordinary. Tea Cake was a refreshing change for Janie, despite the society’s disapproval. “Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.”(128) This was what she had always dreamt of. When she was with Tea Cake, she no longer questioned inwardly, she simply rejected society’s opinions and acted upon her own desires.
The final stage in Janie’s development as a woman is her marriage with the twelve years younger Tea Cake. Both are totally in love with each other and Janie lives a live she has never lived before. She experienced a big change when she moves from her formal live as “Mrs. Major” (43) in Eatonville to the Everglades where Tea Cakes teaches her how to farm, fish and hunt and introduces a totally new rural life to her. Janie described her lifestyle in these days with "...we ain't got nothin' tuh do but do our work and come home and love" (127).
The film Their Eyes Were Watching God, based off of the novel by author Zora Neale Hurston, is a story of a young woman named Janie who spends the film narrating her life story to a friend. Janie’s story is one of self-exploration, empowerment, and the ability to express her freedoms both as a maturing woman and African American, throughout her life experiences. As she navigates through sexism and racism to find herself it becomes more evident that it will be more difficult than she initially thought to reach a point of happiness.
Their Eyes Were Watching God was a book that presented the world with a new look on writing novels. Zora Neale Hurston’s experience in what she has seen through research was embodies in this novel. She demonstrates what data she has collected and intertwined it into the culture within the novel. While being a folklorist/anthropologist, and inspired by her life experiences, she developed a character who dealt with the issues that were not yet uncovered, female empowerment was one of them. Zora Neale Hurston defined this topic of female empowerment throughout the character Janie in Their Eyes Were Watching God.
Despite cultural pressures, individuals will instead follow their own moral compass. Their Eyes were Watching God, by Zora Neale Hurston, follows Janie’s path of self-discovery. When she in a relationship with her second husband, she is given the label of a “skank”, someone who goes around to several men instead of settling down. The novel took place in the late 1930’s in the South, the time was a male-dominated society and stereotypes of women limited the options of a female’s future. Janie has been placed under the category of being a bad person because the community, her husband, and family’s ethics clash with her own morals. Janie reflects to her friend Phoebe on how her grandmother restricted her future by forcing her first marriage: “...had
It is Janie’s relationship with Nanny that first suppresses her self-growth. Janie has an immense level of respect towards Nanny, who has raised Janie since her mother ran off. The respect Janie has for her grandmother is deeper than the respect demanded by tradition, from a child toward his caretaker, probably because
Janie is a black woman who asserts herself beyond expectation. She has a persistence that characterizes her search for the love that she dreamed of since she was a girl. Janie understands the societal status that her life has handed her, yet she is determined to overcome this, and she is resentful toward anyone or anything that interferes with her quest for happiness. "So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see, "(Page 14) laments Janie's grandmother as she tried to justify the marriage that she has arranged for her granddaughter with Logan Killicks. This paragraph establishes the existence of the inferior status of women in Janie's society, a status which Janie must somehow overcome in order to emerge a heroine in the end of the novel.
As two different people, Janie and Tea Cake are allowed to live their lives as equals. When living with Joe, Janie is never allowed to do things such as speaking her mind, playing games, or doing anything which is not completely ladylike. Tea Cake encourages her to do things which were previously not open to her, such as playing chess, speaking openly about her feelings, and hunting. He teaches Janie to shoot and hunt wild game.