Essay on Janie in Their Eyes Were Watching God

He wanted her submission..." (71). Janie begins to feel that she must fend for herself in her

She ended up living a life full of manipulation and mediocrity. While living with Joe, she had to tend to many different tasks as his wife.  She wasn't independent with him either.  She was Joe's tag-a-long.  'She went through many silent rebellions over things like that.  Such a waste of life and time.  But Joe kept saying that she could do it if she wanted to and he wanted her to use her privileges.  That was the rock she was battered against.' (Hurston, 51)  Janie always had to wear her hair a certain way, always up in a head rag, in order not to attract attention to other men and women. She was always in a state of loneliness with herself.  While married to Janie, he would not allow her to attend the people's gatherings believing that she does not belong to such a group of lower class people.  Joe was depriving Janie of her independence and sanity.  "Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman either.  Ah reckon Ah looks mah age too.  But Ah'm us woman every inch of me, and Ah know it.  Dat's uh whole lot more'n you kin say.  You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice.  Humph!  Talkin' 'bout me lookin' old!  When you pull down yo' britches, you look lak de change uh life." (Hurston, 75)  This quote spoken by Janie proves that she was getting sick and tired of being pushed around by Joe and his stuck-up ways.  This was a slow

The world of Janie Crawford in Their Eyes Were Watching God was one of oppression and disappointment. She left the world of her suffocating grandmother to live with a man whom she did not love, and in fact did not even know. She then left him to marry another man who offered her wealth in terms of material possessions but left her in utter spiritual poverty. After her second husband's death, she claims responsibility and control of her own life, and through her shared love with her new husband, Teacake, she is able to overcome her status of oppression. Zora Neale Hurston artfully and effectively shows this victory over oppression throughout the book through her use of

Initially Janie was raised in a impecunious African American household by her grandmother. She was taught from a young age that marriage equals love and that women depend on men for financial security. Janie wanted a love “sweet…lak when you sit under a pear tree” (29) but instead receives Logan, a man who wants her to “chop and tote wood” and calls her “spoilt rotten.” (31) Janie was stuck to succumb to these expectations when she was with Logan. However, Janie’s second marriage begins with a personal choice that Janie makes to leave Logan and follow Jody, a man whose plan was to build “a town all outa colored folks” and become a leader in the new city. Just the fact that she left her first husband was a very bold move, but the profound point is that Janie chooses to get together with another man. Janie expresses her true feelings and voice by leaving Logan and telling him that he “ain’t done [her] no favor by marryin’ [her.]” This displays that Janie’s views on marital expectations have took a turn and she will no longer be put under this illusion of a perfect woman during this time period. However this newly acquired confidence that Janie had gained

All through the novel Janie travels through valuable life experiences allowing her to grow as a woman. Janie at first has a difficult time understanding her needs rather than wants, but as she continues to experience new situations she realizes she values respect. Janie’s first two marriages turned out to be tragic mistakes, but with each marriage Janie gained something valuable. When Janie is disrespected in her second marriage with Joe Starks, he publicly humiliates her, disrespecting her as a wife and woman. This experience forced Janie to come out of her comfort zone and stand up for herself.

Janie’s outward appearance and her inward thoughts contrast following Joe’s death. She finally frees herself from his control only after he dies as she, “…tore off the kerchief…and let down her plentiful hair” (87). In freeing her hair, Janie begins to free herself from others’ control and social norms. However, she chooses to keep it tied up until after Jody’s funeral in order to keep appearances that she is grieving his passing in front of the townspeople. However, on the inside, Janie doesn’t really feel any sorrow and “sent her face to Joe’s funeral, and herself went rollicking with the springtime across the world” (88). It is only after Joe’s elaborate funeral that Janie shows her first act of freedom by burning “every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (89). She chose to let her hair be free from his domination, thus freeing herself from him overall and allowing herself to move onto the next journey in her life.

This excerpt establishes the existence of the inferior status of women in this society, a status which Janie must somehow overcome in order to emerge a heroine. This societal constraint does not deter Janie from attaining her dream. "She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman" (Their Eyes 24).

Janie’s Grandma plays an important outward influence from the very beginning. Her perspective on life was based off of her experience as a slave. “Ah was born back due in slavery so it wasn’t for me to fulfill my dreams of whut a woman oughta be and to do.” (16) She felt that financial security,

The first type of love is that from parents. Janie was deserted by her mother, leaving her grandmother to raise her. In her quest for romantic love, she encounters different men who exhibit different types of behavior. At the time, the opinion of women was not considered as important, and this is in accordance with the choice that her grandmother made for her in regards to her husband. Nanny believed that Logan, a potato farmer would offer Jane security and in her eyes qualified as an ideal husband. This portrays the role of women in the society. “De nigger woman is de mule uh the world so fur as Ah can see’ (p. 14). Janie constantly believed that her life was destined to have unconditional and desirable love. According to Nanny, Janie’s dreams were irrelevant as no one cares for what she wanted or even thought and was expected to submit to any treatment. The comment by Nanny shows the mindset of many people at the time. Despite the abolishment of slavery, the black community suffered from mental slavery, and they believe that only the white man had a choice to lead a better

Throughout a fair part of Zora Neal Hurston’s novel, Their Eyes Were Watching God, Janie’s low class create problems when it comes to men. She lives with men she does not love because they give her the financial stability she cannot have yet on her own. Janie marries Logan Killicks at a young age even though she does not want to

In essence, Janie had a hard time finding her identity but she never gave up, she was willing to go on and find out who she is. Throughout Janie’s childhood, her marriage to Logan, Joe, and then finally Tea Cake she struggled with finding her true self. Janie has always hoped to have an identity independent of anyone else but never really knew how to achieve this goal until she finally left Tea Cake. Janie to me is a model for women who wish to behold their own freedom, identity, and a sense of self. Overall Janie's true identity is one that many women like myself wish to maintain because of her strong willpower and self confidence that no one in her time period would usually have.

The main character, Janie Woods, is unlike any other character throughout the novel, being 75% white and 25% black. For this she was not only looked up to but also looked down upon. She was an outsider within her own community while from the male perspective, she was a prized possession to anyone that could gain her affection. It is important that Hurston told the story about how Janie reached her full potential because it clearly demonstrates how anyone can gain happiness if they simply try. The women on the porch who judge her have hopes and dreams like anyone else. However, Janie is different than them by the way she risks everything she has to chase after her dreams. She encountered many difficulties with this approach at first, involving her marriages with Logan and Joe. Although, she overcame such challenges stronger than ever. Her ending may seem melancholy with the death of Tea Cake, but it is actually tragically perfect. Everything Janie dreamed of as a child was true love and this is exactly what she ended up with. She gained a voice in her life which was masked in her previous relationships. At the end of the novel, Janie is quite content with where her life stands and it is clear to the reader that the problems she endured were actually quite necessary. Although it was sorrowful to see Janie grappling for her dreams, Hurston uses each obstacle to

Janie's first dream was dead, so she became a woman" (24). Janie's prayer is her final plea for a change in her life. She says "Lawd, you know mah heart. Ah done de best Ah could do. De rest is left to you" (23).

Hurston’s main way of inspiring a sense of feminism in her novel, is through the relationships of Janie including her Nanny, Logan Killicks, Joe Starks, and Tea Cake. She addresses Janie’s role differently in each of these relationships using motifs and stereotypes. Janie begins her journey of self-discovery following the dreams of her Nanny to becoming a strong, independent woman who makes her own decisions. All of the roles that Janie obtains stem from the distinct

Throughout the book Janie struggles to find the true definition of love and how to make herself happy with her relationships. She goes through several different ideas of love before finding that it is mutual compassion, understanding, and respect that makes her the most happy.